Spelade
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This lecture uses the records of hundreds of parishes and boroughs to see how communities coped with the pressures of war in Henry VIII's England. This included buying and maintaining up-to-date weapons and armour, fortifying the coasts and developing new mechanisms of local government to organise their efforts.
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This lecture introduces the series and asks how many people took part in war in Henry VIII's England and how far those not directly involved were aware of what was happening.
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Melvyn Bragg and his guests discuss Robert Burton's masterpiece The Anatomy of Melancholy.In 1621 the priest and scholar Robert Burton published a book quite unlike any other. The Anatomy of Melancholy brings together almost two thousand years of scholarship, from Ancient Greek philosophy to seventeenth-century medicine. Melancholy, a condition believed to be caused by an imbalance of the body's four humours, was characterised by despondency, depression and inactivity. Burton himself suffered from it, and resolved to compile an authoritative work of scholarship on the malady, drawing on all relevant sources.Despite its subject matter the Anatomy is an entertaining work, described by Samuel Johnson as the only book 'that ever took him out of bed two hours sooner than he wished to rise.' It also offers a fascinating insight into seventeenth-century medical theory, and influenced many generations of playwrights and poets.With:Julie SandersProfessor of English Literature and Drama at the University of NottinghamMary Ann LundLecturer in English at the University of LeicesterErin SullivanLecturer and Fellow at the Shakespeare Institute at the University of Birmingham.Producer: Thomas Morris.
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Ordered by King Henry VIII and carried out by Thomas Cromwell, the dissolution of the monasteries was the greatest land re-distribution in England since the Norman Conquest, and the largest windfall of cash to the crown in history. Between 1536 and 1540, 800 religious houses were dissolved leading to nothing less than the wholesale destruction of monasticism.
In this edition of Not Just the Tudors, Suzannah Lipscomb talks to writer and historian Mathew Lyons about the dissolution and its far-reaching consequences - on pregnant women, the poor and the libraries of England.
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"When sorrows come, they come not single spies,
But in battalions..." —HAMLET (4.5.83)
It's a striking comment that occurs late in this podcast—and by the time you hear it, you may well agree: "Without Bacon and Shakespeare, we might not have won the war in the Pacific," says Bill Sherman, head of research at the Victoria and Albert Museum and professor of Renaissance studies at the University of York.
Rebecca Sheir, host of our Shakespeare Unlimited series, talks with Sherman about the flowering of codes, ciphers, and secret message systems during the Renaissance—including a brilliant cipher devised by Francis Bacon—and their surprising influence on modern cryptography.
As Sherman explains, William Friedman, the top US cryptographer whose team broke the Japanese diplomatic code before World War II, had once been a junior staffer on a team that sought to find Bacon's real-life cipher embedded in the plays of Shakespeare (a once-popular notion that he and his wife and fellow cryptographer Elizebeth later debunked).
That early exposure to Renaissance cryptography shaped Friedman's career, as he soon became the founder of modern American cryptography. Listen to learn more about why you might say that Bacon and Shakespeare—through their influence on Friedman—did indeed help to win the war.
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From the Shakespeare Unlimited podcast series. © Folger Shakespeare Library. All rights reserved.
Produced for the Folger Shakespeare Library by Richard Paul. Garland Scott is associate producer. Edited by Gail Kern Paster and Esther Ferington. Recorded by Toby Schreiner. -
In this final episode about the sound changes associated with the Great Vowel Shift, we explore the vowel shifts that took place in the back of the mouth. We also explore how these changes impacted the way words are spelled … Continue reading →
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In this second part of our look at the Great Vowel Shift, we explore the movement of the vowel sounds located in the bottom front part of the mouth. We also examine how these sounds were traditionally spelled and how … Continue reading →
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The term ‘Great Vowel Shift’ was coined in the early 1900s by the Danish linguist Otto Jespersen to describe a systematic change in the long vowel sounds of English. The changes help to mark the transition from Middle English to … Continue reading →
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William Caxton introduced the mass production of books to England in the 1470s. He was also the first person to print books in the English language via the printing press. Caxton’s publications reveal the priorities and concerns of a businessman, … Continue reading →
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The Folger started with Henry and Emily Folger, two collectors who loved books and Shakespeare and had the means to pursue what they loved. They were supported by booksellers, who make their livelihoods poring through collections of books and ephemera and bringing those items to the people who want them.
"The Booksellers," a new documentary directed by D.W. Young, explores the New York rare book world in all its depth, breadth, history, and quirkiness. In it, you’ll meet Syreeta Gates, who is preserving the artifacts of ‘80s and ‘90s hip-hop; Caroline Schimmel, a pioneering collecting of women’s writing; Jay Walker, the collector behind the Museum of the History of Human Imagination; Michael Zinman, who sought out “damaged” books at a time before other booksellers understood their real value; and many other passionate booklovers.
We talked to D.W. Young to learn more about the present state of this community and to find out where it goes from here. Young is interviewed by Barbara Bogaev.
D.W. Young’s films have screened at festivals around the world, including the New York Film Festival, South by Southwest, and the Vancouver International Film Festival. "The Booksellers," executive produced by Parker Posey, is streaming on iTunes, Amazon, and other Video-On-Demand platforms in the US. It is available on DVD and through virtual cinema screenings.
From the Shakespeare Unlimited podcast series. Published July 7, 2020. © Folger Shakespeare Library. All rights reserved. This podcast episode, “I Loved My Books,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California. -
Melvyn Bragg and his guests discuss the life and influence of William Caxton, the merchant who brought the printing press to the British Isles. After spending several years working as a printer in Bruges, Caxton returned to London and in 1476 set up his first printing press in Westminster, and also imported and sold other printed books. Caxton concentrated on producing popular books that he knew would sell, such as Chaucer's 'Canterbury Tales' and small liturgical 'books of hours'. The standard of Caxton's printing may have lagged behind that on the continent, but he was a skilful businessman and unusually for printers at the time, he managed not to go bankrupt. The advent of print is now seen as one of the great revolutions in intellectual history - although many scholars believe it was a revolution that took many generations to have an effect.
With:
Richard GamesonProfessor of the History of the Book at the University of Durham
Julia BoffeyProfessor of Medieval Studies in the English Department at Queen Mary, University of London
David RundleMember of the History Faculty at the University of Oxford
Producer: Natalia Fernandez.
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"Though this be madness, yet there is method in ’t."
(Hamlet, 2.2.223)
Plenty of people today consider Shakespeare a literary genius, a pillar of theater history, a gifted writer of timeless love poems, and more. But even the most over-the-top contemporary admirer of Shakespeare is unlikely to consider him a pioneer of modern medical science... much less forensic psychiatry. Hard as it may be to believe, however, there was a strange period in American history when that's exactly how William Shakespeare was seen in both law and medicine.
Rebecca Sheir, host of the Shakespeare Unlimited series, interviews Benjamin Reiss, a professor in the English department at Emory University and the author of a book called "Theaters of Madness: Insane Asylums and Nineteenth-Century American Culture."
"From the mid-1840s through about the mid-1860s in the United States, during the first generation of American psychiatry, no figure was cited as an authority on insanity and mental functioning more frequently than William Shakespeare," says Reiss. Such citations were not just in medical journals, he adds, but in sworn legal testimony.
The reason, we learn in this podcast, was essentially this: Modern psychiatry was a fledgling field, regarded with distrust and little respect by many Americans. What it needed, above all, was authority—and what better, more respected authority than the great playwright? Join us to explore this curious yet fascinating intersection between civil society and William Shakespeare.
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From the Shakespeare Unlimited podcast series. © Folger Shakespeare Library. All rights reserved. Produced for the Folger Shakespeare Library by Richard Paul. Garland Scott is associate producer. Edited by Gail Kern Paster and Esther Ferington. Recorded by Toby Schreiner. -
In this episode, we look at some dirty riddles from Anglo-Saxon England and a fart so powerful that it blinded a man.
For translation and commentary on the riddles, see:
https://theriddleages.wordpress.com/riddles-by-number/
For a good book on the Exter Book, check out:
https://amzn.to/3dT4jr9
For a cheap translation of the Canterbury Tales, here:
https://amzn.to/3dUeuMm
For updates on episodes, follow me on twitter: https://twitter.com/wjb_mattingly
If you want to reach me, my email is [email protected]
Music:
Heavy Interlude by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100515Artist: http://incompetech.com/ -
In this episode, our subject is Medieval Beasts. We look at a species of beasts known as Cynocephaly, or dog-headed men. No, these aren't werewolves.
Heavy Interlude by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100515Artist: http://incompetech.com/ -
What is a knave? How about a varlet? Did people in Shakespeare’s time really throw the contents of their chamber pots out of their windows? And was that, like. . . encouraged? If you’ve ever wondered about the naughty bits of early modern history and culture, Ruth Goodman’s book is for you. How to Behave Badly in Elizabethan England: A Guide for Knaves, Fools, Harlots, Cuckolds, Drunkards, Liars, Thieves, and Braggarts covers all the things we don’t talk about in polite company, including dirty words, bad manners, criminal conduct, and sex. We talked with Goodman about what bad behavior can tell us about Shakespeare’s world and about our society today.
Ruth Goodman is an author, historian of British social and domestic life, host of a BBC TV series, and an advisor to the Royal Shakespeare Company. She is interviewed by Barbara Bogaev.
From the Shakespeare Unlimited podcast series. Published October 30, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, “My Speech Of Insultment Ended On His Dead Body,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Ben Lauer is the web producer. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California and Aidan Lyons at the Sound Company in London. -
Geoffrey Chaucer was one of the first English writers to compose dialogue in regional dialects to reflect the way characters spoke in the different parts of England. In this episode, we explore the dialogue of Chaucer’s northern students in the … Continue reading →
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What explains the difference between English and American accents? On this episode of Reasonably Sound, Mike Rugnetta explains that this spoken phenomenon starts with the written word.
-- On American versus English Spelling --
Why Do Brits and Americans Spell Words Differently?
http://www.livescience.com/33844-british-american-word-spelling.html
Americanize, Anglicise: Why Do Brits And Yanks Spell Words Differently?
http://io9.gizmodo.com/americanize-anglicise-why-do-brits-and-yanks-spell-wo-1671334487
Present Day American Spelling from The Cambridge History of the English Language, Volume 6
https://books.google.com/books?id=ia5tHVtQPn8C&pg=PA352&dq=american+and+english+spelling+differences&hl=en&sa=X&ei=KmWtVNOoEoLksATGpoDgCg&ved=0CCgQ6AEwAA#v=onepage&q=american%20and%20english%20spelling%20differences&f=false
-- Main Sources for this Episode --
A History of the English Language by Elly van Gelderen
http://www.historyofenglish.net/
Linguistics for Everyone: An Introduction by Kristin Denham, Anne Lobeck
http://www.cengagebrain.com/shop/ISBN/1413015891?cid=GB1
Why Do Americans and Brits Have Different Accents?
http://www.livescience.com/33652-americans-brits-accents.html
When Did Americans Lose Their British Accents?
http://mentalfloss.com/article/29761/when-did-americans-lose-their-british-accents
Received Pronunciation
http://en.wikipedia.org/wiki/Received_Pronunciation
-- Previous version of this episode contained --
- Hudson Cycle – Nico Muhly
- I’m Afraid of Americans (V1) – David Bowie
- Americans – Oneohtrix Point Never
- Paper Crumpling R – Sesame Street
- Messages Received – Cabaret Voltaire -
In Shakespeare’s THE TEMPEST, the magician Prospero conjures up a storm, charms his daughter to sleep, and uses his power to control Ariel and other spirits. Is this magic for real, or is Prospero pulling off elaborate illusions?
Fascinated by this question and by Prospero’s relinquishing of magic at the play’s end, Teller (of the magic/comedy team Penn & Teller) co-directed a production of THE TEMPEST with Aaron Posner at Chicago Shakespeare Theater in 2015.
In this episode of Shakespeare Unlimited, Teller joins Barbara Mowat, director of research emerita at the Folger and co-editor of the Folger Editions, to talk about magic in THE TEMPEST and other Shakespeare plays, as well as the attitudes about magic in late sixteenth- and early seventeenth-century England. Teller and Mowat are interviewed by Barbara Bogaev.
From the Shakespeare Unlimited podcast series. © March 8, 2016. Folger Shakespeare Library. All rights reserved. This podcast episode is called “Enter Prospero in His Magic Robes, and Ariel.” It was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. We had help from Melissa Marquis at NPR in Washington, Rick Andrews and Casey Morell at Nevada Public Radio in Las Vegas, and Steven Martin at KPCC in Los Angeles. -
The earliest printers spread from Mainz in Germany where Gutenberg first had his printing house to Venice, Rome, Paris, and the Netherlands. Examples from all of these centres of 15th-century printing are found in Bodleian collections.
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The late 10th century and early 11th century was the Golden Age of Old English literature. But much of the literature produced during that period was lost to history. Thankfully, a handful of book collectors realized the value of those … Continue reading →
- Visa fler
