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PUBLIC VERSION. Filmmaker Greg Jardin (IT’S WHAT’S INSIDE) joins Adam, Joe, and Arwen to discuss his career journey and the making of his debut feature film. From the films that inspired him to become a filmmaker and his FSU film school experience… to how his thesis film lead to him getting representation in Hollywood and what those first few years in LA were actually like for him… to how he had the tenacity to keep moving forward making short form content and promos for almost 10 years while the various feature projects he was excited about stalled out or disappeared… to how he wrote and put together his team for IT’S WHAT’S INSIDE and how he pulled off such an ambitious and confidently directed/edited film with limited time and resources… to the various artistic and technical choices he made that kept such a complicated body swapping story so easy and fun for the audience to follow… to the film’s triumphant Sundance debut that garnered a HUGE Netflix sale heard ‘round the industry… Greg’s incredible story is one that we know you’ll find massively inspiring and IT’S WHAT’S INSIDE (available on Netflix soon) will undoubtedly blow you away!
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PUBLIC VERSION. Filmmaker Adam MacDonald (BACKCOUNTRY, PYEWACKET, SLASHER) joins Adam, Joe, and Arwen to discuss the making of his new feature OUT COME THE WOLVES (in theaters now). From the genesis of the “third wheel” concept and the collaborative development that became the OUT COME THE WOLVES screenplay… to the importance of having three dimensional characters in order to make the thrills actually matter… to how the film’s sound design was crafted and how he used selective focus to create tension and dread… to what it was like meeting the film’s wolves for the first time… to how bringing crew members that he worked with on the TV series SLASHER helped him pull off the film on a mere 16 day shoot… to how he became the voice of “John Carver” in Eli Roth’s THANKSGIVING… Adam takes us deep into the woods and deep behind the scenes of his new survival thriller.
Dr. Arwen provides “Hollywood Therapy” for a listener who feels like he is watching his kids grow up too fast and the two Adams geek out hard about their experiences working with wolves.
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Saknas det avsnitt?
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PUBLIC VERSION. Filmmaker Austin Peters (SKINCARE - in theaters now) joins Adam, Joe, and Arwen in the ArieScope Studio to discuss his career journey. From growing up with parents working in the industry and finding his own love for filmmaking… to making low budget music videos for friends’ bands… to where the concept for SKINCARE came from and how the project was put together… to working with an all-star cast (Elizabeth Banks, Nathan Fillion, Lewis Pullman, and more) in his debut feature film… to the challenges of shooting “Hollywood for Hollywood”… to the art of the perfect needle drop and the importance of pre-production… Austin’s debut brings a thrilling and satirical edge to manufactured beauty and the wellness industry in the City of Angels!
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Filmmaker Damian Mc Carthy (ODDITY, CAVEAT) joins Adam, Joe, and Arwen to discuss his career journey and the making of his new feature ODDITY. From the films that scared him and inspired him to become a storyteller of his own… to writing and directing his own short films for the last 2 decades… to how he put together his terrific first feature film (CAVEAT) which had the unfortunate timing of being released right at the height of the global pandemic… to how he buckled down and wrote three new scripts while the rest of the world was shut down and learning how to bake bread or binging TV shows… to how he crafted his screenplay for ODDITY to contain so many genuine scares in a single location setting… to how storyboarding helped him achieve such evocative frames of fear on a tight timeline… to the design of the film’s signature “screaming statue”… to what it was like directing one actor playing two roles… to ODDITY’s triumphant win of the “Midnighter Award” at South By South West… to the film’s theatrical release (it’s in theaters now!)… Damian has crafted a ghastly chiller that hits all the right notes!
Also, Dr. Arwen provides “Hollywood Therapy” for a writer trying to get their screenplays in front of the right people.
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PUBLIC VERSION. Writer, musician, comedian Allie Goertz (MAD MAGAZINE, EVERYTHING’S COMING UP SIMPSONS PODCAST) joins Adam, Joe, and Arwen in the ArieScope Studio to discuss her career journey and the making of her new album of NINE INCH NAILS covers “Peeled Back” (now available). From singing an original song on “Chat Roulette” about comedians she liked and finding that song suddenly being acknowledged by many of those same comedians… to how she met her co-host and started the EVERYTHING’S COMING UP SIMPSONS PODCAST… to how previous MOVIE CRYPT guest Thomas Lennon (RENO 911) helped push her be considered for the job of editor of MAD MAGAZINE… to how she discovered her love for NINE INCH NAILS and the two year process she went through bringing her album of NIN covers “Peeled Back” to life… to co-directing the music videos that accompany her album… Allie has had one of the most unique career stories we’ve heard yet!
Also - Dr. Arwen provides “Hollywood Therapy” for a writer dealing with a case of the self-doubts, the boys debate their favorite Disney movies, and Allie shares some of her new music!
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PUBLIC VERSION. Writer and Director Marcus Dunstan (FEAST, FEAST 2, SAW IV, SAW V, SAW VI, SAW 3D, THE COLLECTOR, THE COLLECTION, THE NEIGHBOR, SCARY STORIES TO TELL IN THE DARK) makes his triumphant return to THE MOVIE CRYPT to discuss the making of his latest film #AMFAD: ALL MY FRIENDS ARE DEAD (in theaters and available on VOD now). From rolling with the changes that Hollywood has undergone over the last decade and surviving through the pandemic and strikes… to how he got involved with #AMFAD… to how he pulled off the film on such extremely tight resources (the initial production schedule was just 12 days!)… to how he found a way to solve some of the craziest hurdles he faced… to the film’s world premiere at the Tribeca Film Festival… to BREAKING NEWS about the status of a new COLLECTOR film which Marcus received just minutes before this recording… to a discussion about which films each of the guys would remake if given the chance (and who they would cast)… to why leaning on fellow filmmakers for support and encouragement is such a pivotal part of staying sane in the business… to everyone’s favorite X-FILES episode and SO much more… this extremely uplifting conversation is just what you need to hear this week and the perfect example why Marcus is one of our favorite people in the known universe.
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PUBLIC VERSION. Filmmaker Alice Maio Mackay (SO VAM, T-BLOCKERS, SATRANIC PANIC) joins Adam, Joe, and Arwen to discuss her career journey so far. From the films and TV series that inspired her cinematic expression… to directing a Stephen King dollar baby when she was just 14… to her evolution from shorts to features… to making her first features during the pandemic and the challenges of working with limited resources… to the making of her latest feature- the forthcoming CARNAGE FOR CHRISTMAS (which she collaborated on with fellow filmmaker and previous MOVIE CRYPT guest Vera Drew of THE PEOPLE’S JOKER fame)… to how her filmmaking helped her through her own personal transition period… at just 19 years old Alice has already made an impressive collection of films and she’s just getting warmed up!
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PUBLIC VERSION. Filmmaker/actor Ward Roberts (THE NICE GUYS, DUST-UP, WESTWORLD, CHILLERAMA, LITTLE BIG TOP) joins Adam, Joe, and Arwen in the ArieScope Studio to share his career journey. From growing up in “the carnival capitol of the United States”… to making the decision to leave Indiana and chase his Hollywood dreams… to working on both sides of the screen as both an actor in film & TV and a director (DUST-UP and the Sid Haig-starring LITTLE BIG TOP)… to his memorable turn as the expletive-spewing, ocular-cavity humping older brother in Joe’s CHILLERAMA segment (“Zom-B-Movie”) where he met future collaborators Bear McCreary & Richard Riehle… to the trials of being an actor in Los Angeles… to the 4 years that it took to make his new feature (the iPhone-filmed INVADERS FROM PROXIMA-B which is now available on VOD)… to directing his daughter in a scene-stealing turn… and why he continues to work with long time collaborators like fellow filmmaker Travis Betz (JOSHUA) and casting director Annie Roberts… Ward is one of the family to us.
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PUBLIC VERSION. Filmmaker Philippe Mora (THE BEAST WITHIN, MAD DOG MORGAN, HOWLING II: …YOUR SISTER IS A WEREWOLF, HOWLING III, COMMUNION) joins Adam, Joe, and Arwen in the ArieScope studio to discuss his long and incredible career. Born in France and raised in Australia, Mora’s artistic journey has been so remarkable that you need to hear it to believe it!
From being the godson of legendary mime performer Marcel Marceau (also known as “Bip the Clown”)… to becoming roommates with a VERY famous rock star who would wind up helping to finance his first feature film… to hiring an actual crazy person to play a crazy person in his debut feature TROUBLE IN MOLOPOLIS (1969)… to how “steak tartare” helped get him his first American directing gig… to the very famous sci-fi costumes that mistakenly showed up on the set of HOWLING II and wound up being used in the film… Mora’s story is one of the most fascinating, hilarious, and inspiring that we’ve heard in over 11 years of this weekly podcast so far. You’re going to absolutely LOVE this conversation!
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PUBLIC VERSION. Filmmaker Ariel Vida (TRIM SEASON, VIDE NOIR) joins Adam, Joe, and Arwen in the ArieScope Studio to discuss her career journey. From seeing Peter Jackson’s LORD OF THE RINGS trilogy as a 10 year old child and realizing she wanted to become a filmmaker… to starting out as a Production Designer right out of school and designing more productions than she can count from commercials, short films, music videos, and feature films like THE ENDLESS, SOMETHING IN THE DIRT, SYNCHRONIC, and V/H/S/85… to stepping into the director’s chair on various shorts and music videos before helming her feature film VIDE NOIR and TRIM SEASON (out now!)… to the challenges of being an in-demand working Production Designer while trying to focus on her own films… to picking the perfect location for TRIM SEASON and the challenges she faced on the shoot… to what it was like to have her own film recently playing opposite a LORD OF THE RINGS screening… Ariel’s path has been as unique as the stories she is telling.
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In July of 1999 they were a crucial part of a film that lit up the box office, challenged the rules of conventional story telling, and impacted culture all over the world. 25 years later their true story is told. THE MOVIE CRYPT’s special roundtable series continues with this fascinating, heartbreaking, and inspiring conversation with actors Joshua Leonard and Michael Williams from THE BLAIR WITCH PROJECT - one of the most profitable indie films ever made. Though this roundtable was originally being developed to discuss the taboo subject of “Hollywood Accounting,” the focus sharpened after Adam Green found himself at a front row seat to a very candid, honest and private conversation between the BLAIR WITCH cast and co-director Eduardo Sanchez last March in Cincinnati. Shortly after that night, actor Joshua Leonard came to the decision to speak up publicly on social media for the first time about what the experience of being such a significant part of THE BLAIR WITCH phenomenon has REALLY been like.
For 11+ years of doing this weekly podcast you’ve likely heard the phrase “unless your film makes BLAIR WITCH money you’ll never see the backend that you’ve earned” at least a dozen times or more. This conversation shatters that myth and peels back the curtain on a system that is in need of more transparency and fairness.
As with all of our special roundtable episodes, this episode is being released publicly in its entirety. Read Joshua Leonard, Michael Williams, and Heather Donahue’s interview with VARIETY here: https://variety.com/2024/film/news/blair-witch-project-cast-robbed-financial-success-1236033647/
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PUBLIC VERSION. Filmmaker Chris Nash (IN A VIOLENT NATURE, ABC’S OF DEATH 2) joins Adam, Joe, and Arwen in the ArieScope Studio to discuss his career journey. From his fascination with art and FX work as a child growing up in Canada… to the horror films that he admires most… to working at an actual FX shop thanks to the encouragement of previous MOVIE CRYPT guest Steve Kostanski (PSYCHO GORMAN)… to providing make-up FX for countless other productions… to the writing of his subversive/experimental horror film IN A VIOLENT NATURE which focuses mainly on the slasher himself instead of on the characters trying to survive… to the film’s challenging shoot (and re-shoots)… to designing and planning for the film’s many gruesome kills by leaning on his many years of FX artist experience… to where the concept of “Johnny’s” awesome mask came from… to his bold choice to not use score in the film… to NATURE’s Sundance world premiere and the various audience responses from screenings since… Chris is a terrific example of an artist making waves by creating the kind of film HE wants to see instead of trying to chase current market trends.
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PUBLIC VERSION. Producer J.D. Lifshitz (BARBARIAN, FIRESTARTER, THE VIGIL, WRATH OF BECKY) joins Adam, Joe, and Arwen in the ArieScope Studio to discuss his career journey. From the movies that inspired him as a child and set his heart on a career in the movie business… to making his first movie in 7th grade (and putting a New Line Cinema logo on it)… to becoming a Hollywood history buff by reading, watching, and teaching himself who all of the players were and then reaching out to every filmmaker and executive he admired so that he could start learning the ropes as a teenager… to retaining his drive and ambition through thick and thin and always pressing onward and upward… to why he believes that a healthy level of delusion and ignorance served him so well… to the pivotal moment when he and his business partner made the decision to stop chasing the market and start making the movies they themselves sincerely wanted to see… to producing a string of terrific movies like THE VIGIL, BECKY, BARBARIAN, and more… to the first time seeing one of his films with the New Line Cinema logo officially on it... the fact that J.D. has already accomplished so much through sheer will and uncompromising tenacity will remind you that your dreams are attainable, too.
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PUBLIC VERSION. Actor Vincent Craig Dupree (FRIDAY THE 13TH PART 8, SOUTH CENTRAL) joins Adam, Joe, and Arwen in the ArieScope Studio to share his career journey. From being discovered at his first ever audition by legendary filmmaker Stanley Kramer (GUESS WHO’S COMING TO DINNER, THE DEFIANT ONES)… to literally walking around Los Angeles and dropping off his headshot at every agency he could find along the way… to acting in commercials and booking various television roles on shows like KNIGHT RIDER, A DIFFERENT WORLD, PARADISE, and FREDDY’S NIGHTMARES… to his starring role as “Julius” the boxer in FRIDAY THE 13TH PART 8: JASON TAKES MANHATTAN (a film he didn’t even realize he was starring in until another cast member told him at the airport before his flight to set!)… to his role as “Loco” in SOUTH CENTRAL… to making the decision to step away from the industry for a bit and make raising his son his one and only priority… to the huge commercial campaign he’s been starring in for the last 3 years… to appearing at genre conventions and beyond… VC has always stuck to his principles and kept his head squarely on his shoulders. (Well, except for that one time on a rooftop in Manhattan!)
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PUBLIC VERSION. Filmmaker and actor Jim Cummings (THE WOLF OF SNOW HOLLOW, THUNDER ROAD, THE BETA TEST, HALLOWEEN KILLS, BARRY) joins Adam and Joe in the ArieScope studio to share his career journey. From the disastrous screening that lead to him stepping away from directing for several years and the moment that a submerged shopping cart helped him realize that he’d never make a boring movie again… to why so much of writing is actually not writing… to making up for the gap in sex in modern cinema and why he doesn’t hold back on sex or violence artistically… to why he prefers long takes in his story telling… to shooting during the period where the WGA and the agencies were in a stand-off over “agency project packaging”… to meeting his entertainment heroes… to what it was like facing off with “Michael Myers” and whether or not he was really scared… to his OPPENHEIMER audition… to his positive experiences with crowd funding projects… to working on BARRY… making his hilarious new short film IS NOW A GOD TIME? (world premiering at Tribeca) and the joys of making shorts… Jim gets extremely candid and honest about his Hollywood experience.
Dr Arwen provides a short but sweet “Hollywood Therapy” session for a fan who has fallen in love with horror conventions, Adam and Joe steal and eat a famous director’s candy, and the group discusses whether or not a disconnect exists between the industry the media and the audience.
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PUBLIC VERSION. Filmmaker Diane Foster (IOWA, VEROTIKA) joins Adam, Joe, Arwen, and the ArieScope Fluffle to discuss her career journey and the making of her holiday-themed horror flick EASTER BLOODY EASTER. From making the move from New Jersey to Hollywood… to becoming an original dancer for The Pussycat Dolls… to producing a festival darling that premiered at Tribeca… to working with her film family, gigantic jackalopes, demonic bunnies, and gallons of gore on EASTER BLOODY EASTER… to her experience on Glenn Danzig’s VEROTIKA… this conversation is a fun-filled basket of Movie Crypt goodness with a positive message of sisterhood and some gore to boot!
Don't miss our annual MOVIE CRYPT LIVE *FREE WEEKEND* this Sunday June 9th! Once a year we open up our Patreon monthly LIVE event for everyone to check out. YOU DON'T NEED TO BE A PATREON SUPPORTER TO ENJOY JUNE'S LIVE SHOW! The show starts this Sunday at 8am PST / 11am EST with "Arwen's 2-Hour Summer Blockbuster Pre-Show" (Adam and Arwen's celebration of summer movies and summer songs). We're LIVE at 10am PST / 1pm EST. The link to MOVIE CRYPT LIVE will be available on www.Patreon.com/TheMovieCrypt 30 minutes before the event begins (7:30am PST) and will remain posted until we sign-off (usually around 11:30am PST / 2:30pm EST).
Again, this month you don't need to be a member of the MCL Patreon Tier to access the link and enjoy the LIVE show this month!
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PUBLIC VERSION. Filmmaker Sebastian Vanicek (INFESTED) joins Adam, Joe, and Arwen to discuss his career journey and the making of his first feature film. From making short films… to how Netflix fully funded the film… to why Ridley Scott was such a big influence on him… to the advantage of shooting widescreen for such a “vertical” film… to shooting in a real apartment complex and working with actors big and small… to how he approaches scares and tension on a budget… to INFESTED’s world premiere at the Venice film festival… to the excitement of getting a “Stephen King Tweet” about his film… to gearing up for his next feature (part of the EVIL DEAD series)… Sebastien is making quite an impact right out of the gate!
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PUBLIC VERSION. Producer Alex Lebovici (BILL & TED FACE THE MUSIC, BARBARIAN, BOY KILLS WORLD) joins Adam, Joe, and Arwen in the ArieScope studio to share his career journey. From getting arrested shooting a short film as a kid growing up in Canada… to being rejected from every film school in Canada for having bad grades… to attending the NY Film Academy in Los Angeles where he was assigned to make 2 short films but instead made 12… to losing his visa and having to go back to Canada… to making the decision to learn the business side of things as a way to work his way back to Hollywood… to the unlikely business he started that provided him with the skills and resources he needed to become a producer… to his triumphant return to Hollywood where he made 21 movies over the next 10 years… to the absolute nightmare situation he went through while producing 2020’s BILL & TED FACE THE MUSIC and the importance of remaining persistent and never giving up no matter what goes wrong… Alex provides a crash course in inspiration that will have anyone who is feeling beaten down ready to get back up and into the fight!
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Filmmaker Renny Harlin (NIGHTMARE ON ELM STREET 4, DIE HARD 2, CLIFFHANGER, DEEP BLUE SEA, THE LONG KISS GOODNIGHT, DRIVEN, EXORCIST: THE BEGINNING) joins Adam, Joe, and Arwen to discuss his long and incredible career journey. From growing up in Finland and sneaking into restricted films underage… to watching a scene being filmed for Don Siegel’s TELEFON (1977) as a child and deciding in that moment that he was going to become a Hollywood action director… to how shooting just a part of his debut feature BORN AMERICAN (1986) lead to a US production company fully financing the rest of the production… to his early days being broke and struggling in Hollywood while living in a friend’s garage… to how casting Kane Hodder in his first role as a creature character in 1987’s PRISON lead to John Carl Buechler casting Kane as “Jason Voorhees” one year later… to making A NIGHTMARE ON ELM STREET 4: THE DREAM MASTER and how he came up with and shot the film’s amazing opening sequence… to the unfortunate timing of 1990’s THE ADVENTURES OF FIRD FAIRLANE which was released right as the cultural backlash began against comedian/star Andrew Dice Clay and how the film has surprisingly gone on to become one of his most beloved… to working with Sylvester Stallone on 1993’s CLIFFHANGER… to creating one of the most memorable moments in cinema while shooting 1999’s DEEP BLUE SEA… to making his latest feature THE STRANGERS: CHAPTER 1 (in theaters this weekend!) as part of a trilogy that was shot all at once… to the real reason he has yet to attend a DGA social event… Renny candidly opens up in this phenomenal conversation that is filled with cinema anecdotes, filmmaking advice and loads of inspiration.
This episode is being released in its entirety publicly to remind those who are still only listening to the first hour of each week’s new episode what they are missing by not supporting THE MOVIE CRYPT on Patreon. For just $1 a month you could be getting the FULL version of every episode and help keep this long running weekly podcast truly independent and commercial free. Sign-up today at www.Patreon.com/TheMovieCrypt
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PUBLIC VERSION. Filmmaker Francis Galluppi (THE LAST STOP IN YUMA COUNTY) joins Adam, Joe, and Arwen to discuss his career journey and the making of his debut feature. From playing drums in punk bands before a broken wrist found him with 6 months off and time on his hands to teach himself how to make movies through watching YouTube tutorials… to his musical approach to his filmmaking craft… to the crazy story of how his short film playing at a horror convention lead to him raising the financing for YUMA (in theaters and available on digital May 10th)… to writing the film’s script based around the locations and resources he knew he could get… to how accepting an offer to option his script almost prevented his film from ever getting made… to how he shot in a commonly used location yet made it appear unique… and how he was able to put such an incredible cast together on such a limited budget… Francis’ success story will surely inspire every aspiring filmmaker that hears it! The boys also reflect on the 11th anniversary of THE MOVIE CRYPT which premiered on May 6, 2013.
Meet Adam Green, Kane Hodder, and Danielle Harris at TEXAS FRIGHTMARE in Irving, TX May 17th - 19th where they will be doing the first ever HATCHET photo-op including Kane and Danielle in costume!
Adam, Kane, and Tony Todd will also be appearing at MONSTERPALOOZA in Pasadena, CA May 31st - June 2nd where creatures from the ArieScope Studio will be on display in the convention’s museum!
- Visa fler
