Relaterat
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Philosophical and esoteric perspectives from a modern day Showman.
Each season is different in its approach. S1 is essays. S2 is one book length attempt at Understanding Showmanship, S3 is conversations with remarkable Showfolk. The brand new Season 4 explores the relationship between Showmanship and Play.
The host, Captain Frodo, internationally renowned circus performer, director, writer, husband and dad lays out, in great detail, his practical performance philosophy for performers who seek to deepen the conversation with their audiences and themselves. You can find him, and more of his writing at: www.thewayoftheshowman.com -
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An entrancing look at the world of performance and creativity. Learn about the neuroscience of the “it” factor, listen to artists who channel ghosts to create their work, and hear firsthand from a booking agent about how to promote yourself as an artist. Host, Holly Shaw, a hypnotherapist and performance coach to Emmy award winning and Grammy nominated artists, includes spotlight coaching sessions, the "open channel game" where guests go into trance and answer questions, and wildly far-out conversations with musicians, actors, choreographers, and influencers on this podcast. As one reviewer says, “Holly is amazing at pulling deep wisdom out of her interviewees. This podcast is a must listen!"
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In this podcast, a self-identified Socialist examines the arguments in Ayn Rand's book, Atlas Shrugged. Far from simply shooting down the ideas in the book, Jonathan Seyfried does their best to argue on fair ground. Through a close read, listeners will come away with a genuine appreciation for Rand's strongest arguments as well as an understanding of the flaws. NOTE: this is not a read aloud of Atlas Shrugged, but instead a critical close reading.
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In this podcast we explore great works of philosophy and literature and art, and try to pull out of them what’s most interesting and inspiring! Whether they come from the works of Plato, or Dostoevsky or Picasso, here we explore ideas that move mountains and rock the soul! So, come join us, won’t you? Come worship at the alter of ideas, and come celebrate the dancing of thought. Welcome to the Wisdom Of!
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Consolation of Philosophy (Latin: Consolatio Philosophiae) is a philosophical work by Boethius written in about the year 524 AD. It has been described as the single most important and influential work in the West in medieval and early Renaissance Christianity, and is also the last great work that can be called Classical. Consolation of Philosophy was written during Boethius’ one year imprisonment while awaiting trial, and eventual horrific execution, for the crime of treason by Ostrogothic King Theodoric the Great. Boethius was at the very heights of power in Rome and was brought down by treachery. It was from this experience he was inspired to write a philosophical book from prison reflecting on how a lord’s favor could change so quickly and why friends would turn against him. It has been described as ‘by far the most interesting example of prison literature the world has ever seen.’ The Consolation of Philosophy stands, by its note of fatalism and its affinities with the Christian doctrine of humility, midway between the heathen philosophy of Seneca the Younger and the later Christian philosophy of consolation represented by Thomas Aquinas. – The book is heavily influenced by Plato and his dialogues (as was Boethius himself).
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Arthur Schopenhauer, an early 19th century philosopher, made significant contributions to metaphysics, ethics, and aesthetics. His work also informed theories of evolution and psychology, largely through his theory of the will to power – a concept which Nietzsche famously adopted and developed. Despite this, he is today, as he was during his life, overshadowed by his contemporary, Hegel. Schopenhauer’s social/psychological views, put forth in this work and in others, are directly derived from his metaphysics, which was strongly influenced by Eastern thought. His pessimism forms an interesting and perhaps questionable contrast with his obvious joy in self-expression, both in the elegance of his prose and in his practice of playing the flute nightly. His brilliance, poetry, and crushing pessimism can be seen immediately in this work, as for example in this claim from the first chapter: “The pleasure in this world, it has been said, outweighs the pain; or, at any rate, there is an even balance between the two. If the reader wishes to see shortly whether this statement is true, let him compare the respective feelings of two animals, one of which is engaged in eating the other.” We see also, in this work, his misogyny, as for example in his claim that “as lions are provided with claws and teeth, and elephants and boars with tusks, . . . so Nature has equipped woman, for her defence and protection, with the arts of dissimulation; and all the power which Nature has conferred upon man in the shape of physical strength and reason, has been bestowed upon women in this form.” Given his opening comment, the translator, T.B. Saunders, seems to have been at least somewhat sympathetic to this perspective.
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The Enquiry Concerning Human Understanding is a shortened and simplified version of Hume’s masterpiece A Treatise of Human Nature. It sought to reach a wider audience, and to dispel some of the virulent criticism addressed toward the former book. In it, Hume explains his theory of epistemology, and argues against other current theories, including those of John Locke, George Berkeley, and Nicolas Malebranche.
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