Avsnitt
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I take a look at Spotify's recent announcement of their rebrand to 'Spotify for Creators' for podcasters and its impact on audio podcasting. I review the new monetization requirements on Spotify, comparing them with YouTube's more lenient YouTube Creator Program and monetisation options for audio-only shows.
I discuss the potential shift towards video podcasting, the challenges smaller creators may face, and the different revenue models of Spotify and YouTube. Featuring insights from an interview with Spotify CEO Daniel Elk that Colin and Samir did on their podcast, we'll examine the pros and cons of Spotify's approach and what it means for the future of podcasting.
Resources Mentioned:
Colin and Samir interview Daniel Ek
Spotify for Creators
Captivate
Spotify Revenue Share
Imgur
BAMBY MEDIA LINKS:
Podcast Content Calendar
Book A Consultation
Free Podcast Audit Service
YouTube Channel
GEAR WE USE HERE AT BAMBY MEDIA:
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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As the festive season approaches, the question of whether to take a break from releasing podcast episodes over Christmas and New Year often looms large, especially for podcasters.
It's a time when many are eager to unwind, enjoy family time, and perhaps forget about their usual routines. But is a break the best move for your podcast? I’ve trawled through the data we collect from our own client roster and the podcasting industry more broadly to give you my take.
Podcasting is an evolving and growing medium, drawing people away from algorithm-driven platforms to more meaningful interactions with the content they love. By staying consistent, especially over the Christmas period, you'll be ready to leap into the New Year, taking advantage of the increased listener engagement.
I hope this gives you the clarity and confidence to keep those episodes rolling, even through the holiday season. I know it’s a lot of work, and I also appreciate that you simply might need a break.
It’s okay if you don’t take my advice and instead fall in a heap for a couple of weeks. I get it.
At the end of the day, it’s your show so you can do whatever you want. That’s the beauty of the medium. I’m just here to give you a bit of a push if you’re open to it.
Resources Mentioned:
PodPoll - Deadset Studios
Podcast Landscape 2024 - Sounds Profitable
The Podcast Election - Scott Galloway
BAMBY MEDIA LINKS:
Podcast Content Calendar
Book A Consultation
Free Podcast Audit Service
YouTube Channel
GEAR WE USE HERE AT BAMBY MEDIA:
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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Saknas det avsnitt?
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As the wireless microphone offerings expand, so does my need to review them. Traditionally, the wireless microphone space was a bit lacklustre. They had clunky receivers that you had to try to hide under your clothes, the connections would drop out and the ability to connect seamlessly to a smartphone was rare.
Today, that is no longer the case.
We’ve got Rode, DJI, Hollyland and Sennheiser as well as many others all putting their hats into the ring and today I’m putting the DJI Mic 2 to the test.
As a podcast producer with over 60 clients globally, I'm always on the hunt for audio and video equipment that can simplify our client workflow while delivering top-notch quality. If you're in the same boat, or perhaps just curious about whether this kit holds its ground against competitors like the Rode Wireless Pro, keep reading.
I've spent the last month and a half putting the DJI Mic 2 through its paces across a variety of environments—from the roaring waves of the beach, to the tranquil hinterland of Byron Bay, and within the confines of my home studio. My aim? To see how this system performs under different conditions and with varying sound profiles.
BAMBY MEDIA LINKS:
Book A Consultation
Free Podcast Audit Service
YouTube Channel
Apply to Join PodCoach
GEAR WE USE HERE AT BAMBY MEDIA:
DJI Mic 2
sE Neom
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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In the words of Mariah Carey, “All I Want For Christmas Is…Microphones”.
I’m sure when she originally sang “you”, Mariah was actually thinking about a particular microphone that she had her eye on. Perhaps swooning over a rather special condenser microphone that highlights the sparkly frequencies in her voice.
It’s plausible and I won’t let you tell me otherwise. I am not being ridiculous.
Today we’re jumping into an extensive list of podcasting equipment to help you stop analysing all the potential options that are available on the market, and just purchase something already.
I hope it helps!
BAMBY MEDIA LINKS:
Book A Consultation
YouTube Channel
Apply to Join PodCoach
GEAR I MENTIONED:
Rode NT USB Mini
SE Neom
USB/XLR Hybrid Microphones:
Rode PodMic USB XLR
Shure MV7+
XLR Microphones:
SE DCM8
Shure SM7dB:
Going Wireless
Rode Wireless Pro
Cables & Accessories
Mogami
Rode
Elgato
Pre-Amps
Focusrite Scarlett 2i2 4th Gen
Rodecaster Duo
Rodecaster Pro II
Stands & Arms
Rode PSA1
Elgato Wave
Headphones: An Essential
Audio Technica ATH M20X
Beyerdynamic DT 990
Cameras & Visual Equipment
Sony ZV E10 Mk II
Elgato Cam Link
micro to HDMI
Webcams:
Elgato Facecam Pro
Insta360 Link 2
Lighting Options
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Oh my, do I have a lovely microphone to show you today!
The sE Neom microphone presents an intriguing option for podcasters seeking USB-only solutions.
With its distinct design, on-brand red meshing, gunmetal colouring and unique features, the sE Neom aims to carve out a niche in a crowded USB microphone market.
I have been testing this microphone now for about 6 months in a variety of locations and use cases. As a podcaster myself and a producer of over 50 podcasts, I’m always looking for microphones to recommend to my community.
So I decided to put this one to the test.
Thanks to Chris from Sound-Music for sending me this microphone! They’re a great bunch of humans based out of Melbourne who distribute the best gear to audio/production stores around Australia.
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00:00 Introduction to SE Neom Microphone
00:31 Microphone Features and Controls
01:59 Sound Quality and Pop Filter Issues
04:08 Microphone Performance in Different Settings
06:13 Proximity Effect and Singing Test
09:14 Final Thoughts and Recommendations
11:23 Conclusion and Upcoming Comparisons
BAMBY MEDIA LINKS:
Book A Consultation
Free Podcast Audit Service
YouTube Channel
Apply to Join PodCoach
GEAR WE USE HERE AT BAMBY MEDIA:
sE Neom
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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I used to be quasi-famous.
It was a long time ago and not a place I particularly want to revisit, but as I reflected on how I built Bamby Media into the successful business it is today, there has been one key ingredient.
An unfair advantage.
This podcast episode is my origin story. I hope you enjoy it.
BAMBY MEDIA LINKS:
Book A Consultation
Free Podcast Audit Service
YouTube Channel
Apply to Join PodCoach
GEAR WE USE HERE AT BAMBY MEDIA:
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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Have you ever wondered what it's like to listen to 200 AI-generated podcasts?
“No. That’s ridiculous. Why would anyone do that?” I hear you say.
I’m flaky on the “why” myself, but the thing is, I did it and those are hours of my life I will never get back.
I listened to 200 fake podcasts generated with NotebookLM to see for myself whether the podcasting industry is about to come crumbling down.
Although I went slightly insane throughout this experience, I feel it was well worth it. I definitely never want to hear the phrase “deep dive” again, but other than that I’ve ventured out of this mess mostly unscathed.
00:00 Introduction: Overwhelmed by AI Podcasts
00:32 The Rise of AI-Generated Podcasts
02:32 Deep Dive into AI Podcast Content
03:23 The Banter and Repetition Problem
04:49 Lack of Authenticity in AI Hosts
07:55 Potential and Future of AI Podcasts
10:13 Conclusion: Final Thoughts on AI Podcasts
BAMBY MEDIA LINKS:
Book A Consultation
Free Podcast Audit Service
YouTube Channel
Apply to Join PodCoach
GEAR WE USE HERE AT BAMBY MEDIA:
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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You’re about to start a podcast and you’ve decided you want to edit it yourself.
At first, this seems like it should be fairly straightforward.
Get the audio/video, make a few adjustments, cut a bit of the nonsense out and you should have something that’s good enough to release.
But then you start researching online what software you should use to edit your show and everybody and their dog has an opinion on what software to choose.
And for some reason, the editors of the world are quite adamant that their tool is the best one to use. There can be no other winners.
Unfortunately, a lot of the information you find online may lead you down the path of complex editing tools that make you want to throw your computer out a window.
And as a long-time editor myself with almost two decades of experience working with audio and video, I can sometimes be a bit of a snob too.
I do have clear favourites and if I’m amongst other seasoned editors, no doubt we would have a healthy debate about why what we use is supreme.
But that’s not the purpose of today dear reader.
Today, I want to help distil the endless possibilities that you’re presented with as a DIY podcast editor, into a comparison of two tools that there has been quite a lot of discussion about online. Descript vs. Riverside.fm.
You’ve probably heard of Riverside.fm with its super convenient virtual meeting capabilities. It’s been a trusty sidekick for recording interviews remotely. It wasn't long ago that Riverside started offering editing capabilities too. Smart, right? If you're already using Riverside, you might think, "Hey, why not just edit here too?"
But is it as good as it sounds?
On the flip side, there's Descript – an editing tool that, truth be told, had a rough start years ago as it was a pretty bad user experience. But time has been kind to Descript, and now it’s a pretty solid choice in the podcasting world.
So, let’s see how these two stack up against each other based on a few key factors: ease of editing, customisation, speed, AI tools, and learning curve.
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There seems to be quite a lot of buzz about Google’s new AI tool, NotebookLM and how it can potentially impact the world of podcasting.
As a podcast producer and founder of podcast production agency, Bamby Media, I’m always testing new tools to see how they can benefit (or hinder) the industry I love so much.
Armed with a healthy dose of hope and scepticism, I decided to give Google NotebookLM a whirl to see whether the podcasting world should be worried.
BAMBY MEDIA LINKS:
Book A Consultation
Free Podcast Audit Service
YouTube Channel
Apply to Join PodCoach
GEAR WE USE HERE AT BAMBY MEDIA:
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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Why does recording audio have to be so difficult?
If you’re trying to record audio of a very high standard, you’re often met with a barrage of choices you have to make.
What microphone do I need?
Is my location too noisy?
What am I going to plug my microphone into?
How do I record multiple people at once?
What software am I going to use to record it?
In the consultations I have with content creators, this line of questioning is one of the first topics we cover and I often see their eyes glaze over when I start listing all the options.
I can confirm, there are too many options.
But my advice is to focus on one thing at a time, and today I’m focusing on the software that you use to record.
For the audio-only folks out there, there is very simple piece of software that will make your life easy. At least this portion of your life. I can’t guarantee the rest of your life will fall into place based on this decision. Sorry.
Today I’m excited to share a game-changer in the world of audio recording - Shure Motiv Mix, which at time of writing is currently in its Beta phase and it’s completely free to use.
BAMBY MEDIA LINKS:
Book A Consultation
Free Podcast Audit Service
YouTube Channel
Apply to Join PodCoach
GEAR WE USE HERE AT BAMBY MEDIA:
Shure Motiv Mix
sE Neom
Shure Mv7+
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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It’s happening. You’re finally launching a podcast.
You’ve been thinking about it, planning it, buying the gear, deciding not to do it, then deciding you want to do it, then getting scared, putting the gear back in the cupboard, then getting it back out, then realising you really just need to do it.
You know, all the normal emotions that fresh podcasters go through.
You get over the initial hurdle of committing to the process, but then you start thinking what that first episode needs to be like.
It needs to be amazing.
The kind of episode that someone will listen to and think, “This is possibly the greatest podcast in the history of the world. I’m hooked and I will now be a raving fan forever. I will give them my first born child as gratitude for how good this podcast episode is.”
Sure, that’s one way to attack your first episode, but maybe it’s not the smartest…
In this episode, I step through how I believe you should approach your first podcast episode.
BAMBY MEDIA LINKS:
Book A Consultation
Free Podcast Audit Service
YouTube Channel
Apply to Join PodCoach
GEAR WE USE HERE AT BAMBY MEDIA:
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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Recording on location used to be such a huge pain in my ass.
I’d have this big carry case with my trust Zoom H5, Rode lapel microphones and clips, wind socks, XLR adapters for the lapels so that they’d connect to the Zoom and then a huge amount of leads to make sure all my bases were covered.
And then a few brands started bringing out wireless microphone options that could connect to your phone.
Some of them were okay, but most of them weren’t good enough for me to switch from my bulky setup. I was capturing much better sound doing it my way.
As the technology improved, so too did the wireless microphone options that were brought to the market.
Again, I was still dubious, but I decided to bite the bullet and put the Rode Wireless Pro to the test. I’d looked at some reviews on YouTube, reviewed the sound quality and inclusions and decided it may be a viable option for myself and our clients.
For the tests that I conducted, I was focusing on how the Rode Wireless Pro system handled a diverse array of recording environments. I tested in a quiet hotel room, at the beach, on a train, in the park and using the included lapel (wired) setup vs the completely wireless option.
I’ve been using the system now for almost three months, and I’m ready to give you my recommendations.
BAMBY MEDIA LINKS:
Book A Consultation
Free Podcast Audit Service
YouTube Channel
Apply to Join PodCoach
GEAR WE USE HERE AT BAMBY MEDIA:
Rode Wireless Pro
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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After recently watching Happy Gilmore for probably the twentieth time, it got me thinking about how we present ourselves as creators.
I found myself reflecting quite existentially on the impact that Adam Sandler’s character had on my view of where the world of content creation currently sits.
And I honestly think it’s all a little boring.
Overwhelmingly people are presenting as the “professional” version of themselves, especially on LinkedIn. This makes sense as we predominantly put out content to draw the viewer/listener into ultimately buying something from us.
We present as the authority.
We present as a leader.
But are we showing enough of ourselves to keep our content interesting?
In this episode, I go through a few key lessons I learned from Happy Gilmore about content creation.
BAMBY MEDIA LINKS:
Apply to Join PodCoach
YouTube Channel
GEAR WE USE HERE AT BAMBY MEDIA:
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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Currently, the global creator economy is valued at around $155 billion.
By 2030 it’s expected to surpass $525 billion.
That’s a lot of wig wams.
And I know it might seem like every person and their pet is a “creator” these days, but it shouldn’t stop you from exploring this option for yourself too.
Being a content creator can mean many different things and encompass a variety of industries. It’s not all about selling the latest products, jumping on the newest trends and vlogging about your latest dental checkup.
There is nuance to this industry. It’s fun, creative, explorative, educational and thinking of yourself as a creator will open you up to delivering more valuable content for your audience.
No doubt you’ll also make more money as a result.
But the first step needs to be answering the all-important “why”.
I’ve got some practical tips to help you answer that question in this podcast episode.
BAMBY MEDIA LINKS:
Apply to Join PodCoach
YouTube Channel
GEAR WE USE HERE AT BAMBY MEDIA:
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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Here at Bamby Media, we’ve been producing podcasts for clients for almost a decade and I’d say at this point we’ve worked with almost every podcast hosting platform out there.
From Omnystudio to Simplecast, Podbean, Libsyn, Blubrry, Acast to name a few.
But do we really need that many podcast hosts?
Don’t they all largely do the same thing?
The short answer is yes, they do all largely have the same basic functions.
But I do feel that not all podcast hosting platforms are created equally.
There are definite advantages to some hosts over others, and after years of experience in this space, there are two hosts that I’ve found to be the standouts in the field.
Buzzsprout and Captivate.
I’m going to give you the breakdown as to why I’ve chosen these two, and who ultimately wins in a battle between the two.
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Book our Podcast Hosting Migration Service
Try Buzzsprout
Try Captivate
BAMBY MEDIA LINKS:
Apply to Join PodCoach
YouTube Channel
GEAR WE USE HERE AT BAMBY MEDIA:
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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One of my favourite things to do here at Bamby Media is run consultations for aspiring podcasters.
We jump into a virtual meeting together and I get giddy with excitement while they explain their idea for a show.
Then we get down to business and I start asking the harder questions.
Why do they want to start a podcast?
Who is it for?
How will their podcast be any different to others in their field?
Where are they going to record their podcast?
Who is going to do the editing?
The point of me asking these questions is not to overwhelm them, it’s to make sure they’ve thought it all through. Because there are plenty of people who start a podcast on a whim, get 7 or so episodes in and then realise they can’t keep up.
From the hundreds of podcasts we’ve worked with, I’ve seen the value of a long-standing podcast and I know that a proper plan goes a long way.
Our role here at Bamby Media is to help podcasters launch and produce their shows and grow their influence. It takes time, strategy and a significant investment to create the type of podcast that will create engaged listeners.
Today, I’m running through the full step-by-step of how I recommend you start a podcast in 2024 and beyond.
BAMBY MEDIA LINKS:
Free Podcast Audit Service
Apply to Join PodCoach
YouTube Channel
GEAR WE USE HERE AT BAMBY MEDIA:
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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When you’re listening to a podcast episode, do you notice the technical aspects of the edit?
If you said yes, I’m going to bet you’re either a very avid podcast listener, or you’re an editor yourself.
The truth of it is that most listeners don’t notice the editing on a podcast (unless it’s particularly bad).
The listener doesn’t hear the original raw audio. They haven’t seen the hours it has taken to craft a conversation into a compelling story, or the subtle use of silence to heighten emotions at key points.
What they hear is a polished episode that (hopefully) is a pleasure to listen to.
And the podcast editor has therefore done their job.
Our role is to make the edit so seamless that the listener accepts that it was recorded that way to begin with.
But the editor knows better.
The editor has shaped the story, got to know the host and/or the guest on a granular level down to every vocal tic and they’re invested.
I recently spoke to Matthew Bliss at MB Podcast Services about the role of the podcast editor and I’d be thrilled if you checked it out.
BAMBY MEDIA LINKS:
Free Podcast Audit Service
Apply to Join PodCoach
YouTube Channel
Matthew Bliss Links:
MB Podcast Services
https://www.mbpod.com
Matthew’s Podcasts:
Coffee with a Podcaster: https://coffeepodcaster.captivate.fm/listen
From My Home to Yours: https://frommyhometoyours.captivate.fm/listen
Kintsugi Heroes
Main Kintsugi Heroes Podcast: https://www.youtube.com/playlist?list=PLvWGYmXsM8BDmYwcpDxI3gokMBKrBEKu3
Kintsugi Heroes - Alpine Series: https://www.youtube.com/playlist?list=PLvWGYmXsM8BBz1ajxD6PrQ2fy-z7upiwY
Beyond the Deluge (Flood Stories): https://www.youtube.com/playlist?list=PLvWGYmXsM8BDGXkr_WaTfAeWIxMTDZ483
Episodes Referenced
Ep11 Scott Carson: https://www.youtube.com/watch?v=_mQO42qIhoY&list=PLvWGYmXsM8BDmYwcpDxI3gokMBKrBEKu3&index=64&t=2s&ab_channel=KintsugiHeroes
Ep14 Martin Gillespie: https://www.youtube.com/watch?v=eikOQ9uQcn0&list=PLvWGYmXsM8BDmYwcpDxI3gokMBKrBEKu3&index=61&ab_channel=KintsugiHeroes
Ep23 Naomi Yano:
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Have you ever bought something online, thinking you scored a fantastic deal, only to realise later that it might not have been what it seemed?
Well, that's exactly what happened to me with the Shure SM7B microphone.
Today, I'm sharing my story of how I ended up with two fake SM7B microphones and the results of an audio battle I conducted between the real deal and its dupe.
Find out if the dupe is worth the savings or if you should stick with the original.
BAMBY MEDIA LINKS:
Free Podcast Audit Service
Apply to Join PodCoach
YouTube Channel
GEAR WE USE HERE AT BAMBY MEDIA:
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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Have you ever been in a situation where an exciting opportunity lands in your lap, but something deep down makes you hesitate?
I want to share a personal story that I think many content creators can relate to—deciding when to say no to a brand deal. Receiving offers from brands can feel like a huge opportunity, but sometimes, it’s in your best interest to pass on them as they might not serve the long-term goals you have.
Recently, I've started to receive opportunities from different software tools aimed at podcasters and microphone brands looking to partner with me. One brand in particular that I won’t name, reached out and offered to send me some of their latest products for me to review on our YouTube and podcast channels. On the surface, this offer seemed like a great idea and I agreed. I hadn’t heard of them before, but I was eager to give their gear a try.
Over the next couple of days, I started to dig deeper into this brand. I realised I hadn't heard of them for good reason. I have decades of experience in the audio space, and the fact that this brand never crossed my radar was a red flag.
It's tempting to say yes to every offer that comes your way, especially when you're excited about the possibility of a new partnership. However, it's crucial to ask yourself whether this opportunity aligns with your brand’s values and how it may affect your brand’s reputation.
Next time you have an exciting offer, take a step back and consider its actual value. Are you saying yes because you’re genuinely enthusiastic about the opportunity, or are you just excited that someone reached out?
BAMBY MEDIA LINKS:
Free Podcast Audit Service
Apply to Join PodCoach
YouTube Channel
GEAR WE USE HERE AT BAMBY MEDIA:
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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If you’ve ever spent time on YouTube, you’ve probably come across “faceless” channels.
Some even employ AI voices, allowing them to focus purely on content creation without involving their personal identities. This style of creation is becoming increasingly popular for video because it involves far less work. You don’t need a video camera, lighting or recording space. I can see the appeal to some creators.
It made me wonder: could podcasts follow a similar trend and become entirely voiceless? Let’s be clear here as to what “voiceless” means in this context. There is still technically a voice, but it’s not your human voice.
With the increasing popularity of cloning voices using AI, are we on the precipice of stepping into a world where synthetic voices are the norm?
Imagine using AI to replace your voice altogether. No more recording sessions, just write a script, or you could go even further and have AI write your script for you. Then let an AI-generated voice say it all and bam, you’ve got yourself a “podcast”.
To some, this might seem like a utopian shortcut—minimal effort for maximum output. To me, it initially felt very wrong and entirely impersonal. But, in the spirit of experimentation, I decided to give it a go and share my findings with you.
BAMBY MEDIA LINKS:
Free Podcast Audit Service
Apply to Join PodCoach
YouTube Channel
GEAR WE USE HERE AT BAMBY MEDIA:
Descript
SE Dyncaster DCM8
Rode Boom Arm
XLR Cables
Sony ZV E10
Elgato Camlink
Aputure Amaran 200d LED Video Light
Aputure Light Box Min
Pre-Amp/Mixers we recommend
Focusrite Clarett+
Rode Streamer X
Rodecaster Pro II
Rodecaster Pro Duo
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