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Episode 50 is our fantastic conversation with Dr. Gordon "Buddy" Cooke, author of the Anthology of Bugle Music. Buddy, Chris, and Stephen talk about the reserach that went into creating this book, as well as the history of how the bugle has been used in the United States military and civilian life.
You can now support the show on Patreon and Teespring! The show is made possible by the support of listeners.
Visit our website for more free resources and show notes for every episode. You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from The West Point Band Hellcats, and The 8th GM Regiment Band from George Mason University.
Episode Structure:
2:16 - Buddy's musical background
7:03 - Field music at West Point
13:17 - Distribution of field musicians throughout the Army's history
16:55 - Differences between bugles and trumpts, their uses
22:37 - The keyed bugle in the military
28:37 - Non-field music written for bugles, civilian uses for bugles
35:19 - Sousa's drum and bugle manual, the Marine Corps version of Taps
38:35 - Buddy's book "Anthology of Bugle Music", how the idea for the book started
43:42 - Challenges involved with researching and publishing a book
52:18 - Manual of French and European bugle calls
56:05 - Favorite bugle march and call
1:00:43 - Value of learning about field music
1:04:28 - Where you can find more about Buddy and his "Anthology of Bugle Music"
1:07:09 - Featured Album: "A Day in the Life of the West Point Hellcats"
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Episode 49 is our fantastic conversation with Dr. Joseph Jefferson about Shout Bands in the United States, an under-researched topic and not well known part of brass history in the United States. Dr. Jefferson devoted his doctoral research to Shout Bands, and talks with Chris and Stephen about the history and tradition of these musical ensembles.
You can now support the show on Patreon and Teespring! The show is made possible by the support of listeners.
Visit our website for more free resources and show notes for every episode. You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from various Shout Bands and The 8th GM Regiment Band from George Mason University.
Episode Structure:
3:13 - Dr. Jefferson's musical background, how research interest in Shout Bands began
7:54 - Shout Band similarities and differences to Salvation Army and Moravian traditions. Learning by rote
21:09 - House of Prayer timeline
24:03 - Similarities and differences to early New Orleans Jazz tradition
26:55 - Structure of Shout Bands
30:42 - Music Shout Bands play, and the function of that music
36:56 - Feasibility of Shout Bands in the academic setting
41:37 - Musicians who have come from the Shout Band tradition
51:10 - Dr. Jefferson's research, and others who have researched Shout Bands
54:32 - Where you can find more about Dr. Jefferson and his research
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Episode 48 features recording engineer Dr. Joel Crawford. Dr. Crawford is a former cornetist with Saxton's Cornet Band and author of "Performance Practice of Brass Band Music of the American Civil War: A Perspective from Saxton's Cornet Band". In this episode, we discuss Dr. Crawford's experiences playing with Saxton's, how he thinks it affected his musical career, how he would record an early American brass band, and much more!
You can now support the show on Patreon and Teespring! The show is made possible by the support of listeners.
Visit our website for more free resources and show notes for every episode. You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from Saxton's Cornet Band (Lincoln and Liberty, Too!) and The 8th GM Regiment Band from George Mason University.
Episode Structure:
2:49 - How Joel became involved with Saxton's Cornet Band and early American brass band research
5:20 - Advice to listeners on how to become with early American brass bands in their area
7:10 - Why Joel chose to write his dissertation on Civil War brass bands
8:20 - Joel's current recording engineer career
10:30 - How early American brass band experience influences current recording engineer career
16:10 - Experience recording early American brass bands
18:50 - Describing the tonal sound of an early American brass band
21:10 - The benefits of playing in an early American brass band
27:00 - Thoughts on how Fennell recorded the Eastman Civil War cd and bell direction
34:05 - An overview of Dr. Crawford's doctoral dissertation on Civil War brass bands and their performance practices
42:30 - Experiences growing up in a community band scene
45:15 - Any particularly special nuggets of information or newly discovered research included in the dissertation
50:00 - Wax cylinder recordings
54:40 - The follow-up possibilities for Dr. Crawford's research
1:00:28 - Plug Opportunity
1:02:00 - Featured Album: "Grand Pianola Music" by the UC College-Conservatory of Music (CCM) Wind Symphony
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Episode 47 is our conversation with Kenneth Serfass, leader of The Antebellum Marine Band, and Ulysses S Grant reenactor. In the episode we discuss Kenneth's time in the Marine Corps, what led him to start The Antebellum Marine Band, their notable performances, and how he started reenacting as Ulysses S. Grant.
You can now support the show on Patreon and Teespring! The show is made possible by the support of listeners.
Visit our website for more free resources and show notes for every episode. You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from "The President's Own" United States Marine Band, and The 8th GM Regiment Band.
Episode Structure:
2:49 - How Kenneth became interested in American history and Ulysses S. Grant
7:36 - How Kenneth became involved in the reenacting hobby, how his experiences reenacting planted the seed for The Antebellum Marine Band
22:55 - Appearance and history of the 1800's Marine Band
32:05 - What got Kenneth excited about founding the Antebellum Marine Band
36:53 - How Kenneth started reenacting as General Grant, stories from appearances as Grant
40:07 - Filming as General Grant for the History Channel
47:40 - Advice for starting a band
49:13 - Notable performances with The Antebellum Marine Band
57:05 - What it's like being a period 19th century band in Gettysburg
1:06:32 - How reenacting has influenced Kenneth's bandleading
1:09:27 - Where you can find out more about Kenneth and The Antebellum Marine Band
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Episode 46 is our conversation with Kenneth Brungess, author of Gold Rush Maestro: The Journal of August Wetterman, and researcher of California Gold Rush era brass bands. In the episode we discuss the history of gold rush bands, the music they played, occasions they played for, and much more. You can find out more about Kenneth by visiting http://californiagoldandbrassworks.com. Show notes for this episode can be found here: https://eabbpodcast.com/episode-46-interview-with-kenneth-brungess-gold-rush-brass-bands/
You can now support the show on Patreon and Teespring! The show is made possible by the support of listeners.
You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from the Gold Rush Cornet Band, the El Dorado Brass Band, and The 8th GM Regiment Band.
Episode Structure:
3:22 - Kenneth's musical background
7:15 - Kenneth's interest in the California gold rush, recreating the Columbia Brass Band in image and music
14:44 - Musical landscape of the California gold rush
21:42 - Makeup of California gold rush bands, types of music played
27:20 - The people of the California gold rush bands
32:34 - Difference between Cowboy Bands and Gold Rush Bands, types of occasions for which these bands played
37:27 - Repertoire, repurposing popular music of the day
38:29 - Musical example "Oh Susanna!"
44:35 -Activities of California bands during the Civil War
49:42- El Dorado Brass Band
57:20 - The Gold Rush Cornet Band
1:04:16 - Kenneth's 19th century instruments
1:06:30 - Where you can find more about the bands Kenneth has researched, his book, and the Featured Album
1:10:00 - Featured Album: Motherload! Musical Nuggets from the 1850's, '60s & '70s
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Episode 45 is our fantastic conversation with Randi Bulla, past President of the North American Brass Band Association, solo horn with Brass of the Potomac, and member of the National Capital Band of the Salvation Army. We discuss the history of British brass bands in the United States, NABBA, and the Salvation Army.
You can now support the show on Patreon and Teespring! The show is made possible by the support of listeners.
You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from the Brass of the Potomac, and The 8th GM Regiment Band.
Episode Structure:
1:57 - Randi's musical background
4:29 - Beginnings of Randi's involvement with NABBA
6:36 - Youth music programs in the Salvation Army
16:03 - Salvation Army and NABBA's influence on each other
20:42 - Early British style brass bands in the United States
24:12 - Salvation Army influence on community British brass bands
29:48 - British brass band sound concept
42:15 - Developing style
52:43 - Borrowing repertoire
58:32 - Randi's involvement with the National Capital Band
1:01:12 - Where you can find more about the groups Randi is involved with
1:05:55 - Featured Album: Firestorm, Brass of the Potomac
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Episode 44 is our great conversation with Jim Ludlam, principal musician of the Fort Delaware Cornet Band, historian, and author. Jim speaks with us about how he got involved in 19th century brass bands, founding the modern Fort Delaware Cornet Band, recording projects, and his book The History of Community Bands in Salem County New Jersey. You can learn all about Jim’s projects at www.ludlambrass.com
You can now support the show on Patreon and Teespring! The show is made possible by the support of listeners.
You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from the Fort Delaware Cornet Band, and The 8th GM Regiment Band.
Episode Structure:
1:14 - Jim's musical background
2:43 - Jim's interest in history, getting started playing in 19th century brass bands
10:51 - Founding the Fort Delaware Cornet Band
14:05 - What intrigued Jim about the 19th century brass band music
17:52 - Performing 19th century brass band music with high school bands
21:20 - Music as political activism, Patriotism, Protest, and the Music That Made a Nation, John Meecham and Tim McGraw
33:25 - Fort Delaware Cornet Band instruments, members, uniforms, repertoire
49:22 - Hazelton Liberty Brass Band recording project
1:03:34 - Jim's research for his book The History of Community Bands in Salem County New Jersey
1:16:52 - Where you can find more about the groups Jim is involved in, and where you can buy his book
1:18:21 - Featured Album: Down In A Coalmine, Music of the historical Hazelton Liberty Brass Band
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Episode 43 is our conversation with recurring guest Jari Villanueva about all things Abraham Lincoln. Chris, Stephen, and Jari discuss Lincoln’s love for music, his favorite tunes, relationship with the Marine Band, and how music impacted public sentiment during the Civil War.
Jari and his current projects can be found at https://www.tapsbugler.com/, and https://www.tapsforveterans.org/.
You can now support the show on Patreon and Teespring! The show is made possible by the support of listeners.
You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from The 8th GM Regiment Band, and The Federal City Brass Band.
Episode Structure:
0:19 – Episode dedication: Bob Costello
2:31 – Remembering Bill Hall
3:24 – Abraham Lincoln as a man and President, the movie Lincoln
7:51 – Lincoln’s relationship to music
16:27 – Lincoln’s favorite tunes
23:27 – Lincoln and the Marine Band
28:24 – Performers at Lincoln's White House
31:17 – Mrs. Lincoln’s letter to the Marine Band
33:16 – Lincoln’s view on music in the Civil War, political music of the time
43:02 – The Battle Hymn of the Republic
48:44 – Lincoln’s relationship to Dixie
54:27 – Pieces written about Lincoln, why he is inspiring to today’s artists
1:06:43 – The Federal City Brass Band's " Hurrah for the Union!: Music of Abraham Lincoln and the Civil War" album
· 1:15:42 – What Jari has been up to recently, and upcoming projects
· 1:22:04 – Featured album: “Hurrah for the Union!: Music of Abraham Lincoln and the Civil War”, The Federal City Brass Band
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Episode 42 is our conversation with Dr. Tom C. Owens, Dr. Owens is Associate Professor and Coordinator of Music History and Literature at George Mason University. He’s internationally regarded as an expert on Charles Ives’s life and music, and is the editor of Selected Correspondence of Charles Ives (Univ. of California Press, 2007) and a member of the board of the Charles Ives Society. In the episode, we talk about George and Charles Ives, their music, relationship, and much more
You can now support the show on Patreon and Teespring! The show is made possible by the support of listeners.
You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from The President’s Own United States Marine Band, and The 8th GM Regiment Band.
Episode Structure:
3:19 - Dr. Owens' musical background
5:27 - How Dr. Owens got interested in Charles Ives
7:06 - The Ives Archive at Yale University
8:44 - Dr. Owens' PhD dissertation topic - American sentiments in music
18:42 - Musical culture in New England in the mid-late 1800's, George Ives' early life and career
26:11 - George's brief service in the Union Army as a bandleader
29:03 - George's activities after the Civil War - Ives Cornet Band
32:51 - George's influence on Charles, their relationship
38:59 - Amateurism in music
44:56 - Town band culture, effect on Charles' music
48:43 - Band arrangements of Charles Ives' Music, Variations on America
53:34 - More correspondence between George and Charles, their personal and musical relationship
58:16 - Biographies of Charles Ives, looking back on the influence of his music
1:07:00 - Where to start if you're wanting to begin listening to Charles Ives' music
1:13:30 - Where you can find more about Dr. Owens' research and his book
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Our Season 3 premiere is here! In this episode, Chris and Stephen talk with John Connors - musician, reenactor, and historian with the 122nd Army Band at The Ohio National Guard, The 73rd Ohio Volunteer Infantry Regiment Band, and The 2nd Cavalry Brigade Band. We discuss his interest in history and reenacting, and how that field has impacted his musical career.
You can now support the show on Patreon and Teespring! The show is made possible by the support of listeners.
You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from The 8th GM Regiment Band.
Episode Structure:
1:48 - Welcome, John's musical background
10:01 - Unique experience with the Marine Band
14:09 - How John got interested in American music history, and the National Guard
18:25 - How John began playing with 19th century American Brass Bands
22:52 - John's first reenacting experiences
27:55 - Forming of the 73rd Ohio Volunteer Infantry Regiment Band
31:22 - Ideas and thoughts behind Civil War reenacting
41:19 - Recent changes in the reenacting field
53:38 - Options for visual representations of bands in the 19th century
1:02:15 - John's collection of 19th and 20th century musical instruments
1:14:32 - Where you can find more about John and the groups he's involved with
1:19:00 - Featured Album: Brass Music of the Civil War, The 73rd Ohio Volunteer Infantry Regiment Band
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If you'd like to support the show on Patreon and gain access to the full-length version of this and future Q&A videos as well as exclusive content and more, visit us at www.patreon.com/eabbpodcast. We appreciate it very much!
We also have a Teespring store which you can visit at https://eabbpodcast.creator-spring.com/?
For show notes and resources, visit our website at www.eabbpodcast.com. You can get in touch with us on social media, and by emailing [email protected] Music in this episode comes from Our Musical Past from the Library of Congress.
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The Early American Brass Band Podcast This album was released in 2003 by Crestmark Productions and features the Crestmark Military Brass Band from Logan, Utah (now performing as the 7th Infantry Regimental Brass Band). This recording features music from the Band of the 19th Virginia Heavy Artillery Batallion with arrangements by Randy Cabell and performed using modern instruments.
Purchase the album here: https://smile.amazon.com/dp/B000094WSS/ref=cm_sw_em_r_mt_dp_YY2F50CCN7ARJRKXHFCV
Music featured in this album review:
The Crestmark Military Brass Band - "Dear Mother I've Come Home To Die Quickstep", "The Alabama", Mocking Bird Quickstep", and "Bright Hopes Quick Step"
Bobby Horton - "Roll, Alabama, Roll" https://www.youtube.com/watch?v=Q-k4eUV6Ejg
Central Malay Choir - "Daar Kom Die Alibama" https://www.youtube.com/watch?v=id5EpvQsFzY
angloconc - "Dear Mother, I've Come Home To Die" https://youtu.be/bH6IBKL-k-s
You can now support the show on Patreon and Teespring! No obligation, but we greatly appreciate any support you're willing to give.
Teespring Store: https://teespring.com/stores/eabbpodcast
Patreon: https://www.patreon.com/eabbpodcast
For show notes and resources, visit our website at www.eabbpodcast.com. You can get in touch with us on social media, and by emailing [email protected]
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Episode 40 is our Season 2 finale! We’re joined by David Goins of Saxton’s Cornet Band, Jari Villanueva of the Federal City Brass Band, Jeff Stockham of the Excelsior Cornet Band, and Bob Baccus of Olde Towne Brass. Together we all discuss the effect that the COVID-19 pandemic has had on our personal music making, band activities, and the early American brass band community in general. We also discuss other ways the events of the past year have spurred reflection and conversation about the future of 19th century brass band performance.
You can now support the show on Patreon and Teespring! No obligation, but we greatly appreciate any support you're willing to give.
For show notes and resources, visit our website at www.eabbpodcast.com. You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from Our Musical Past from the Library of Congress.
Episode Structure:
2:49 - How COVID has affected personal music making, and band activity.
17:01 sec - Other areas of interest explored and projects undertaken during COVID "free time"
29:55 - COVID precautions while performing
32:33 - Gigs scheduled for the upcoming months
35:30 - How the pandemic has affected instrument collecting and prices
39:50 - Thoughts on the future of early American brass band performance
56:29 - Grappling with the legacy of "Dixie" and monuments
1:07:49 - Purpose of keeping this history alive, different ways to do it
1:20:08 - Upcoming events for Jari, David, Bob, and Jeff, and where you can find out more about each person
1:33:41- Featured Albums: Sounds from the Opera House (Saxton’s Cornet Band), Hurrah for the Union (Federal City Brass Band), Yankee Bands in Dixie’s Land (Olde Towne Brass), Cheer, Boys, Cheer! (excelsior cornet band)
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Episode 39 is an interview with host and newly minted Dr. Christopher Troiano! Dr. Troiano discusses his doctoral dissertation “From Antiquity to Academia: A History of Early American Brass Bands and a Way Forward for their Adaptation Within Institutions of Higher Learning” and the 8th GM Regiment Band. Lots of time and effort went into researching and writing this dissertation, and we’re excited to share this research!
You can now support the show on Patreon and Teespring! No obligation, but we greatly appreciate any support you're willing to give.
For show notes and resources, visit our website at www.eabbpodcast.com. You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from Our Musical Past from the Library of Congress.
2:44 - How Dr. Troiano came to write a dissertation on Early American Brass Bands
6:41 - Brass music before and during The American Brass Band Movement
14:10 - How early American brass ensembles are different from the brass bands of today
22:41 - How Dr. Troiano compiled the list of currently active early American brass bands, similarities of these bands
27:01 - When the "revival" of early American brass bands took place and what inspired it
30:47 - How and when the modern day early American brass bands got their instruments
36:21 - Lack of band history in college curricula
45:14 - The value of early American brass bands in college music history courses
48:09 - Value of early American brass bands as a performance option in a college setting
51:50 - Forming the 8th GM Regiment Band at George Mason, appearance and goals
58:46 - Influence of the Civil War on these bands in an academic setting
1:06:58 - 19th century repertoire, influence on 20th and 21st century repertoire
1:15:56 - Where you'll be able to find Dr. Troiano's dissertation when it's available, additional resources on our website
1:17:05 - Featured Album: Dr. Troiano’s lecture recital
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Episode 38 is our great conversation with Dr. Kathryn Pewenofkit Briner, early horn researcher and performer. We talk about her interest in the early horn in Europe and America, her project "Lost Legacy: The Horn in Early America" and her current studies in linguists relating to her family's Native American heritage.
You can now support the show on Patreon and Teespring! No obligation, but we greatly appreciate any support you're willing to give.
For show notes and resources, visit our website at www.eabbpodcast.com. You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from Our Musical Past from the Library of Congress.
Episode Structure:
2:02 - Dr. Briner's musical background
3:55 - Where Dr. Briner's interest in historical horn began
7:25 - How historical horn performers find their instruments - reproductions and original horns
10:50 - A brief history of the horn
16:09 - How the horn made its way to America and how it was faring in the musical culture
22:20 - The move from natural horns to valve horns
26:04 - Horn soloists in the 1700's and 1800's
29:02 - Overview of Dr. Briner's "Lost Legacy" project
31:08 - The horn's connection to slavery in antebellum America
32:47 - Notable horn teachers in early America
35:45 - Availability and makers of horns in early America
39:05 - Highlights from Dr. Briner's research, topics for further exploration
44:57 - Female horn players in Early America
49:53 - Implications of Dr. Briner's research
53:33 - Dr. Briner's small collection of early horns
57:40 - Dr. Briner's Native American family history and current studies in linguistics
1:09:26 - Where you can find more bout Dr. Briner and her research
1:14:05 - Featured Album: Brahms, Beethoven: Music for Horn
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Episode 37 is our conversation with Bernhard Kirchner, instrument curator and arranger for the Dodworth Saxhorn Band. We discuss the history of the original Dodworth band, their performances and travels, and the current day band as well as Bernhard’s various roles in the band.
You can now support the show on Patreon and Teespring! No obligation, but we greatly appreciate any support you're willing to give.
For show notes and resources, visit our website at www.eabbpodcast.com. You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from Our Musical Past from the Library of Congress, and the Dodworth Saxhorn Band.
Episode Structure:
2:08 - Bernhard's musical background
16:54 - The 19th century Dodworth Band
30:01 - Instrument makers, instrument development
33:04 - Final years of the 19th century Dodworth Band
38:10 - Today's Dodworth Saxhorn Band
46:18 - Notable performances of the modern Dodworth Saxhorn Band, music performed, makeup of the band
53:44 - How Bernhard got involved with the band, band owned instruments
1:13:38 - Arranging for the Dodworth Saxhorn Band
1:22:09 - Value and relevance of 19th century bands today
1:24:26 - Where you can find more about the Dodworth Saxhorn Band
1:28:40 - Featured Album: Tradition of the Season, the Dodworth Saxhorn Band
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Episode 36 is our enthusiastic conversation with Andrew Kershaw, founder of Queen Victoria’s Consort, and former principal tuba of Opera House in Santiago, Chile. We talk about ophicleides, tubas, and Queen Victoria’s Consort - a Victorian era brass ensemble performing period music on instruments from the Victorian era and in traditional Victorian dress while making the music and instruments exciting and engaging to the general public.
You can now support the show on Patreon and Teespring! No obligation, but we greatly appreciate any support you're willing to give.
For show notes and resources, visit our website at www.eabbpodcast.com. You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from Our Musical Past from the Library of Congress, and Queen Victoria’s Consort.
Episode Structure:
3:23 - Andrew's musical background
6:21 - How Andrew got interested and first involved with playing and studying historical instruments
10:11 - Period instrument sound vs. modern instrument sound
11:57 - Queen Victoria's Consort, formation, goals, performances
16:00 - Repertoire and instrument evolution and selection
24:58 - Queen Victoria's Consort instrumentation and instruments used
28:43 - Thoughts on authenticity, appearance of the group
33:50 - Highlighted instruments from Andrew's collection
39:00 - How Andrew acquires instruments for his collection
43:56 - Brief history of ophicleides, instrument development
59:48 - Historic performers and their influence on instrument development
1:21:26 - Where you can find more about Queen Victoria's Consort and their upcoming virtual concert
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Episode 35 is our great conversation with Dr. Ralph Dudgeon, keyed bugle performer and researcher. We talk about the history of the keyed bugle, notable performers in the 19th and 20th centuries, Dr. Dudgeon’s recording and research projects, and thoughts on historical music in today’s musical culture.
You can now support the show on Patreon and Teespring! No obligation, but we greatly appreciate any support you're willing to give.
For show notes and resources, visit our website at www.eabbpodcast.com. You can get in touch with us on social media, and by emailing [email protected]
Music in this episode comes from Our Musical Past from the Library of Congress, Music for Keyed Bugle by Ralph Dudgeon, and Antique Brasses by the London Gabrieli Brass Ensemble.
Episode Structure:
2:20 - Dr. Dudgeon's musical background
15:42 - How Dr. Dudgeon got interested in historical instruments
18:57 - Dr. Dudgeons beginnings on the keyed bugle
24:30 - Keyed bugle performers in the 20th century
26:47 - History of the keyed bugle
32:29 - Difference between keyed trumpets and keyed bugles
35:38 - Public reception of the keyed bugle and notable makers
44:35 - More 19th century keyed bugler performers
47:55 - Music for the keyed bugle
50:19 - Information about Ned Kendall, 19th century keyed bugle player
51:53 - Musical example "Wood Up Quickstep"
1:00:04 - Musical example "Adagio and Polonaise"
1:01:37 - Dr. Dudgeon's instrument collection
1:09:00 - Current reproductions of keyed bugles
1:11:35 - Thoughts on what value historical music has in today's musical world
1:17:46 - Advice for people wanting to learn keyed bugle
1:20:39 - Where you can find Dr. Dudgeon's books and recordings
1:26:33 - Featured Album: Antique Brasses, London Gabrieli Brass Ensemble
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We have an announcement! We are tweaking our tiers on Patreon. Please consider supporting the show through Patreon or Teespring. By supporting the show, you help us defray some of the out-of-pocket costs it takes to run the show each week. Thank you for your consideration!
You can visit these stores at:
https://teespring.com/stores/eabbpodcast
https://www.patreon.com/eabbpodcast
Patreon is essentially a membership service, where you join at one of our 3 monthly tiers, and each tier has a few different benefits.
Teespring is our online merchandise store, where you can buy apparel and accessories that are branded with our logo to show your support in a public way.
There is no obligation to support on either platform, but we do greatly appreciate any support you feel compelled to offer. Supporting will help us keep the show going long into the future and branch out into other types of content while growing our audience and the Early American Brass Band community!
www.eabbpodcast.com
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The Early American Brass Band Podcast Hosts Chris and Stephen are joined by the founder of Newberry's Victorian Cornet Band Michael O'Connor to discuss their newest album titled "The Gilded Age - Late 19th Century Music for American Wind Band, a truly fantastic recording of 19th century music performed on period instruments and mouthpieces.
To purchase the album, visit: https://www.msrcd.com/catalog/cd/MS1726?fbclid=IwAR17-L9rmlA1DAOWNz4HaypJ5zzWOfBqvNTxokqL6qw2hfW2VNegy1BVdTU
For more information on Newberry's Victorian Cornet Band, visit: https://www.facebook.com/newberryband
Music in this episode comes from "The Gilded Age"
L’Estudiantina Waltz, Émile Waldteufel
Salute to New York March, Patrick Sarsfield Gilmore
Fantasia “La Sonnambula”, Ernesto Cavallini
Semper Fidelis, John Philip Sousa
Serenade “Good Night Beloved”, Ciro Pinsuti
“I Am Up” Quickstep, Thomas Coates
The Battle Cry of Freedom, Allesandro Liberati
Through the Air, August Damm
Yankee Tickle Medley, Edward Beyer
You can now support the show on Patreon (https://www.patreon.com/eabbpodcast) and Teespring (https://teespring.com/stores/eabbpodcast)! No obligation, but we greatly appreciate any support you're willing to give.
For show notes and resources, visit our website at www.eabbpodcast.com. You can get in touch with us on social media, and by emailing [email protected]
- Visa fler
