Avsnitt
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Ellen Adair and Eric Gilde discuss the 2019 Lonely Island special, "The Unauthorized Bash Brothers Experience." They introduce the "visual poem" (2:04), with an overview of the story, cast, and filmmakers, and review the 20-80 baseball scouting grades for rating the film (9:39). Amount of Baseball (14:28) includes whether or not our scouts have to swear on a holy book and their ruling on whether or not eating the brains of a baseball counts. Baseball Accuracy (16:28) addresses the central premise, with reference to 80s raps from the Mets and Chicago Bears, before moving on to Alf, Alex P. Keaton, Steven Segal, Kathy Ireland, and IHOP. Were they Gold Glove Goliaths? The scouts dive in on 40/40 players (Jose Canseco, Barry Bonds, Alex Rodriguez, and Alfonso Soriano), Canseco's career homers and stolen bases, Vince Coleman, Mickey Mantle, Mark McGwire's home run to at bat ratio, plus years leading the league in BBs, OBP, SLG and OPS. Tax evasion, Jose Canseco's martial arts career, issues with fathers, the Athletics' "Monster Bash," side effects of steroids, and Canseco and McGwire's relationship today are all discussed. The scouts have different nits to pick with the expansion teams that are included and not included in the baseball team verse. Storytelling (44:24) addresses the history of visual albums such as Beyonce's "Lemonade," The Beatles' "A Hard Day's Night," and Pink Floyd's "The Wall," and enjoys the overlap of Jose Canseco and Mark McGwire with the fandom of Andy Samberg and Akiva Schaffer, referring in particular to Kirk Gibson, and his homers off Dennis Eckersley and Goose Gossage. The videos' aesthetics reference Def Jam, Bad Boy, Hype Williams, Busta Rhymes, TLC's "Creep," and home movies. They assess the non-traditional storytelling, with appreciation for the Terrence Malick tropes and heroic grandiosity. They lavish The Score (59:07) with unambiguous praise, with some conversation about similarities to the Beastie Boys, the Fugees, A Tribe Called Quest, the Sugarhill Gang, Janet Jackson, and the Lonely Island's own "We Like Sportz." In fact, they are still listening to the score. Acting (1:12:40) praises Andy Samberg and Akiva Schaffer as well as the supporting players (Jenny Slate, Hannah Simone, Sterling K. Brown, Jim O'Heir). Delightfulness of Catcher (1:18:52) isn't, but Delightfulness of Announcer (1:19:32) discusses, again, a nonzero amount of Vin Scully, and others. Lack of Misogyny (1:20:32) weighs the misogyny of the 1980s sports world and hip-hop culture, versus the Lonely Island's lampooning of it, and some structural anti-misogyny. No spoilers on the following segments: Yes or No (1:29:19), Six Degrees of Baseball (1:34:27), Favorite Moment (1:35:14) Least Favorite Moment (1:36:52), Scene We Would Have Liked to See (1:39:09), Dreamiest Player (1:41:33), Favorite Performance (1:43:38) and Next Time (1:45:18).
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Ellen Adair and Eric Gilde discuss the Dizzy Dean biopic, "The Pride of St. Louis." They introduce the film (1:13), with an overview of the story, cast, and filmmakers, and review the 20-80 baseball scouting grades for rating the film (5:54). Amount of Baseball (11:46) addresses the consistency of the baseball as particularly good for the era, and provides a 2021 player comp. Baseball Accuracy (14:23) delves into the details of Jerome Dean's early life, his stint in the army, the Texas League, and signing by the Cardinals organization. Various possible origins of the nickname "Dizzy" are discussed, along with his courtship of Pat, and fact vs. fiction with his first MLB game. Diving into Dizzy Dean stats references Van Mungo, Corbin Burnes, Aaron Nola, and Jacob deGrom. They discuss the hardworking Paul Dean and Dizzy Dean and their strike, the brothers' injuries, Dizzy's retirement, Dizzy as broadcaster with the Cubs and St. Louis Browns, Navin Field vs. Briggs Stadium, and English teachers vs. Dean. Storytelling (46:28) addresses Dizzy's folksiness and audience's familiarity with the character of Dizzy Dean, Ted Lasso, the attempts at darkness at the end of the movie, the Johnny Kendall confusion, the rehab montage, and some blocking choices. The Score (58:33): the horror. Acting (1:03:06) praises Dan Dailey and Joanne Dru, Richard Crenna, Richard Hylton, and does not praise the terrible doctor. Delightfulness of Catcher (1:07:04) considers whether or not Paul functions as a catcher, with some discussion of Gus Mancuso, Jimmy Wilson, Spud Davis, Bill Delancy, and Bruce Ogrodowski. Delightfulness of Announcer (1:11:00) discusses the cornucopia of announcers and the supreme delightfulness of Dizzy as an announcer. Lack of Misogyny (1:13:49) delves in on the portrayal of Pat, with Dizzy steamrolling Pat in their courtship vs. the film's possible comeuppance. That woman in the stands with her boyfriend definitely comes up. No spoilers on the following segments: Yes or No (1:20:55), Six Degrees of Baseball (1:23:44), Favorite Moment (1:25:22) Least Favorite Moment (1:27:18), Scene We Would Have Liked to See (1:28:44), Dreamiest Player (1:31:26), Favorite Performance (1:32:12) Review Thank You (1:33:14) and Next Time (1:33:37).
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Saknas det avsnitt?
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Ellen Adair and writer/director/filmmaker Scott Leger discuss the 2023 film "Reverse the Curse," written by and starring David Duchovny. Introduction to Mr. Leger (0:35) and then an introduction to REVERSE THE CURSE (5:39) with cul-de-sac into where Scott and Ellen were when the Red Sox won in 2004, which is not at all what this movie is about, to our surprise. A summary of the film (12:57), followed by discussion of writer/director and other leads. We review the 20-80 scouting scale (17:02), meet Scott's Scouting Director (17:39) and then begin with Amount of Baseball (19:00). Mostly, the lack of baseball has these scouts cranky, plus how this led to Ellen's mammoth discovery of how this is a Trojan Horse of a Red Sox movie, changing literally everything. Baseball Accuracy (30:09) discusses the curse reversal possibility within the film, Harry Frazee's sale of Babe Ruth being erroneously attributed to "No No Nanette," the film failing to reckon with the larger context, ie, 1986 or 1975 and the oddness of it being set in 1978, a rundown of what happened in the Red Sox 1978 season since this movie doesn't really get into it, the Boston Massacre, everything that happened in the 1978 tie-breaking game, background on Ron Guidry and Mike Torrez, context on Bucky Dent, bad blood between Reggie Jackson, Thurman Munson and Jackson and Billy Martin, the origin story of the "Mr. October" nickname, the inaccuracy of the Red Sox final eight games, and the inaccuracy in Marty's final monologue. Storytelling (56:51) dives in on superstition in sports and the equivalence of your team losing an important game and death, along with the utility of the tribalism. They discuss the ways in which the film undercuts Marty's Red Sox fandom, the disappearance of the Eva Gonzalez plotline and the issues this creates, Marty & Teddy trying to get to the tie-breaking game, Marty's attachment to the Red Sox, David Duchovny as multi-hyphenate, this story as novel vs. screenplay, the aging makeup, and the dialogue. An Intermission: Nine Innings with Scott Leger! (1:19:15) The Score Tool (1:26:00 ) discusses music by Vincent Jones and the album Africa by Amanaz. Acting (1:30:03) considers the performances of David Duchovny, Logan Marshall Green, Stephanie Beatriz, Pamela Adlon, Daphne Rubin-Vega, Jason Beghe, Evan Handler, Santo Fazio, and Bryce Feeser. In Delightfulness of Catcher Character (1:37:06), Ellen talks about Carlton Fisk because this movie does not. Delightfulness of Announcer (1:38:45 ) weighs Colin Cosell as "Sports Broadcaster" plus Dick Stockton and Ken Harrelson. Lack of Misogyny (1:39:44 ) discusses the well-roundedness of the love interests and Marty's occasional misogyny. No spoilers on the following segments: Yes or No (1:41:42) Six Degrees of Baseball (1:44:17) Favorite Moment (1:44:41) Least Favorite Moment (1:45:40) Scene We'd Like to See (1:46:23) Dreamiest Player (1:46:52) and Favorite Performance (1:47:22). Find Scott Leger on @scotterybarn on Twixter and Bluesky and @scotbot3000 on IG and Ellen @ellen_adair on Twixter, @ellenadair on Bluesky and Tikotk, and @ellenadairg on IG.
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Ellen Adair and Eric Gilde discuss the 1983 Disney movie "Tiger Town." They introduce the film (1:52), with an overview of the story, cast, and filmmakers. They review the 20-80 baseball scouting grades for rating the film (6:16). Amount of Baseball (12:47) considers photos of baseball, tight shots, and slow-mo, with reference to Wesley Snipes in "Major League." Don't hate the player comp. Baseball Accuracy (10:36) discusses the "Angels in the Outfield Without the Literal Angels" premise and the quantum physics observation principle, Roy Sheider's age and athleticism, the Tigers' record of the previous 30 years, Al Kaline, and the 1968 World Series vs. the Cardinals (Bob Gibson, Lou Brock, Orlando Cepeda, Roger Maris). Eric shouts-out to Gate Brown, and Ellen breaks down the Tigers' required second-half winning percentage. Billy Young's batting average and RBI are problematic. The scouts also examine Alex's Dream Ballet, weekday games for the 1983 Tigers, Sparky Anderson, and score discrepancies in the final game. Storytelling (43:53) considers the various beliefs and superstitions and many issues with the cinematic storytelling. Why is the dad both unemployed and dying, and why the structural suddenness of his death? Why isn't there a B plot? Are we in MOMA? From whence this disposable income? Why not help anyone else? The ride to the stadium is long but that bike deal is absolutely INSANE. The Score (1:11:46) debates the usage of "Take Me Out to the Ballgame," the Renn Faire music, and the drum solo. In Acting (1:17:21), they assess Justin Henry's performance as a young actor, Roy Scheider's limited involvement, and the atrocious scenes with mom. Delightfulness of Catcher (1:21:11) doesn't offer much, but Delightfulness of Announcer (1:21:27) appreciates the inclusion of Ernie Harwell, Al Ackerman, and Ray Lane. Lack of Misogyny (1:24:32) bemoans the lack of development or consistent point-of-view for the mother, with a brief digression about the "Star Spangled Banner" record. No spoilers on the following segments: Yes or No (1:28:51), Six Degrees of Baseball (1:32:18), Favorite Moment (1:33:13) Least Favorite Moment (1:35:48), Scene We Would Have Liked to See (1:37:15), Dreamiest Player (1:38:34), Favorite Performance (1:39:06), Review Thank You (1:40:10) and Next Time (1:40:22).
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Ellen Adair and Eric Gilde discuss the 2001 movie "Summer Catch." They introduce the film (1:15), with an overview of the story, cast, and filmmakers, and diatribe about the title. They review the 20-80 baseball scouting grades for rating the film (5:35), with a why-not metaphor. Amount of Baseball (10:20) is helped by the fullness of the baseball narratives. Baseball Accuracy (12:54) attacks the film's mysterious attitude towards relief pitching and warming up, with the sub-category Brian Dennehy Is a Bad Manager. They dive into the Cape Cod Summer League history and a few CCBL alum (Jeff Bagwell, Craig Biggio, Nomar Garciaparra, Mo Vaughn, Frank Thomas, Carlton Fisk, Pie Traynor, Henry Davis, Spencer Torkelson, Adley Rutschman, Casey Mize, Pat Burrell, Aaron Nola, Jason Varitek, Chase Utley), the use of wooden bats in CCBL, Chatham A's championships, and Cape Cod League baseball cards. There are some in/accuracies with scouting and signing (references to Joe Mauer and Adrian Gonzalez), signing deadlines (references to Stephen Drew, Jered Weaver). The scouts wonder about the sample size on Billy's batting average, issues with the Hyannis Mets, and the practicality of the Greg Maddux advice. WTFork with the called/swinging strikes. Velocity then and now! Ellen predictably gets into the Phillies lineup at the end (Bobby Abreu, Jimmy Rollins, Doug Glanville, Marlon Anderson, Mike Lieberthal, Pat Burrell, Travis Lee). Points for the Batavia Muckdogs. Storytelling (44:55) tries to sort out the preponderance of storylines, including the American Pie / Bull Durham mashup plaguing Dom (Wilmer Valderrama). Ellen outlines this movie's early assault on rational thought. Is Dede an ally or a hindrance? Why is Tenley interested in Ryan? Does this movie think this league is important? What are the stakes for these characters? Can we get some consistent points-of-view pls? Everyone Has to Be a Ten, fat phobia, other issues with Miles's (Marc Blucas) storyline, and the extremely, extremely weird relationship with the Mulligan siblings. The Score (1:19:09) weighs the onslaught of pop music, highlights including LL Cool J, Tarsha Vega, and the Dandy Warhols, with the hotel lounge jazz combo score. Acting (1:22:21) considers the performances of Jessica Biel, Freddie Prinze Jr., Brittany Murphy, Matthew Lillard, Brian Dennehy, Fred Ward, Bruce Davison, and John C. McGinley. Everyone deserved better. Delightfulness of Catcher (1:27:27) balances Matthew Lillard's charisma and the good pitcher/catcher dynamic with the unheroic things about the character. Delightfulness of Announcer (1:25:11) generally appreciates Curt Gowdy's contributions to the film. Lack of Misogyny (1:22:21) considers the fat phobia / misogyny Venn Diagram, but appreciates the character of Katie Parrish, and has a brief digression on the topic of her search for a mascot for the A's. A quick psychoanalysis of the writers of this film, vis-a-vis their depiction of female characters. No spoilers on the following segments: Yes or No (1:41:54), Six Degrees of Baseball (1:48:42), Favorite Moment (1:50:12) Least Favorite Moment (1:51:34), Scene We Would Have Liked to See (1:54:47), Dreamiest Player (1:57:16), Favorite Performance (1:58:11), Review Thank You (2:00:35) and Next Time (2:00:54).
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Ellen Adair and Eric Gilde discuss the 1996 film "Soul of the Game." They introduce the film (1:16), with an overview of the story, cast, and filmmakers. They review the 20-80 baseball scouting grades for rating the film (4:32). Amount of Baseball (7:50) highlights baseball in credits, some Satchel Paige, Josh Gibson and Jackie Robinson heroics, and a quick player comp. Baseball Accuracy (10:36) begins with a discussion of Josh Gibson's erratic behavior and drinking depicted in the film, versus his real-life diagnosis of a brain tumor, with anecdotes from Buck O'Neil, Orlando Cepeda, Don Newcombe, Josh's sister and Sean Gibson. Gibson's history with the Pirates and William Benswanger, Wendell Smith and Cum Posey, as well as his meeting with Clark Griffith of the Senators, are discussed. Degree of blame for Kennesaw Mountain Landis. Satchel Paige as Rookie of the Year (Alvin Dark says, Excuse me)? Satchel Paige's age? What were the mechanics of his hesitation pitch? Context for the team assembled by Trujillo, in addition to Paige's experience and performance on the team, with reference to Sam Bankhead and Cool Papa Bell. Satchel's arm pain and the number of teams Paige pitched for are also discussed. Conversation about Willie and Cat Mays in Chattanooga and Harrisburg, the 1945 East-West All Star Game, Satchel Paige sayings, Roy Campanella, Monte Irvin, Hilton Smith, Marion Anderson, Bill "Bojangles" Robinson, Josh Gibson's power (972 homers?), the absence of Clyde Sukeforth and Wendell Smith, Jackie Robinson's number on the Monarchs, and the weird Black/white All-Star Game. Storytelling (55:38) considers the mythic nature of the Negro League stars, the opening montage, the dynamic between Paige and Robinson, and the story of why Robinson was the Black ballplayer who was chosen. They discuss the Willie Mays bookends, the girl at the gas station, and Steve Buckley the scout. The Score (1:10:02) includes usage of jazz, blues, and music that gets an entirely disproportionate response from Ellen. In Acting (1:12:52), admiration is lavished upon the ensemble, but particularly on Delroy Lindo, Edward Hermann and Mykelti Williamson. Blair Underwood, Salli Richardson and Gina Ravera are also praised. Delightfulness of Catcher (1:22:57) presents a conundrum of evaluating the real Josh Gibson versus the delight of this portrayal. "Light seasoning" for Delightfulness of Announcer (1:25:11). Lack of Misogyny (1:27:10) considers whether this film has actually improved upon the truth in this area, with the exception of the omission of Josh's dead wife Helen. No spoilers on the following segments: Yes or No (1:31:02), Six Degrees of Baseball (1:34:52), Favorite Moment (1:36:19) Least Favorite Moment (1:38:11), Scene We Would Have Liked to See (1:40:28), Dreamiest Player (1:44:00), Favorite Performance (1:44:28), Review Thank You (1:45:38) and Next Time (1:46:05).
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Ellen Adair and Eric Gilde discuss the 1951 comedy, “Rhubarb.” They introduce the film (0:55), with an overview of the story, cast, and filmmakers. They review the 20-80 baseball scouting grades for rating the film (7:17), then begin their grading with Amount of Baseball (13:58). Baseball Accuracy (18:09) considers the origin of the term “rhubarb” and its journey into baseball terminology (Red Barber), as well as Rhubarb the cat’s luckiness (Brad Miller). Also considered are the 1914 Braves (Joe Connolly, Rabbit Maranville, Johnny Evers, Bill James, Lefty Tyler, Dick Rudolph), cats on the field, and the rally squirrel (Dominic Brown, Scott Kingery, Aaron Altherr), suspended and tie games, and mascot origins. Storytelling (43:55) wrangles with the film’s silliness, as well as Banner’s will, the many cats of the courtroom, Rhubarb’s capture, Polly’s sniffing abilities, making it rain (literally), pets inheriting money, as well as a quick overview of Rhubarb’s two sequels. The Score (1:17:17) does not have a lot going on, but there are some definite highlights to the Acting (1:21:16). With little in the way of baseball, however, Ellen and Eric are limited in their consideration of Delightfulness of Catcher (1:25:06) and Delightfulness of Announcer (1:25:28). Myra’s athleticism and attitude are a big part of the discussion of Lack of Misogyny (1:27:39), as is the pretty admirable character of Polly. No spoilers on the following segments: Yes or No (1:38:56), Six Degrees of Baseball (1:44:11), Favorite Moment (1:45:29) Least Favorite Moment (1:47:02), Scene We Would Have Liked to See (1:48:30), Dreamiest Player (1:50:59), Favorite Performance (1:51:37) Review Thank You (1:54:07) and Next Time (1:55:28).
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Ellen Adair and Eric Gilde discuss the classic 1984 film, "The Natural." They introduce the film (2:00), with an overview of the story, cast, and filmmakers. They review the 20-80 baseball scouting grades for rating the film (6:52), and then Ellen issues the first apology in Take Me In to the Ballgame history. Amount of Baseball (15:88) kicks us off with a disagreement, as they discuss the Amount of Non-Baseball versus the iconic, thirst-quenching nature of the baseball depicted, plus a player comp. Baseball Accuracy (21:27) discusses Eddie Waitkus and Ruth Ann Steinhagen, Ted Williams, Wheaties and Lou Gehrig, the Wrigley clock and Bama Rowell, and spitballs and Burleigh Grimes. Is there an issue with Roy Hobbs hitting a walk-off homer on the road? Eric enlightens us on the process of boning a bat. Ellen wonders if Pop is a bad manager. They also address baseball superstition (with reference to Rhys Hoskins and Wade Boggs), commemorative patches, the 1939 Giants (Mel Ott & Carl Hubbell), Reds (Ernie Lombardi & Bucky Walters) and Pirates, the bribe amount, and disintegrating baseballs (Martin Maldonado). Ellen considers the One Baseball Superman problem, the Baseball Is Hard problem, and does a breakdown of Hobbs's final at bat. Storytelling (54:20) addresses Arthurian and Homeric legends, the beautiful cinematography, the "16 years later" cut, the nature of Harriet's mental illness, and some confusion around Roy's flaw and the shame of being shot. What was Roy doing for 16 years? Can someone explain these medical issues? They also discuss Roy's magic, the newspaper photos of Iris, various issues with Judge, the son's whereabouts, and Roy's stay in the maternity ward. The Score (1:24:29) lays praise at the majestic feet of Randy Newman's score. Acting (1:28:56) lauds the ensemble, with special mention of Robert Redford, Glenn Close, Wilford Brimley and Richard Farnsworth, and a question about Kim Basinger. Delightfulness of Catcher (1:39:15) considers Olsen's catcher-esque story function and recognition of Hobbs despite not knowing he was a pitcher, without being a prominent character. Plus, some bonus catchers. Delightfulness of Announcer (1:42:44) is another disagreement. Get ready for Lack of Misogyny (1:46:31), in which our scouts discuss women as either bad-luck seductresses or patient angels in a Madonna/Whore binary, where ultimately women are only a function of their impact on men. No spoilers on the following segments: Yes or No (1:55:37), Six Degrees of Baseball (2:03:21), Favorite Moment (2:05:33) Least Favorite Moment (2:08:09), Scene We Would Have Liked to See (2:10:22), Dreamiest Player (2:12:09), Favorite Performance (2:13:26) Review Thank You (2:17:58) and Next Time (2:18:25).
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Ellen Adair and Eric Gilde discuss the 2012 indie zombie film "The Battery." They introduce the film (2:13), with an overview of the story, cast, and filmmakers--including the almost supernatural circumstances of its making. They review the 20-80 baseball scouting grades for rating the film (8:44), and have a brief parental advisory: there will be some discussion that is not appropriate for younger listeners. Then, they begin with Amount of Baseball (15:43), discussing the feasibility of fielding a full baseball team in the zombie apocalypse, or in a film with six total living characters. "The Benchwarmers" rears its head. They consider the baseball activities shown instead, including killing a zombie with a baseball bat, and dissecting a baseball, with reverence to the work of Dr. Meredith Wills. Baseball Accuracy (21:27) queries what kind of pitcher Mickey is, and addresses the theory of friendship between a pitcher and a catcher. Eric dives in on Pittsfield baseball history, and Ellen discusses an excellent BP article by Octavio Hernandez about changeup and curveball usage amongst Dominican and Venezuelan baseball players. The John Kruk defense is invoked. Storytelling (54:43) addresses the establishment of the dynamic between Mickey and Ben, the careful and deliberate way that the past is shared with the audience, the toothbrushing scene, usage of long takes, the Mickey Needs Some Action storyline, and the subversion of expectations. The Score (55:09) revels in music by Rock Plaza Central, Brother Claude Ely, Sun Hotel, Wise Blood, The Parlor, and Ryan Winford's score. The scouts also refer to their appearances on Al Melchior's "You Me and an Album" and the "Jaws"-reference usage of "Show Me the Way to Go Home." Acting (1:03:08) focuses on the performances of Jeremy Gardner and Adam Cronheim. Delightfulness of Catcher (1:09:02) considers the very high Amount of Catcher, and what a catcher would do in a zombie apocalypse. Delightfulness of Announcer (1:12:59) also, in its way, considers the Amount of Announcer. In Lack of Misogyny (1:13:38), the scouts find they have a lot to say about the one live woman and the one main dead one, and how women function in the storytelling. No spoilers on the following segments: Yes or No (1:25:21), Six Degrees of Baseball (1:29:07), Favorite Moment (1:30:07) Least Favorite Moment (1:32:22), Scene We Would Have Liked to See (1:35:57), Dreamiest Player (1:37:47), Favorite Performance (1:38:17) Review Thank You (1:39:02) and Next Time (1:39:50).
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Ellen Adair and Eric Gilde scout the 1994 movie, “Little Big League,” grading it on the 20-80 scouting scale. They introduce the film (2:29) before reviewing the 20-80 baseball scouting grades for rating the film (8:26). In Amount of Baseball (15:05), they are dazzled by the variety and amount of on-field play, and a player comp comes courtesy of MLB The Show. Baseball Accuracy (19:32) considers the overwhelming number of players referenced and appearing in the film (Babe Herman, Dazzy Vance, Ralph Branca, Bobby Thompson, Willie Mays, Moses Fleetwood Walker, Jackie Robinson, Roger Clemens, Walter Johnson, Whitey Herzog, Bobby Valentine, Bob Lemon, Rickey Henderson, Tommy LaSorda, Joe DiMaggio, Mickey Mantle, Ted Williams, Ty Cobb, Wahoo Sam Crawford, Mark McGwire and Jose Canseco (indirect as Billy’s friends are called the B.B.), Reggie Jackson, Wade Boggs, Sammy Sosa, Bob Uecker, Bo Jackson, Danny Tartabull, Cecil Fielder, Casey Stengel, Freddy Lindstrom, with APPEARANCES by Dave Magadan, Dean Palmer, Eric Anthony, Alex Fernandez, Lenny Webster, Lou Piniella, Rafael Palmeiro, Pudge Rodriguez, Sandy Alomar Jr., Wally Joiner, Mickey Tettleton, Carlos Baerga, Tim Raines, Paul O’Neill, Ken Griffey Jr, and Randy Johnson), Rickey Henderson’s free agency, owners being managers and stadium ownership, illegal pitches (Joe Niekro, Kevin Gross, and Roger McDowell), the crowd at the end, and Little League accuracy. The film’s quality to popularity ratio sends Ellen into an existential crisis to start off Storytelling (51:26), which then leads to discussions of growing up too quickly, the importance of having fun, the issues of presenting Jenny as a struggling single mother, the case for Billy as a bad manager, questionable child references, undercutting O’Farell’s tantrums, the security guard, and kid vs. adult wish fulfillment. Score Tool (1:19:54) laments the music that the team considers forgettable and uninspired, as well as John Fogerty’s “Centerfield” and the Band’s cover of Muddy Waters’ “Stuff You Gotta Watch.” Acting (1:25:07) considers the entire ensemble, including Luke Edwards, Timothy Busfield, Kevin Dunn, John Ashton, Jason Robards, Dennis Farina, Jonathan Silverman, as well as the general dynamic between child and adult actors. Delightfulness of Catcher (1:31:12) focuses on the value of Mark’s redemption, with some time devoted to Mickey Tettleton’s bad attitude. Delightfulness of Announcer (1:33:56) is a celebration of John Gordon and the weirdly specific baseball stats he shares. Lack of Misogyny (1:36:32) is a bit unfortunate in comparison, with female characters only presented in relation to men and frequently being pretty vapid. Some strange song choices, too! No spoilers on the following segments: Yes or No (1:41:38), Six Degrees of Baseball (1:45:36), Favorite Moment (1:48:05) Least Favorite Moment (1:50:43), Scene We Would Have Liked to See (1:53:02), Dreamiest Player (1:55:27), Favorite Performance (1:56:32), Review Thank You (1:59:32), and Next Time (1:59:56)
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With Ellen Adair away, Eric Gilde brings in Chicago native Scott Thomas to revisit “Rookie of the Year” in a “Replay Review!” After introductions are made (1:25), they review the 20-80 baseball scouting grades for rating the film (16:45). In Amount of Baseball (25:12), Scott does some geographic detective work, and also shares his grading philosophy. The consideration of Baseball Accuracy (18:35) is not just for the sport but for Chicago baseball generally, with much discussion of players of the era (Randy Myers, Jose Bautista, Mark Grace, Andre Dawson, Ryan Sandberg, Kerry Wood, Greg Maddux, Sammy Sosa, Frank Thomas, and Ozzie Guillen, among others!). Storytelling (37:20) has a number of fresh takes, and Score (45:08) hits not just on Bill Conti, but Aaron Copland and Puff Daddy, as well. Acting (52:26) gets praised for its high floor, with a few real standouts. There is quick agreement on Delightfulness of Catcher (56:28) and a fresh take on John Candy’s performance for Delightfulness of Announcer (56:57). After continuing to sing Amy Morton’s praises as a part of Lack of Misogyny (1:00:37), the two move on to an abridged version of the remaining questions (1:03:12), before a reminder of what to catch Next Time (1:11:28).
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Ellen Adair and Eric Gilde discuss the 1992 Seinfeld episode, “The Boyfriend.” They introduce the episode (1:34), and review the 20-80 baseball scouting grades for rating it (5:47). In Amount of Baseball (12:28), the scouts consider how the presence of actual baseball players impacts their scoring. Baseball Accuracy (17:02) considers Keith Hernandez’s status as a Civil War buff, defensive acumen, and 1979 MVP award (with nods to Greg Maddux and Willie Stargell). Also discussed are Roger McDowell’s antics (Gary Carter and Tommy Greene) and the 1986 World Series. Praise of jokes and structure make up a lot of the discussion of Storytelling (37:20), as does an examination of Keith and Jerry’s friendship. After talking about the Score (51:59), Eric and Ellen then talk acting (54:44), with praise of the ensemble and thoughts on Jerry Seinfeld’s acting ability specifically. Delightfulness of Catcher (1:01:14) and Delightfulness of Announcer (1:01:59) are pretty thin, but Jerry’s behavior around Keith and George’s date give Ellen and Eric plenty to consider in Lack of Misogyny (1:02:14). No spoilers on the following segments: Yes or No (1:08:31), Six Degrees of Baseball (1:12:59), Favorite Moment (1:13:36), Least Favorite Moment (1:15:47), Scene We Would Have Liked to See (1:18:53), Dreamiest Player (1:21:11), Favorite Performance (1:21:37) Review Thank You (1:24:00) and Next Time (1:24:45).
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Ellen Adair and Brian Gene White grade an episode of "Hey Arnold!" entitled "The Baseball" on the 20-80 scouting scale, with an intermission on the 2024 World Series Champion Dodgers. They introduce the show, with background on the creators (1:58) and provide a summary of this episode's story (6:12). A quick overview of the 20-80 scouting scale for those just joining us (7:15). Amount of Baseball (8:07) looks at a couple of ways that Ellen breaks with precedent in scoring this category, and at the diversity of the kinds of baseball in this episode. Baseball Accuracy (17:44) discusses the player positioning in the streetball game and some other animation faux pas, whether physics-accuracy-is-baseball-accuracy applies to this cartoon, the accuracy of Quigley Field w/r/t Ebbets Field, Shibe Park, and the Polo Grounds, and issues with Arnold having Mickey Kaline as his favorite player. The scouts dive in on some Mickey Mantle and Al Kaline comparisons with the fictional Mickey Kaline, along with references to Babe Ruth and Ted Williams. Ellen tests their ability to do a teeny tiny deep dive considering every player who homered on their last at bat, and talks about the accounting of Al Kaline's last game in Joe Posnanski's BASEBALL 100. Storytelling (43:31) talks about the primacy of stories of baseball players facing retirement in baseball media, and its metaphorical implications. They consider a few real-life baseball players, such as Chase Utley, Albert Pujols, Roberto Clemente, Ken Griffey Jr., and parallels to what's currently happening in the TV/film industry. Brian shares an interesting fact about the young voice actors in "Hey Arnold!" Both envy Arnold's room and community, and discuss Kaline's nickname. Ellen compares a story moment to Don Delillo's UNDERWORLD. Then, an INTERMISSION (1:00:16) in which Brian and Ellen discuss the 2024 Dodgers and their postseason, with a segment Ellen has titled Three Things, which challenges both of them to choose three answers to various Dodgers-related prompts. No spoilers on the names and moments discussed here as they look at the Dodgers' path to their 2024 World Series Championship. They return to grading with the Score Tool (1:25:38). Acting (1:29:00) considers the performances of Dan Castellaneta, Tress MacNeille, Ron Perlman, Toran Caudell, Jamil Walker Smith, Francesca Marie Smith, James Keane, and Dom Irrera. Delightfulness of Catcher Character (1:35:29) weighs Helga as catcher and Delightfulness of Announcer (1:38:45) Billy Riback as "TV Reporter/Announcer." Lack of Misogyny (1:40:27) leaves us feeling good. No spoilers on the following segments: Yes or No (1:43:15) Six Degrees of Baseball (1:45:56) Favorite Moment (1:46:22) Least Favorite Moment (1:46:50) Scene We'd Like to See (1:47:10) Dreamiest Player (1:48:41) and Favorite Performance (1:48:52). Follow Brian Gene White on Instagram/Threads @briangenewhite, and find Ellen Adair on Bluesky and Tiktok @ellenadair, on Twitter at @ellen_adair, and on Instagram/Threads @ellenadairg.
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Ellen Adair and Eric Gilde discuss the 1942 Disney short, “How To Play Baseball,” starring many, many Goofys. They introduce the cartoon (1:55), with Ellen clarifying precedent established concerning cartoon short eligibility as a baseball film (per a previous ruling discussed between Alan Sepinwall, Joe Posnanski, and Mike Schur). This is of course followed by a review of the 20-80 baseball scouting grades for rating it (7:59). Amount of Baseball (14:30) gets help from its status as ratio-based. Baseball Accuracy (16:50) considers the cartoon’s example and argument of the game’s simplicity, the ball and glove (A.G. Spalding, Rawlings, Charlie Waitt, Doug Allison, Bill Doak), descriptions of pitch types, the World Series player shares, and hitting the cover off the ball (Martin Maldonado, Tony Walters, Jose Reyes, Bryce Harper, Jose Abreu). Ellen and Eric then turn to Storytelling (47:55), where they consider the cartoon’s structure of a descriptive half followed by a narrative half. Goofy and goofiness are praised, generally, and questions arise about fights with the umpire, which team the viewer really should be rooting for, and the notion of sentient baseballs. Swing music and high stakes come into play when discussing the Score (56:46), and Acting (58:31) discusses the skill and limits of Fred Shields’ narration. Delightfulness of Catcher (59:56) and Delightfulness of Announcer (1:02:25) and Lack of Misogyny (1:04:21) discussions are limited due to the nature and contents of this short cartoon. No spoilers on the following segments: Yes or No (1:06:12), Six Degrees of Baseball (1:12:07), Favorite Moment (1:15:16) Least Favorite Moment (1:16:49), Scene We Would Have Liked to See (1:19:46), Dreamiest Player (1:21:37), Favorite Performance (1:23:20) Review Thank You (1:25:30) and Next Time (1:27:25).
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Ellen Adair and Eric Gilde discuss the 1957 film "Fear Strikes Out." They introduce the film (1:26), with an overview of the story, cast, director and writer. They review the 20-80 baseball scouting grades for rating the film (8:45), with autobiographical metaphors (appropriately). In Amount of Baseball (14:38), the scouts' differing viewpoints on this tool yield different assessments, but they both agree that the movie is not extremely interested in the actual baseball action. Ellen has a 2020 player comp. However, in Baseball Accuracy (18:35), they start by considering the accuracy of the on-field play that we do see, particularly ball trajectories and one geographical issue. There are a few inside-the-park-home-run inaccuracies and one Pat Venditte situation. They discuss Piersall's history of stolen bases (w/r/t Luis Aparicio and Maury Wills), Fenway Accuracy, Joe Cronin, Lou Boudreau, and the Sox outfield (Clyde Vollmer, Dom DiMaggio, Hoot Evers, Faye Throneberry and Ted Williams). With appreciation to Mark Armour's SABR article, they discuss the nature of Jimmy's outbursts and on-field antics in contrast to what is depicted in the film. Storytelling (32:48) brings up Ellen's problem with many biopics, and Eric's view of the melodrama. They discuss the storytelling around Jimmy's illness and Mrs. Piersall's illness, Mr. Piersall's overbearing nature (as depicted), the camera work, Edith Head's costumes, and the exposition. Boy howdy, the exposition. Is The Score (1:03:50) overbearing or not? Acting (1:21:39) compliments the ensemble, but our scouts canNOT shut up about how fantastic Anthony Perkins and Karl Malden are. Delightfulness of Catcher (1:20:19) and Delightfulness of Announcer (1:20:58) do not offer much. Lack of Misogyny (1:22:06) considers Jimmy Piersall in an apron. No spoilers on the following segments: Yes or No (1:24:22), Six Degrees of Baseball (1:22:49), Favorite Moment (1:29:20) Least Favorite Moment (1:33:25), Scene We Would Have Liked to See (1:34:49), Dreamiest Player (1:36:35), Favorite Performance (1:36:59) Review Thank You (1:42:30) and Next Time (1:43:09).
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Ellen Adair and Eric Gilde discuss the 2007 film "War Eagle Arkansas." They introduce the film (2:25), with an overview of the story, cast, director and writer. They review the 20-80 baseball scouting grades for rating the film (5:20), with a metaphor for the ages. In Amount of Baseball (9:35), Eric tries to find baseball wherever he can, while Ellen remembers the Jared Hughes / J.T. Realmuto moment. Baseball Accuracy (13:25) considers Wheels's assessment of Enoch's pitching, Luke Grimes' pitching motion, and Pops's baseball career. The scouts dive in on Albert Pujols career (recorded before his release, but this goes out to you, Pujols), and the Dizzy Dean vs. Bob Gibson vs. Cy Young controversy, with references to Lefty Gomez, Carl Hubbell, Jacob deGrom, and Corbin Burnes. Some discussion of WWE/WWF, Jerry Lawler, and birds. Storytelling (32:48) addresses questions about the rivalry with Nardler and the Eureka Springs boys, Pops' baseball career, contradictory impulses vs. an inconsistent point-of-view, and whether or not Enoch actually likes baseball. Our scouts discuss the film's message vs. their own personal wiring, and the binary presentation of Enoch's choice. Did we need Pops's funeral, or the scene with the deer? We absolutely needed the cinematography; props to Masanobu Takayanagi. The Score (1:14:45) praises Will Churchill's guitar compositions and the bluegrass music depicted in the film, with reference to Ola Belle Reed, and the poetry of Miller Williams. Acting (1:21:39) compliments Brian Dennehy, Mare Winningham and Mary Kay Place, and revels in the performances of Luke Grimes and Dan McCabe. Delightfulness of Catcher (1:27:39) considers Pops as a catcher. Delightfulness of Announcer (1:28:59) sets a record? Lack of Misogyny (1:29:07) mulls how Wheels's misogynist comments should be graded. No spoilers on the following segments: Yes or No (1:33:56), Six Degrees of Baseball (1:37:07), Favorite Moment (1:39:58) Least Favorite Moment (1:41:14), Scene We Would Have Liked to See (1:42:25), Dreamiest Player (1:44:37), Favorite Performance (1:45:53) Review Thank You (1:44:14) and Next Time (1:49:43).
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Ellen Adair and Eric Gilde discuss the 1994 movie "Major League II." They introduce the film (1:13), with an overview of the story, cast, director and writer. They review the 20-80 baseball scouting grades for rating the film (4:58), with a metaphor that leads Ellen to bring up her earliest baseball writing. Then, they begin with Amount of Baseball (11:09), comparing it to "Major League," and celebrating the healthy amount throughout, and how it is shot. Player comps are still for 2020. Baseball Accuracy (15:18) dives in on Rick Vaughn's pitching mix (with excellent input from the sensei, Nick Pollack) and the film's fundamental misunderstanding of both pitching and the role of the relief pitcher. But there are many other questions. Why aren't people more excited about these pitchers pitching 8.2 innings? Ellen refers to Aaron Nola, Vince Velasquez, and Nick Pivetta. Who is catching when Rube is in the bullpen? HOW many homers is Jack Parkman going to hit? Eric cites Johnny Bench and Javy Lopez. Does Rick Vaughn need glasses? Why are the White Sox villains? Talk about divisions, Skunk in the Outfield Play, and the numbers on Dorn's purchase of the franchise. Some historical dives on Runners Jumping Over Catchers (Chris Coughlan, Matt Carpenter, Jason Kendall, Deon Sanders, Andrew McCutchen and J.T. Realmuto), Birds Hit by Baseballs (Eric Davis, Dave Winfield, Dion James, Randy Johnson, Shin-Soo Choo and Coco Crisp) and ways in which the film was Ahead of Its Time (offseason skills changes; Asian players, w/r/t Masanori Murakami, Hideo Nomo, Mac Suzuki and Chan-Ho Park; billboards; Hayes' A-Rod move). Eric discusses Lou Boudreau and Bob Feller, while Ellen looks at players with the yips, particularly Mackey Sasser and Jarrod Saltalamacchia, but also Rick Ankiel, Steve Blass, Chuck Knoblauch and Steve Sax. Storytelling (54:43) addresses the inevitable comparisons to Major League Number One, weighing the excellent jokes to the panoply of offensive stereotypes. Eric has some storyline issues with Rick Vaughn, and Ellen wonders why they had to set the movie the very next season. "Get out of your head" and "have fun" baseball movie tropes surface. They discuss the return to the Rachel Phelps well and unaddressed character changes for Roger Dorn. What happens with Nikki's White Sox fan boyfriend? - and other issues with the Nikki storyline. Fact checks on her middle school classroom. The Score (1:18:47) is mostly what they want for this. Acting (1:21:03) compliments the returning cast of Charlie Sheen, Tom Berenger, Corbin Bernsen, Dennis Haysbert, James Gammon, and Margaret Whitton. David Keith's villainy is delicious. Ellen has a take on Omar Epps' version of Willie, and advocates for Eric Bruskotter. Eric has a Remember Some Guys moment with Randy Quaid. Delightfulness of Catcher (1:35:06) discusses the rich variety of catchers presented in Jake Taylor, Rube Baker, and Jack Parkman, and considers "amount of catchers." Delightfulness of Announcer (1:41:55) lauds Bob Uecker and Monty's moment in the spotlight. Some discussion of costume design and announcer questions. Lack of Misogyny (1:45:05) considers, again, Rachel Phelps' villainy, the role of Vaughn's agent girlfriend Rebecca Flannery, Nikki, and Dorn's assistant. No spoilers on the following segments: Yes or No (1:49:14), Six Degrees of Baseball (1:53:16), Favorite Moment (1:54:11) Least Favorite Moment (1:55:56), Scene We Would Have Liked to See (1:58:17), Dreamiest Player (2:00:53), Favorite Performance (2:01:02) Review Thank You (2:05:00) and Next Time (2:06:07).
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Ellen Adair and Eric Gilde discuss the 1990 TV movie "The Court-Martial of Jackie Robinson." They introduce the film (1:27), with an overview of the story, cast, director and writer. They review the 20-80 baseball scouting grades for rating the film (5:48), with a metaphor that Mike Schur would not enjoy. Then, they begin with Amount of Baseball (9:48), discussing whether or not this is a baseball movie, plus amount of football. Player comp? Baseball Accuracy (12:35) considers things that the film gets right about the court-martial, the stakes of the event, and its role in Jackie Robinson's life. They also discuss Jackie's friendship with Joe Louis and the latter's fights with Max Schmelling, Wendell Smith timeline issues, Branch Rickey and the United States League, why Robinson left UCLA and his post-college life, and the breakup with Rachel. Storytelling (35:24) praises the way the film represents racism as a spectrum, not a binary, with a variety and intensity of characters' racism. Wendell Smith's importance in this film is a bonus. They discuss the storytelling of the opening photo montage, the high-variance player of the dialogue, and filmic treatment of the bus scene itself. Score Tool discussion (56:35). Acting (1:01:14) lays praise at the feet of Andre Braugher, Stan Shaw, Ruby Dee, Daniel Stern, Bruce Dern, and J.A. Preston. Delightfulness of Catcher (1:08:57) and Delightfulness of Announcer (1:09:25) do not offer much. Lack of Misogyny (1:10:00) is helped by the amazing women who were actually in Jackie's life. No spoilers on the following segments: Yes or No (1:12:57), Six Degrees of Baseball (1:17:13), Favorite Moment (1:18:42) Least Favorite Moment (1:21:20), Scene We Would Have Liked to See (1:23:18), Dreamiest Player (1:26:01), Favorite Performance (1:26:40) Next Time (1:28:16) and Review Thank You (1:30:03).
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Ellen Adair and Eric Gilde discuss the 1979 TV movie "Aunt Mary," about Mary Dobkin, the first female little league coach in Baltimore. They introduce the film (1:27), with an overview of the story, cast, and director. They review the 20-80 baseball scouting grades for rating the film (5:21), with an on-the-nose metaphor. Amount of Baseball (9:50) makes some borderline calls on baseball on the radio and stickball, and appreciates Cal Abrams in the footage. Eric may not appreciate Ellen's player comp. Baseball Accuracy (15:22) references "Rookie of the Year" for the first practice, while Nicholas's baseball skill is called into question: that's a lot of choking up for a power hitter. The real Aunt Mary's coaching timeline brings up a discussion about the level of integration in baseball in 1950-1955, with reference to Jehosie "Jay" Heard, Hank Aaron, Jackie Robinson, Willie Mays, the 1954 Dodgers and World Series teams. More background on Aunt Mary's biography, and a dive into her baseball opinions, w/r/t bunting, Leo Durocher, slider grips, and the 1955 Orioles. An Ellen Adair Breakdown on her assertions about Gus Triandos and Eddie Waitkus. Pete Gray, Bob Turley, Clint Courtney, and the Orioles' minor league team are also discussed. In Storytelling (44:10), our scouts admire the direction, pacing, and perspective on baseball, though they discuss when the exposition does and doesn't work. The amputee joke and the lip-syncing kids definitely don't work, but they do bring to mind screening rooms at MOMA. Everybody Wants to Get With Aunt Mary. Strasberg Is the Worst. Can we see the books of the ice cream guy? They also discuss the gradations of racists in the final game, its outcome, similarities to "Take Me Out to the Ballgame," Mary's rules, and Baltimore marble. The Score (1:15:14) balances some schmaltz with some fun choices. Acting (1:17:40) praises Jean Stapleton, but the scouts are mixed on Martin Balsam and Harold Gould. The young actors are sufficient. Delightfulness of Catcher (1:24:19) discusses Tony Rocco and Aunt Mary as a catcher. Delightfulness of Announcer (1:27:04) considers radio announcing. Lack of Misogyny (1:29:14) wonders if Strasberg gets sufficient comeuppance for his micro-aggressions. The kids' attitudes, with Old Maid vs. Bachelor Girl, testing of Mary's baseball knowledge, and the What Man Taught You About Baseball phenomenon, are also discussed. Dr. Hoxley is always an issue, but again: Everyone Wants to Get With Aunt Mary. No spoilers on the following segments: Yes or No (1:42:03), Six Degrees of Baseball (1:47:50), Favorite Moment (1:48:15) Least Favorite Moment (1:49:40), Scene We Would Have Liked to See (1:53:22), Dreamiest Player (1:56:07), Favorite Performance (1:56:57) Next Time (1:58:38) and Review Thank You (1:59:55).
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Ellen Adair and Eric Gilde scout the 1999 movie, "The Scout," grading it on the 20-80 scouting scale. They introduce the film (2:00), with an overview of the story, cast, and director. They review the 20-80 baseball scouting grades for rating the film (10:05), with a bit of a search for a metaphor. In Amount of Baseball (14:51), Eric stays on the wagon, despite personal conflict. They discuss the size and duration of shots, Cheetos for dinner, Keith Hernandez, Bret Saberhagen and a 2020 player comp. Baseball Accuracy (20:18) tackles the ability to sign amateurs, particularly college students, with reference to the Phillies signing Mike Adams and the Nats signing Bryce Harper. There's either a huge problem with understanding how scouting works, an organizational player development problem, or both. A brief foray into players who have signed and gone straight to the majors, including Bob Feller, Harmon Killebrew, Sandy Koufax, Dave Winfield, Catfish Hunter, Garrett Crochet and Mike Leake. Tommy Lacey and Adrian Houser compare-and-contrast. Issues with Mexican baseball accuracy refer to Julio Urias and Joaqim Soria, and pitch speed accuracy refers to Nolan Ryan, Bob Feller, and Steve Dalkowski. Brendan Fraser's form is discussed. Issues with the final game bring up immaculate innings, including Zach Plesac, Danny Jackson, Red Barrett, Ron Necciai, along with Don Larsen, Ozzie Smith as a power hitter, Billy Martin, and the number 42. Storytelling (46:57) addresses many questions: is Al good at his job? Did no one think through the King Kong analogy? What is the tone of this movie? Who thought these Mexico scenes were okay? What is the movie's attitude towards therapy? Why won't Steve pitch? What's the deal with his contract? Ellen has an additional series of "WHY" questions. They also discuss Steve's interactions with the press, Jimmy Piersall, Fernando Valenzuela, and the price of Dom Perignon. Score Tool (1:18:31) wonders if this is Bill Conti's floor as a composer. Some discussion of "You've Gotta Have Heart" from "Damn Yankees," and the Tony Bennett sequence. Acting (1:22:34) discusses the performances of Albert Brooks, Brendan Fraser, Dianne Wiest, Michael Rappaport and Lane Smith. George Steinbrenner is fine. Delightfulness of Catcher (1:26:16) weighs the various bowled-over people responding to Steve. Does Al count as a catcher? Delightfulness of Announcer (1:26:16) weighs the merits of Bob Costas and Tim McCarver versus the stupid things they are given to say. Eric fact-checks world series viewership. Ellen defends Costas/McCarver, but not John Sterling. Lack of Misogyny (1:32:07) balances Al's misogyny with the many excellent things about Dr. Aaron, Dianne Wiest's character. Some consideration for the character of Jennifer. No spoilers on the following segments: Yes or No (1:33:04), Six Degrees of Baseball (1:40:29), Favorite Moment (1:41:49) Least Favorite Moment (1:43:57), Scene We Would Have Liked to See (1:44:26), Dreamiest Player (1:47:50), Favorite Performance (1:48:47) Next Time (1:50:40) and Review Thank You (1:51:58).
- Visa fler
