Spelade
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How did the murder of Archduke Franz Ferdinand lead events in Europe to spiral out of control so rapidly? Why was Germany and Austria-Hungary's bloody clash with the Russian empire during the First World War so brutal? And why has the fighting on the eastern front between 1914 and 1918 been overshadowed by its counterpart in the west? Speaking to Spencer Mizen, historian Nick Lloyd answers your questions on one of the most brutal theatres of conflict both in the First World War, and modern warfare as a whole.
(Ad) Nick Lloyd is the author of The Eastern Front: A History of the First World War (Viking, 2024). Buy it now from Amazon: https://www.amazon.co.uk/Eastern-Front-History-First-World/dp/0241506859#:~:text=Book%20overview&text=In%20the%20second%20volume%20of,the%20collapse%20of%20three%20empires./?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty.
The HistoryExtra podcast is produced by the team behind BBC History Magazine.
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Paul McCartney and John Lennon had a knack for finishing each other's songs. They collaborated by lending ideas for verses, choruses and middle eights many times over the course of their partnership. 1967’s “A Day in the Life” is one of the most prominent examples of McCartney and Lennon’s collaboration. What started as a Lennon song, once worked on with McCartney, became a truly collaborative piece—and a standout in The Beatles’ catalog.
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger.
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.
See omnystudio.com/listener for privacy information.
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This episode will change how you look at games. We talk to Ben Brode, the designer behind Hearthstone and Marvel Snap, about how a creative person learns to make the things they love, and about the secret ideas hiding in games as simple as rock-papers-scissors.
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In 1968 the longest song to ever reach number one on the Billboard charts was Paul McCartney’s epic “Hey Jude”—clocking in at seven minutes and twelve seconds. The song was written to soothe John Lennon’s son Julian amid his parent’s divorce. But as with all great works, it has come to mean something a little different to everyone who hears it.
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger.
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.
See omnystudio.com/listener for privacy information.
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It's time for another mailbag episode, as Kirk takes on questions about Evanescence piano, Kelis bells, and counting in songs by Phish, Vessels, Ten Years After, and Kishi Bashi. All that, and a friendly dispute about a Taylor Swift song.
"Milkshake" by Neptunes/Kelis from Tasty, 2003"Going Under" by Evanescence from Fallen, 2003Joe Lovono plays the AulochromePat Metheney plays the Pikasso 42-string GuitarMatt Glassmeyer and Jano Rix demonstrate the ShuitarFuture Man plays Synth Axe Drumitar live with the Flecktones"What About Me?" by Snarky Puppy from We Like It Here, 2014"Shimmer Intend Spark Groove Defend" feat. Nels Cline from What Is To Be Done, 2019"Angst In My Pants" by Sparks from Angst in my Pants, 1982"The Sky Was Pink" by Nathan Fake, covered by Vessels, 2012"Hahaha, Pt. 2" by Kishi Bashi from Lighght, 2014"Mound" by Phish from Rift, 1993"I'd Love to Change the World" by Ten Years After from A Space in Time, 1971"Bad Blood" (Taylor's Version) by Taylor Swift feat. Kendrick Lamar, 2015/2023Elton John plays "Goodbye Yellow Brick Road" at Dodger Stadium, 2022The NIOSH Sound Level Meter AppOUTRO SOLOIST: BJ Cord
This episode's outro soloist is BJ Cord, a fantastic trumpet player based in Portland. BJ works at Monette trumpets making some of the most beautiful horns in the world, and is a regular presence on their Instagram: https://www.instagram.com/monettetrumpets
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Weird Al has been writing songs and recording parodies for four decades, and his musical footprint is unfathomably wide. In this minisode, originally released in October 2022, Kirk gets into a few things he didn't have room for in the main feed episode about "The Biggest Ball of Twine in Minnesota."
FEATURED/DISCUSSED:
"Money for Nothing/Beverly Hillbillies" by Yankovic, a parody of "Money for Nothing" by Mark Knopfler & Definitely Sting from Brothers in Arms, 1985A really interesting Sound on Sound article about the production of Brothers in Arms"Spam," by Yankovic, a parody of "Stand" by REM from Green, 1989"Smells Like Nirvana" by Yankovic, a parody of "Smells Like Teen Spirit" by Nirvana from Nevermind, 1991"Livin' in the Fridge" by Yankovic, a parody of "Livin' on the Edge" by Aerosmith from Get a Grip, 1993"Bohemian Polka," by Yankovic, a rearrangement of "Bohemian Rhapsody" by Freddie Mercury and Queen from A Night at the Opera, 1975----LINKS-----
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https://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:
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Writer, comedian, and actress Tina Fey feels good about being Conan O’Brien’s friend; it tracks.
Tina and Conan sit down to discuss SNL-induced OCD, bringing Mean Girls to Broadway, husband Jeff Richmond’s mysterious recurring Conan role, getting over the “chipple,” and improvising like a writer. Plus, Conan responds to a voicemail about which president he’d like to eat.
Got a question for Conan? Call our voicemail: (323) 451-2821.
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One day in the car, Paul McCartney heard a BBC production of the absurdist play “Ubu Cocu” by french writer Alfred Jarry. Taken by the rebelliousness of the radio play, McCartney wrote a sweet-sounding tune about a murderous medical student that seemingly lives in the same universe as Ubu: “Maxwell’s Silver Hammer.”
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger.
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.
See omnystudio.com/listener for privacy information.
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1970s Britain has gained a reputation for being fairly bleak, filled with strikes and economic turbulence. But was it really so terrible? From the uniting power of television to his grandfather's safari suit, Alwyn Turner takes Lauren Good on a journey through this decade of change, answering listener questions along the way.
The HistoryExtra podcast is produced by the team behind BBC History Magazine.
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We investigate unsettling rumors that fish purveyors may be mislabeling fish to save a buck. Our path leads us deep into the shadowy world of blackmarket fish sales, and sends us hot on the trail of the infamous ex-lax fish. Plus, we look back to antiquity for the first ever recorded emergency podcast.
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Have mercy! John Stamos finally spills the tea on a storied career in his new, sort-of-a-bombshell memoir "If You Would Have Told Me." From General Hospital to Full House, getting a handie under the table at Le Dome to getting a DUI on the way to Spago, this is one wild, extremely PG-13-rated journey with America's hottest uncle. RIP Bob Saget.
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Tickets are going to sell out for these 1000th Episode shows. Cant wait to see you all. Sunday October 29th @GRAMERCYTHEATRE NYC
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outro: Daniel Meteo / Return of the Pure / Working First Class
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What’s Paul McCartney, a Liverpudlian, doing writing about the Soviet Union in 1968? Turns out McCartney was doing a little Chuck Berry, a bit of The Beach Boys, some pastiche and a lot of subversion. Opening “The White Album”, “Back in the U.S.S.R.” raised some eyebrows. And because of The Beatles’ evolving position within the former Eastern Bloc the song has over the years taken on a life of its own, following the trajectory of the West’s often fraught relationship with the region.
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger.
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.
See omnystudio.com/listener for privacy information.
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Live October 29th nYc @ the Gramercy Theatre Episode 1000 Celebration
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Jennette McCurdy turned the pain of her abusive upbringing and the resentment she had toward her show business career into the blockbuster memoir I’m Glad My Mom Died. More than a year after its release, Jennette talks with Marc about the perspective she gained now that her story is out in the world, how she separates her Nickelodeon past with her self-actualized present, and how she’s looking to continue giving voice to sensitive topics, like with her new podcast Hard Feelings.
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Arnold Schwarzenegger likes to focus on life’s victories. That makes for an interesting contrast with Marc, a self-described “obstacle guy.” Arnold and Marc find that their differing approaches to taking on the world make for good conversation about generational change, political awakenings and being useful, which is the subject of Arnold’s new book. They also discuss bodybuilding, James Cameron’s vegan advice, and Arnold’s rivalry-slash-friendship with Sylvester Stallone.
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Tom Papa’s last trip to the garage was mostly about his comedy past, reflecting on how he and Marc got to where they are in their chosen profession. This time, Tom and Marc are thinking mostly about their futures, how they’re navigating the comedy world at their ages and success levels while staring at a not-too-distant time when the stage light goes out for good. Just two comedians discussing meaning, maturity, mysticism and maintaining the funny.
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Larry Charles always knew he liked comedy but he also knew he liked being a button-pusher. Those preferences are on display in his writing for Seinfeld, his work on Curb Your Enthusiasm, and his direction of movies like Borat, Bruno, and his latest film Dicks: The Musical. Larry and Marc talk about comedy’s role in the world as a display of defiant humanity, their shared appreciation of John Waters, and Larry’s filmmaking experience with Bob Dylan.
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Caring for ailing senior dogs is a passion project for Helen and her husband, who run the nonprofit dog hospice Old Dogs Go to Helen. They rely on donations to pay for the dogs’ medical and comfort care until they pass on. One day, they receive a text message appearing to be from the nonprofit’s Bank of America account, which leads them through a familiar series of steps to secure their accounts from a possible fraud. While Helen thought she was averting a crisis, she was actually the victim of a sophisticated bank impersonation fraud.
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Why would the government give Korianne a coupon for a free apartment that she can’t find? We have a question from a listener who finds herself very lost in Wisconsin. And a bonus question, from the internet’s own Taylor Lorenz: What happens when you pay someone else to surf your internet?
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And you can order Taylor Lorenz's new book here.
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