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In this episode of Queer Cinema Catch Up, hosts Joe and Allison are joined by Andrew Proctor (@andrwprctr) from The Queer Frame Archive to discuss the 1924 silent film 'Michael'. They delve into the movie's portrayal of queer relationships, its historical and cultural context, and the director Carl Theodor Dreyer's unique filmmaking style. Their conversation also touches on the availability and preservation of early queer cinema and draws parallels between 'Michael' and contemporary films. From initial perceptions to in-depth analysis of character dynamics and thematic elements, this episode provides a comprehensive examination of a landmark in queer film history.
Edited by Abu Jafar
00:07 Introducing Andrew Proctor and The Queer Frame Archive project
00:27 'Michael' Intro
00:53 The Weimar Republic and Queer Representation
02:38 First Impressions
04:17 Silent Film Techniques and Carl Theodore Dreyer
09:46 Plot Overview and Character Dynamics
18:31 Analyzing the Countess and Michael's Relationship
22:26 Interpreting the Film's Ending
32:24 Michael's Debt and Claude's Generosity
33:27 Religious Symbolism in Michael
36:09 Queer Representation in Early Cinema
39:22 Herman Bang and the Source Material
46:34 Claude's Loneliness and Tragic End
55:52 Comparing Michael to Modern Films
01:00:11 The Importance of Film Preservation
01:04:59 Conclusion and Final Thoughts
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On this week's Queer Cinema Catchup, Allison and Joe are joined by Dan and Jennifer of Banned Camp podcast to discuss the book and film adaptation of Benjamin Alire Sáenz's Aristotle and Dante Discover the Secrets of the Universe. Their conversation covers key differences between the book and movie; the representation of LGBTQ+ identity; and the importance of creating diverse media. They also reflect on the challenges of adapting introspective narratives into visual stories and explore the intricacies of character dynamics and plot development.
00:19 'Aristotle and Dante Discover the Secrets of the Universe' Intro
02:19 Differences Between the Book and Movie
03:22 Banned Books
05:28 Character Development and Plot Points
28:51 Ari's Injury and School Drama
29:45 Philosophical Discussions
33:05 Family Secrets and War Stories
34:26 Coming Out and Parental Reactions
42:12 Hollywood Adaptations
51:22 Banned Books and Queer Representation
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On this week's Halloween episode of Queer Cinema Catchup, Joe and Allison are joined by Sydney Thompson, Chelsea Duff, and Monica Heidt of the horror movie podcast Spooky Tuesday to dissect Alejandro Amenábar's 2001 film 'The Others.' Their discussion covers everything from Nicole Kidman's A+ performance to the film's thematic grappling with faith to some first-time reactions to that twist.
00:26 Introduction to Queer Cinema Catch Up
00:40 Meet the Spooky Tuesday Team
02:08 First-Time Viewing and Childhood Experiences of 'The Others'
05:15 Themes and Twists
07:39 Comparing 'The Others' to Other Horror Films
13:18 Aesthetics and Rules
18:18 Emotional Impact and Personal Reflections
22:06 A Mysterious Encounter
22:37 Christopher Eccleston's Role
23:30 The Haunting Realization
24:58 Unraveling the Family's Fate
27:23 The Intruders and the Seance
37:02 The Power of Light and Mirrors
43:57 Faith and Belief in 'The Others'
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On this episode of Queer Cinema Catch Up, Casey from the YouTube channel Sassy Grilled Cheese joins Allison and Joe for a discussion of 2003's Freaky Friday. Together they explore the familiar story's history and timeless appeal; the pitch perfect performances of Jamie Lee Curtis and Lindsay Lohan; Lindsay's highlights; Freakier Friday predictions; possible queer updates; 2024 reactions to the film's fortune cookie magic; and 2000s tabloid culture.
00:37 Freaky Friday Movie Overview
03:11 Cartoonish Elements and Exaggerations
07:50 Casting Choices and Behind-the-Scenes Info
13:04 Lindsay Lohan vs. Hilary Duff
15:42 Child Actors/Need for Education & Protections
17:09 Is the Magic of the Switch Problematic?
18:27 Quote/Response from Actress Rosalind Chao
19:49 Freakier Friday
20:56 Casting a Modern Freaky Friday
27:15 Body Swap Movies and "Pink Films"
29:47 Final Thoughts on Freaky Friday
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In this episode of Queer Cinema Catch Up, hosts Joe and Allison explore the 1992 cult classic 'Death Becomes Her,' starring Meryl Streep, Goldie Hawn, and Bruce Willis. They delve into the film's queer undertones; its themes of aging, beauty, and power; the cultural invisibility of female-led projects; and its impact on queer and drag communities. They also touch on alternate endings, societal and personal views on plastic surgery, their favorite Meryl Streep moments, and whether or not they would sip from a potion that would allow them to live forever.
01:01 Plot Overview and Initial Impressions
03:44 The Potion and Its Effects
04:50 Meryl's Transformation
06:04 The Staircase Scene
08:03 Do the Undead Have Souls?
10:29 Visual Effects and Cult Status
16:54 Cultural Impact on the Queer Community
24:03 Plot Shifts and New Goals
25:26 Meryl Streep's Comedy Era
30:23 Queer Readings and Symbolism
32:55 Morality and Immortality
35:19 Alternate Endings and Interpretations
42:25 Favorite Meryl Streep Pop Culture Moments
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Allison and Joe are joined by media and culture expert Dr. Khaliden Nas of the podcast Referential to discuss the 2001 film Josie and the Pussycats. In this episode, they explore the film's cultural, cult-classic significance, its satirical representation of the music industry, and its perspective on consumerism. If you're interested in a comparison of Parker Posey's character to Elon Musk; films like 'A Very Brady Sequel' or TV shows like 'The Other Two', then this podcast episode is for you. Listen and then check out Referential's edit of the podcast too!
00:34 Diving into Josie and the Pussycats
01:05 Nostalgia and First Impressions
05:00 Plot Summary and Key Moments
08:31 Analyzing the Music and the Marketing
12:52 Critical Reception and Misogyny
20:11 Pop Music Industry and Consumerism
35:25 Josie and the Pussycats: A Cult Classic
36:05 Personal Reflections on Gender and Identity
37:54 Comparing Silly Movies: Dick's Musical vs. Josie
41:06 Casting What-Ifs and Tragic Stories
43:57 The Evolution of the Music Industry
50:51 Product Placement Satire
53:13 Queerness and Identity in Josie and the Pussycats
59:26 Final Thoughts and Recommendations
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On this episode of Queer Cinema Catchup, Joe and Allison discuss the 1996 British film 'Beautiful Thing,' directed by Hettie Macdonald and written by Jonathan Harvey. Listen as they discuss the raw, surprising scenes that make this film about first queer love in a working-class setting so powerful; delve into Jonathan Harvey's unexpected inspiration for creating this play-turned-film; and compare and contrast 'Beautiful Thing' with other queer narratives, particularly the dark and impactful novel 'Young Mungo' by Douglas Stuart.
01:32 Personal Reflections and Reddit Reactions
04:19 Plot Summary and Character Analysis
16:07 Critical Reception and Audience Opinions
28:14 The Most Powerful Moment of the Film
36:10 Jonathan Harvey's Inspiration and Class Themes
40:08 Comparing 'Beautiful Thing' and 'Young Mungo'
51:03 Out First Queer Movie Experiences
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Fall is almost here, and so is Queer Cinema Catchup's review of Tim Burton's Beetlejuice Beetlejuice (with some thoughts on the original thrown in for good measure, too)!
Hosts Joe and Allison delve into the impact of Tim Burton's work, focusing on Winona Ryder's iconic roles and heartfelt interviews. They discuss the sequel to Beetlejuice, as well as the cultural impact of the original film and Burton's unique style. Their conversation contrasts the Hollywood journeys of Winona Ryder in the 80s and 90s with Jenna Ortega in the late 2010s and early 2020s, examining the agency (or lack thereof) of the
ingénue. Later, they consider Beetlejuice Beetlejuice as a Burton's commentary on the pressure to create bigger and better sequels.
01:28 Beetlejuice Beetlejuice: First Impressions
02:14 Revisiting the Original Beetlejuice
04:23 The Sequel's Plot and Reactions
19:17 Tim Burton's Legacy and Collaborations
48:39 Guessing Game: Counting Tim Burton Films
48:46 Johnny Depp's Burton Roles
50:19 Winona Ryder: A Deep, Affectionate Dive
01:00:35 Winona Ryder and Jenna Ortega: A Bond
01:11:28 Beetlejuice Sequel Development
01:16:23 Catherine O'Hara's Timeless Appeal
01:22:35 Beetlejuice Beetlejuice Beetlejuice: A Threequel?!
01:33:55 Final Thoughts and a Green Cake Melting in the Rain
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Joe and Allison are joined by Tomatometer-approved Rotten Tomatoes critics Nick and Joseph of Fish Jelly Film Reviews in this week's episode of Queer Cinema Catchup. Together, they unpack the 1959 film Suddenly, Last Summer based on the Tennessee Williams play; directed by Joseph L. Mankiewicz; written by Gore Vidal, Mankiewicz, and Williams; and starring Elizabeth Taylor, Katharine Hepburn, and Montgomery Clift.
Listen as they discuss the behind-the-scenes queerness of this already queer movie (3:09); the central metaphor of the film and what it says about the implied queer identity of one of its major (albeit dead) characters (7:20); the deeper, darker implications of Elizabeth Taylor's famous white bathing suit (19:41); how the film got around the Hays Code (21:48); whether or not the coded and negative representation of the film is damaging (29:11); the connection between Tennessee Williams' personal history and the plot of the film (34:07); and how Katharine Hepburn's performance inspired Anthony Hopkins (39:50).
Thanks very much to Joseph and Nick for joining us; you can hear more of their reviews on their youtube channel and podcast.
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It's a Queer Cinema Catchup double feature centering around two music biopics with a surprising connection: 8 Mile and Rocketman. Listen to Joe and Allison compare and contrast these films. They'll analyze Eminem's relationship to queerness; Elton John's dark grappling with addiction and identity; and the time they got to see Elton John together. Hear all that and more on this week's episode, and please send your thoughts, questions, and suggestions to [email protected].
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Joe and Allison talk growing up as they unpack Sean Wang's new coming-of-age film Dìdi. In this episode of Queer Cinema Catchup, your hosts reveal their old AIM screennames (00:23); discuss Sean Wang's filmmaking influence and style (8:19, 22:17); praise the exceptionally talented and wise actress, director, writer, and producer Joan Chen (27:23); compare the role that certain heart-wrenching questions play in Dìdi and its coming-of-age antecedent Eighth Grade (34:04); consider how cultural identity and marginalization impacts the teenage years (45:25); and get real about the cringe and the difficulty of their own journeys toward adulthood (52:31). Email your thoughts, suggestions, and questions to [email protected].
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Allison and Joe return to their inherently queer (because they are queer), movie-making origins (because they made movies together in the backyard once upon a time) by discussing their OG filmmaking muse: M. Night Shyamalan. Hear our thoughts on M Night's latest film Trap, as well as our hot takes on nepotism in the film industry, Shyamalan's long and controversial career, and whether or not Josh Hartnett is a "gay millennial root" or even...attractive?!
https://www.vulture.com/2024/08/was-josh-hartnett-a-millennial-gay-root-an-investigation.html
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In their first video podcast (available on their YouTube channel @QueerCinemaCatchup), Joe and Allison break down the commercial-flop-turned-cult-classic Connie and Carla written by Nia Vardalos of My Big Fat Greek Wedding fame (who stars in the film alongside the Oscar-nominated Toni Colette). Hear all about Allison and Joe's relationship (or lack thereof) to drag (5:09); Vardalos's long and surprising career (11:59); how sexism may have played a role in Allison's preconceptions about said career (26:58); the exploration of homophobia in this progressive-for-the-time film (36:30); the disappointing critical response to the film that persists to this day (42:33); and how a TikTok clip of Harvey Fierstein speaking with Barbara Walters made Joe and Allison feel inspired and grateful for artists like Nia who are brave enough to create stories that push the culture forward (1:00).
https://www.tiktok.com/@_dofd/video/7393327709595766059
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The excellent writer and wonderful friend Hayley Sigmon joins Allison and Joe on this week's Queer Cinema Catchup. Listen as they delve into Luke Gilford's National Anthem. Over the course of the episode, they'll unpack the disconnect between their negative reactions and the critical praise the film has received (9:30; 26:10); the ways in which Luke's own history does and does not make its way into the narrative (22:17); the history of the Gay American Cowboy (35:48); and their invention of a trope to rival the Manic Pixie Dream Girl known as the Shy, Soulful, Tortured Twink (43:55).
https://www.brandeis.edu/writing-program/write-now/2021-2022/miller-hana/index.html
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In this episode of Queer Cinema Catchup, Joe and Allison delve into Oz Perkins' Longlegs. They cover scary and silly Nicolas Cage moments; Neon's marketing trickery; and queer subtext (with some help from Them's Samantha Allen and her excellent analysis of gender, the horror genre, and Longleg's connection to the closeted star of Psycho Anthony Perkins). Check it out and send your thoughts to [email protected].
https://www.them.us/story/longlegs-movie-queerphobic-criticism-oz-perkins
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This week, Allison and Joe are on location in Chicago discussing Ti West's latest film MaXXXine with some lovely and insightful guests. Join them on the shore of Lake Michigan as they break down the plot and follow them back to the mean streets of Hollywood (54:45) to hear some in-depth analysis of the film's queer-coded character and symbolic representations of fame as well as some insight into why they can't choose beautiful Chicago over dirty LA at the end of the day. Please note that MaXXXine is rated R and so is this episode of Queer Cinema Catchup.
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Julio Torres' film Problemista teaches Joe and Allison some important lessons about standing up for yourself and trusting Tilda Swinton even (or maybe especially) if she's the bad guy. Hear more by listening to this week's Queer Cinema Catchup and email us your thoughts at queercinemacatchup.com.
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For the first twenty minutes of this episode of Queer Cinema Catchup, Joe and Allison time travel back to their very first attempt at a QCC episode, a review of the film Bros just after its theatrical release in September of 2022. They then (21:37) launch into their updated thoughts on Bros and compare it (50:00) with another queer film Dicks: The Musical. Let us know your thoughts on this gay double feature by sending an email to [email protected].
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Joe and Allison love Hacks but feel so-so on Hannah Einbinder's first stand-up special Everything Must Go. They discuss both, take Allison to task for her TV watching cheating, talk to a surprise guest, and read their very first piece of fan mail. Tune in to hear it all and send your thoughts to [email protected].
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When they were kids, Joe and Allison tried to re-create M Night Shyamalan films. Now, they watch EVERY movie from ANY Shyamalan auteur, including that of M Night's daughter Ishana. Their thoughts on her directorial debut might be a bit harsh, but their nostalgia for the Nights' twisty horror persists and you can bet they'll be seated for Ishana Night Shyamalan's next film. Listen and send your own thoughts to [email protected].
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- Visa fler
