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Samantha Mathis - A native New Yorker, Samantha Mathis has had a distinguished career in entertainment. Mathis captivated audiences in popular shows such as "Billions", "The Strain”, "The Good Wife" and "Curb Your Enthusiasm” and proved her versatility in features like The Clovehitch Killer, Being Frank, and upcoming, The Exorcism with Russell Crowe. Mathis made her Broadway debut in Arthur Miller's The Man Who Had All the Luck opposite Chris O'Donnell. She also starred in the Broadway production of Moises Kaufman's 33 Variations, alongside Jane Fonda. Recently, she appeared in Collected Stories at the Geffen Playhouse and Fortin Bras at the Signature Theater.
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Plays: This is Our Youth (The New Group, 1997 Drama Desk Award Best Play nominee; 2015 Tony Award Best Revival of a Play nominee); The Waverly Gallery (2001 Pulitzer Prize finalist); Lobby Hero (Playwrights Horizons, 2001 Drama Desk and Outer Critics Circle Award Best Play nominee; 2003 Olivier Award Best New Comedy nominee, 2018 Tony Award Best Revival of a Play nominee); The Starry Messenger (The New Group, 2009); Medieval Play (Signature Theatre, 2012); Hold on to Me Darling (Atlantic Theater Company, 2016; 2024) and The Waverly Gallery (Broadway, 2018).
Film: You Can Count on Me, 2001 Academy Award and Golden Globe nominee for Best Original Screenplay; Margaret – Extended Edition, 2012 European Film Critics’ FIPRESCI Award; and Manchester by the Sea; 2016 Academy Award for Best Original Screenplay, 2016 BAFTA Film Award for Best Original Screenplay, among numerous other international awards and nominations for Best Screenplay and Best Director. Screenplays include Analyze This (co-writers Harold Ramis and Peter Tolan) and Gangs of New York (co-writers Jay Cocks and Steve Zaillian; 2003 Academy Award nomination for Best Original Screenplay).
Teleplays: “Howards End” (BBC and Starz Network 2017-2018, 2018 BAFTA TV Award for Best Mini Series nominee).
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NANCY ALLSOP - Theatre includes: The Hills Of California (Harold Pinter Theatre, West End); The Fever Syndrome (Hampstead Theatre); God Bless the Child(Royal Court Theatre); Annie (Piccadilly Theatre, West End); The Sound of Music(International Tour); The Hunchback of Notre Dame (Manchester Cathedral). Television includes “Young Wallander” (Netflix).
LARA McDONNELL - Lara’s feature credits include the Academy Award-winning Belfast, written and directed by Kenneth Branagh for Focus Features/Universal; Artemis Fowl, also directed by Kenneth Branagh, for Disney; Greatest Days for Elysian Films; Visitation (Blinder Films); The Delinquent Season (Parallel Films) and Love, Rosie (Canyon Creek/Constantin Films). Television includes “The Last Bus” (Wildseed/Netflix), “The Holiday” (Chalkboard), “Ballistic” (Automatik Entertainment/New Regency) and “To Walk Invisible,” written and directed by Sally Wainwright for BBC. Stage work includes the title role in Matilda for the RSC/West End and The Hills of California in the West End.
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Owen Thiele is an actor and writer based in Los Angeles. He’s currently leading FX’s Snowflakes, set to premiere in early 2025. He’s known best for Theater Camp, I Think You Should Leave, Dollface, and Hacks. He has a podcast that lives under Alexandra Cooper’s Unwell network called “In Your Dreams with Owen Thiele” and he is developing a semi-autobiographical 30 minute comedy with Ilana Glazer and Kent Alterman at Amazon Studios.
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Susanna Styron is a writer and director for film and television, and a documentary filmmaker.
Her latest documentary short, MY FATHER’S NAME, won Best Documentary in the NYWIFT Online Shorts Festival and is on the 2024-25 festival circuit. Susanna’s documentary feature, OUT OF MY HEAD, premiered in MoMA's Doc Fortnight and went on to win Best International Documentary at the Melbourne Documentary Film festival. Her other documentary credits as writer/director include 9/12: FROM CHAOS TO COMMUNITY; IN OUR OWN BACKYARDS; and SUSPENDED SENTENCE. She began her documentary career as an Associate Producer for ABC-TV's documentary division, Close-Up.
Susanna's debut feature, Sony Pictures' SHADRACH, starring Harvey Keitel and Andie MacDowell, which she directed and co-wrote, premiered at the Venice Film Festival and was one of New York Press critic Armond White's top ten films of the year. She wrote and directed for Sidney Lumet's TV series 100 CENTRE STREET, and wrote for Tom Fontana's BORGIA. Susanna co-authored several TV movies for Hallmark Hall of Fame and Lifetime, including an adaptation of Ann Tyler's BACK WHEN WE WERE GROWN-UPS, with Blythe Danner, Peter Fonda and Faye Dunaway; and the award-winning TAKING BACK OUR TOWN, with Ruby Dee. Her dramatic short, HOUSE OF TEETH, which she wrote and directed, won numerous awards on the festival circuit, aired on Shorts TV, and is available on Amazon. She directed several episodes of Brooke Adams and Lynne Adams' web series ALL DOWNHILL FROM HERE.
Susanna’s personal essays have appeared in The Yale Revue, SPIN Magazine, The New York Times and Real Simple magazine.
She serves on the Special Projects Committee of the Directors Guild of America, and the Executive Committee of the Writers Guild Initiative, where she conducts writing workshops with underserved communities such as caregivers of wounded veterans, undocumented immigrant youth and LGBTQ asylum seekers, among others.
She currently has projects in development with The Levinson/Fontana Company, Cinetic Media, and EP/Showrunner Carol Barbee.
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David Wain is the director and co-writer of six feature films, including Wet Hot American Summer, Role Models, Wanderlust, They Came Together and A Futile and Stupid Gesture.
On television, Wain co-created, directed and co-starred in The State, Childrens Hospital, Stella, Medical Police, and two Wet Hot American Summer mini-series for Netflix. Currently he is the director and executive producer of Mr. Throwback, starring Steph Curry and Adam Pally.
He's acted in dozens of movies & TV shows including Broad City, Another Period, Drunk History, Portlandia, Bob's Burgers, Murderville and his own web series Wainy Days.
And over the past few years, he’s been jamming, touring, and making videos as the drummer in the Middle Aged Dad Jam Band.
He grew up in Shaker Heights, Ohio, then did 26 years in Manhattan before moving to Los Angeles where he now lives with his two teenage sons.
Lots more at davidwain.com
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1976 - 2024
Gavin Creel received a Tony Award® for his performance as Cornelius Hackl in HELLO, DOLLY! starring Bette Midler. After making his Broadway debut originating the role of Jimmy Smith in THOROUGHLY MODERN MILLIE, for which he received his first Tony Award® nomination, Creel went on to star in the Broadway productions of HAIR (Tony Award® nomination), LA CAGE AUX FOLLES, SHE LOVES ME, THE BOOK OF MORMON, and WAITRESS. Creel was among the star-studded cast of New York City Center Encores! critically acclaimed production of INTO THE WOODS starring as Wolf/Cinderella’s Prince. The celebrated production transferred to Broadway where Creel reprised his role as Wolf/Cinderella’s Prince opposite Sara Bareilles, Brian d’Arcy James, Joshua Henry, Julia Lester and Patina Miller.
Gavin received an Olivier Award for his portrayal of Elder Price in the London Production of THE BOOK OF MORMON and also appeared on the West End in MARY POPPINS, HAIR, and WAITRESS.
This fall, Gavin brings WALK ON THROUGH: Confessions of a Museum Novice to Off-Broadway’s MCC Theater for a limited run. In his theatrical songwriting debut, Gavin takes us on an intimate, relatable journey of discovery and transformation through the lens of the art at The Met Museum that captured his imagination.
On television, Creel recently performed a solo PBS concert special with “Stars on Stage",” starred as Troy in Ryan Murphy’s anthology series “American Horror Stories” and played Bill alongside Julie Andrews in “Eloise at the Plaza” and “Eloise at Christmasttime.”
As a songwriter, Creel is currently writing an original musical piece entitled WALK ON THROUGH, based on the collections at The Metropolitan Museum of Art. The musical has been selected for the Eugene O’Neill Theatre Center’s 2022 National Musical Theatre Conference and the concert meets musical was highlighted in The Day. He has released three original albums: GoodTimeNation, Quiet (which landed on Billboard’s “Top Heat Seekers”), Get Out, and his single “Noise” raised money and awareness for marriage equality. Creel was a co-founder of Broadway Impact, the first and only grassroots organization to mobilize the nationwide theater community in support of marriage equality.
A native of Findlay, Ohio, Gavin is a proud graduate of University of Michigan School of Music, Theatre and Dance and a 2022 Fellow at the Hermitage Artist Retreat.
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Evan Handler is beloved by millions for portraying Harry Goldenblatt, divorce-lawyer-turned-husband to Kristin Davis’s Charlotte York, on HBO’s groundbreaking series, and films, “Sex and the City,” it’s current MAX follow-up, “And Just Like That,” as well as Charlie Runkle on Showtime’s seven season “Californication.”
In addition to authoring two highly acclaimed books, Time on Fire: My Comedy of Terrors, and It’s Only Temporary: The Good News and the Bad News of Being Alive, Evan has played leading roles in ABC’s “It’s Like, You Know…,” and NBC’s “Studio 60 on the Sunset Strip,” STARZ’ “Power,” and made numerous memorable guest appearances on “Lost,” “The West Wing,” “Six Feet Under,” “Necessary Roughness,” and “Friends.” In 2000, Evan played Larry Fine in ABC’s TV movie “The Three Stooges,” followed by additional “real life” portrayals of Lloyd Blankfein in HBO’s “Too Big to Fail,” Alan Dershowitz in FX’s “People vs. OJ Simpson,” and Hal Prince in FX’s “Fosse/Verdon,” each of which garnered numerous wide-ranging awards.
On the big screen, Evan played a leading role in Ron Howard’s “Ransom,” starring Mel Gibson, and featured and leading roles Oliver Stone’s “Natural Born Killers,” “Taps,” “The Chosen,” and “Sweet Lorraine.” He’s currently visible in David Duchovny’s directorial effort, “Reverse the Curse.”
Prior to his work in film and television, Evan earned acclaim in seven Broadway productions, all performed between his twenty-first and thirtieth birthdays, and all in spite of losing nearly five years of that span to his fight against a supposedly “incurable” leukemia. During this time Evan starred in Broadway productions of “Six Degrees of Separation,” “I Hate Hamlet,” “Brighton Beach Memoirs,” “Broadway Bound” and “Master Harold...and the boys.” Evan also worked extensively in off-Broadway and regional theater at NY’s Public Theater, Manhattan Theater Club, Playwrights Horizons, Seattle Rep, and Steppenwolf, performing early plays by Donald Margulies, Robert Schenkkan, Jez Butterworth, and numerous others.
Evan’s first book, Time On Fire, details his unlikely recovery from the leukemia diagnosed in the mid-1980s. His second book, It’s Only Temporary: The Good News and the Bad News of Being Alive, describes the twenty-year period post-illness, and Handler’s surprisingly circuitous journey toward gratitude, using tales of serial dating, absurd relationships, unexpected depressions, and, ultimately, lasting love and a miracle conception.
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Lucie Tiberghien - A Brooklynite since 2001, Molière in the Park’s Founding Artistic Director Lucie Tiberghien was raised in France and Switzerland. Specializing in new work, Lucie spent 15 years developing and directing new plays in New York City and all over the country. She directed World Premieres at La Jolla Playhouse, CATF, Second Stage, Rattlestick Theater, Arena Stage, Hartford Stage, Kansas City Rep, Manhattan Class Company and more. As a translator and adapter, Lucie’s work has been produced in Paris and in New York. In 2021, she was awarded the prestigious designation of chevalier de l’ordre des Arts et des Lettres, by the French Government.
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Lindsey Ferrentino is an American playwright with three world premieres in the 2024 season. In May, she opened The Artist in the UK (co-adapted with Drew McConie, Theatre Royal Plymouth,) and this August, she will premiere the new musical The Queen of Versailles (book by Lindsey Ferrentino, music and lyrics by Stephen Schwartz, starring Kristin Chenoweth and F. Murray Abraham, The Colonial Theater).
Her other produced plays include Ugly Lies the Bone (The Lyttleton - National Theatre, UK, Roundabout Theatre Company, NY, over 100 productions worldwide), Amy and the Orphans (Roundabout Theatre Company), This Flat Earth (Playwrights Horizons), The Year to Come (La Jolla Playhouse) — among others. Her plays have been translated into Spanish, German, and Portuguese and have been produced across the US, in London, Germany, Spain, and Venezuela. This winter, Lindsey will direct her first feature film - an adaptation of her play Amy and the Orphans for Jason Bateman’s Aggregate Films.
She has various film projects in development at Netflix and Sony Pictures — with producers including Higher Ground, 3 Dot Entertainment, Dylan Clark Productions, Defiant by Nature. Lindsey is the recipient of The Arc’s prize for Entertainment Industry Excellence for her writing centered on disability inclusion. Other prizes include: the Kesserling, ASCAP Cole Porter Playwriting Prize, Paul Newman Drama Award, Laurents/Hatcher Award, NYU Distinguished Alumna Award, and Hunter College’s 40 Under 40 Distinguished Alumna. Lindsey is repped by CAA, Anonymous Content and Felker & Associates.
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Stan Herman The three-time Coty award-winning designer Stan Herman is truly a pioneering man. Not only
was he the President of the Council of Fashion Designers of America for sixteen years, but also
the founding president of 7th on Sixth Corporation; the fashion shows in Bryant Park. With
KOMAR, Stan has incorporated his ready-to-wear design savvy to become America’s foremost
designer of robes and loungewear.
His comfortable, lifestyle driven products can be found on QVC, QVCUK, QVCItaly. After over
24 years on air he has built a return customer base of over 300,000 people and has sold over $150
million worth of robes alone. Furthermore as the leading uniform designer in the world his
uniforms arguably cover more bodies than any other single designer.
As a pioneer in the industry, Stan popularized "fashion at a price" with his Mr. Mort label; a label
sought by vintage collectors today. When most designers were relegated to backrooms, he served
as a spokesman for the creative side of the industry, championing designer names on labels, and
watching out for the good of his colleagues. He was on the vanguard of designer boutiques with
Bloomingdale’s, Saks Fifth Avenue, and in-store designer partnerships with Henri Bendel.
Mr. Herman popularized the Designer Uniform. His list of corporate clients has included many
of the world's leading corporations. FedEx, Jet Blue, United Airlines, TWA, U.S. Airways
McDonald's, and Amtrak, Avis, Humana, RCCL, and Securitas along with Las Vegas Hotels
including Paris, MGM Grand, Monte Carlo and Mandalay Bay. He just launched the redesign for
the newly re-opened Regency Hotel as well as the rest of the Loews Hotel system. He has
redesigned the next look for FedEx and the new JetBlue uniform.
Ann Leary is the New York Times bestselling author of the novels, THE FOUNDLING, THE CHILDREN, THE GOOD HOUSE, OUTTAKES FROM A MARRIAGE, and the memoir, AN INNOCENT, A BROAD.
She has written for numerous publications including Ploughshares, NPR, Real Simple and the New York Times. Her novel, THE GOOD HOUSE was adapted as a motion picture starring Sigourney Weaver and Kevin Kline and will be released in theaters in September, 2022.
Her new essay collection, I’VE TRIED BEING NICE (Simon Element/MarysueRucci) will be published on June 4, 2024
Ann and her husband Denis Leary live in New York.
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Chilina Kennedy is known for playing Carole King in the musical Beautiful on Broadway for over 1,200 performances. She also recently originated the Tony-award winning role of Dina on the First Broadway National Tour of The Band’s Visit. Chilina’s first appearance on Broadway was in 2012 when she played Mary Magdalene in Des McAnuff’s Jesus Christ Superstar, which also had successful runs at the Stratford Festival of Canada and the La Jolla Playhouse.
Other US credits include the world premiere of A Gentleman’s Guide to Love and Murder, in which she originated the role of Phoebe at Hartford Stage and The Old Globe in San Diego (San Diego and Connecticut Outer Critics nominations), the world premiere of A Sign Of The Times as Cindy (Delaware Theatre Company), Binky in the Off-Broadway world premiere of This Ain’t No Disco (Dir. Darko Tresnjak/Chor. Camille A. Brown) and Sophie in the 1st US National Tour of Mamma Mia!.
Selected Canadian credits include the title role in Ted Dykstra’s Evangeline (Charlottetown Festival and original recording), the title role in Ross Petty’s Pantomime The Little Mermaid (Toronto Critic’s Award), three seasons at the Stratford Festival (three Broadways World Awards) including Maria in Gary Griffin’s West Side Story, Eva Peròn in Evita, Lois Lane in Kiss Me Kate, three seasons at the Shaw Festival, the World Premiere of The Lord of the Rings (Mirvish), Philia in A Funny Thing Happened on the Way to the Forum (Stratford/Toronto), Cecily in The Importance of Being Earnest (Neptune), and the title role in Mary Poppins (Theatre Aquarius).
Chilina is also a singer/songwriter with a debut album What You Find in a Bottle, released in 2015. Chilina has written a new musical Call It Love with Eric Holmes, who is known for being a writer for “The Good Fight” on CBS. Featuring music and lyrics by Chilina, book co-written by Eric and Chilina, and musical arrangements by Rick Fox, Call It Love has been developed in the New York City area by Eclipse Theatre Company (http://eclipsetheatre.ca/). Chilina has worked with Burt Bacharach, guest starred in concert with the TSO, Colm Wilkinson and Jason Robert Brown. You can hear Chilina’s voice on CBC’s “Celebrate the Seasons” and “Carols for a Cure.” Chilina is a graduate of Sheridan College and the Birmingham Conservatory for classical theatre
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Stephen Belber’s plays have been produced on Broadway and in over 25 countries. They include Match (Frank Langella), McReele (Anthony Mackie), Dusk Rings A Bell (Kate Walsh/Paul Sparks), Fault Lines (Noah Emmerich, Josh Lucas, Dominic Fumusa), The Power of Duff (Greg Kinnear/Jennifer Westfeldt/Ben Platt/Dominic Fumusa), Tape, Geometry of Fire, Don’t Go Gentle, The Muscles In Our Toes, Joan, and others. He was an Associate Writer/actor for The Laramie Project, and co-writer/actor on The Laramie Project: Ten Years Later, both of which have been consistently performed around the world. He’s written & directed 3 feature films: Management (Jennifer Aniston/Woody Harrelson), Match (Patrick Stewart/Carla Gugino), and What We Do Next (Karen Pittman/Corey Stoll). Film scripts include Tape (Ethan Hawke/Uma Thurman, directed by Richard Linklater), The Laramie Project (associate writer, Emmy nomination), Drifting Elegant, (Josh Stamberg/Jennifer Mudge) and O.G., (Jeffrey Wright, HBO Films). Two film remakes of Tape, in India and Hong Kong, will be released in the coming year, and a play version is currently running in rep in Israel. Has worked on numerous studio films (including Dallas Buyers Club), and developed and sold projects to all the major studios, with actors and directors such Bennett Miller, Todd Phillips, Jay Roach, Tom Cruise, Will Smith, Philip Seymour Hoffman, George Tillman, Greg Mottola, Sam Rockwell, David Gordon Green, and Anthony Mackie. Television includes Law & Order SVU, Rescue Me, Tommy, The First, and pilots for HBO, Netflix, F/X, ABC, TNT, USA, Fox, Paramount, Sony, and History Channel. He created and is showrunner for an 8-part original TV series called The Madness (starring Colman Domingo), which will be released by Netflix on Thanksgiving Day, 2024.
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ERIC WILLIAM MORRIS Broadway: King Kong, Coram Boy, Mamma Mia! Eric frequently collaborates with composer Joe Iconis, starring in Be More Chill (Original Cast Recording, Two River Theatre), Things to Ruin (OCR, 2nd Stage) and Bloodsong of Love (Ars Nova). TV/Film includes Fleishman is in Trouble, Only Murders in the Building, I Know What You Did Last Summer, Mind Hunter, The Marvelous Mrs. Maisel, and the recent feature film Pinball (Hulu). Other regional/Off Broadway: Michael R. Jackson's White Girl In Danger (2nd Stage/Vineyard) Richard Greenberg's The Perplexed (MTC); Songbird (59E59, Two River); The Ballad of Little Jo (OCR, Two River); The Last Goodbye, Dog & Pony (The Old Globe). His album of original rock music, Do You Understand? is available on all streaming platforms. @theericwmorris NOAH WEISBERG Willy Wonka in the Broadway tour of Charlie and The Chocolate Factory. Broadway: South Pacific, Enron, Elf, Legally Blonde. Shakespeare in the Park: Two Gentlemen of Verona. TV: Quentin on Showtime’s Super Pumped, Danny Michael Davis on Zoey’s Extraordinary Playlist, Brett on Modern Family, The Neighborhood, Major Crimes, Law & Order, K.C. Undercover, Wisdom of the Crowd, The Good Wife, iCarly, Franklin & Bash, Bad Teacher, Bones, The New Normal, Cashmere Mafia, Love Monkey, Indoor Boys. Film: writer, director, actor in award winning Thank You Kindly and What’s Life Got to Do with It. Education: NYU, UCB, Second City. Instagram: @NoahWeisberg.Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Bill Rauch is the inaugural Artistic Director of Perelman Performing Arts Center. His work as a theater director has been seen across the nation, from low-income community centers to Broadway in the Tony Award-winning production of Robert Schenkkan’s All the Way and its sequel The Great Society, as well as at many of the largest regional theaters in the country. His other New York credits include the world premiere of Naomi Wallace’s Night Is a Room at Signature Theatre, the New York premiere of Sarah Ruhl’s The Clean House at Lincoln Center Theater, and a site-specific Occasional Grace in multiple Manhattan churches for En Garde Arts. From 2007 to 2019, Bill was artistic director of the Oregon Shakespeare Festival (OSF), the country’s oldest and largest rotating repertory theater, where he directed seven world premieres and 20 other plays including several by Shakespeare as well as innovative productions of classic musicals including a queer re-envisioning of Oklahoma! Bill is also co-founder of Cornerstone Theater Company where he served as artistic director from 1986 to 2006, directing more than 40 productions, most of them collaborations with diverse rural and urban communities.
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Emma Pittman is a Mississippi native, Wagner College graduate, and winner of “The Search For Roxie.” Broadway: Chicago (Roxie & Annie), Back to the Future OBC (Ensemble) Regional: The Drowsy Chaperone (Janet), Damn Yankees (Lola). Emma is also a teaching artist, director, and choreographer. Her choreography credits include: On the Twentieth Century, Into the Woods, and The Cradle Will Rock.
Danya Taymor is a New York based director and winner of the Tony Award for Best Direction of a Musical for The Outsiders. She reopened Broadway with Antoinette Chinonye Nwandu's Pass Over, the first play back after 18 months of darkness on Broadway (New York Times 10 best shows of 2021). Other recent work includes: Samuel Beckett's Endgame (Gate, Dublin), Will Arbery's Pulitzer Prize Finalist Heroes of the Fourth Turning (Obie Award, Callaway Award for Outstanding Direction) and Evanston Salt Costs Climbing (New Group), Jeremy O. Harris' "Daddy" (Almeida, London + New Group/Vineyard), Korde Arrington Tuttle's Graveyard Shift (Goodman Theater), Martyna Majok's queens (Lincoln Center), Danai Gurira's Familiar (Steppenwolf), and Brian Watkins’ My Daughter Keeps Our Hammer and Wyoming (The Flea + Lesser America). Her world-premiere production of Pass Over was filmed in collaboration with Spike Lee, premiered at the Sundance Film Festival and is streaming on Amazon Prime. Recipient of the Cullman Award for Extraordinary Creativity from Lincoln Center. BA: Duke University.
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Legendary Indie Rock trio BETTY, Alyson Palmer (vocals, bass, guitar), Elizabeth Ziff (vocals, guitar, electronic programming) and her sister, Amy Ziff (vocals and cello), use beguiling melodies, compelling lyrics and signature harmonies to create energetic live shows that mix music, performance art, politics and comedy.
BETTY sings of joy, love, longing, sex, food, heartbreak, and the universal hilarity of human existence. More than a band, BETTY uses music to channel their passion for representation, fairness and equality. From the beginning, they’ve blended their voices for causes they fight for, their talents in collaboration with other artists of every medium, and their time in support of women and girls, worldwide.
In addition to creating, performing and recording together as a group of independent artists since 1986, BETTY travels the world as Arts Envoys for the US Department of State. To further their humanitarian outreach and cultural diplomacy, Gloria Steinem advised them to form a non-profit, which they did in 2014. The BETTY Effect’s mission is using music and performance techniques to help others communicate and connect for personal power, social progress and peace, especially women and girls and LGBTQIA communities.
BETTY has been featured on national and international radio, television – including their iconic theme song for the L Word – and in films, commercials, jingles, recordings, streaming projects and concert venues across five continents. They have contributed as guest artists to dozens of recordings and compilation albums, and their soundscapes can be heard in art installations, like Darren Waterston “Filthy Lucre” at Massachusetts Museum of Contemporary Art (Mass MOCA), The Smithsonian Institute and London’s Victoria and Albert Museum. Their Off-Broadway musical, BETTY RULES, was another show in a glittering string of hits directed by Michael Greif (Days of Wine and Roses, Hell’s Kitchen, Dear Evan Hanson, Next to Normal, RENT.)
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WADE McCOLLUM (Actor)
Broadway: Wicked (Witch’s Father, Wizard/Dr. Dillamond cover) London’s West End: World Premiere of It Happened in Key West (Carl) Broadway Tours: Lincoln Center Theatre’s My Fair Lady (Karpathy/Higgins cover), Priscilla Queen Of The Desert (Tick/Mitzi), Jersey Boys (Norm). Off-Broadway: Make Me Gorgeous, (Kate/Kenneth Marlowe), Triassic Parq (Velociraptor of Faith), Secondary Dominance (The Muse), and McCollum’s Lortel Nominated and Norton Award-winning performance as Ernest in Ernest Shackleton Loves Me. World Premieres: Water For Elephants, Alliance Theatre (Wade); Michael Weller’s A Welcome Guest, CATF (Shimeus); Rob Askins’ The Carpenter, Alley Theatre (Gene); Fly By Night, TheatreWorks Palo Alto (The Narrator). Select Theatre: I Am My Own Wife, PCS (Charlotte/Others); A Lie Of The Mind, PCPA (Jake); A Midsummer Night’s Dream, Willamette Rep (Puck); Batboy the Musical, PCS (Batboy); The Rocky Horror Show, Triangle Productions (Frank-N-Furter); The Santaland Diaries, Syracuse Stage (Crumpet); Cabaret, Dallas Theatre Center (Emcee) – Dallas/Fort Worth Theatre Critics Award; Hedwig And The Angry Inch, Triangle Productions and L.A.’s Celebration Theatre (Hedwig) – Drammy, Ovation, Los Angeles Critics Circle, and Garland Awards. Select TV and film: “FBI: MW,” “Madame Secretary,” “The Knick,” “Nightcap,” “At Home with Amy Sedaris,” Options, “Prodigal Son,” Delicate Instruments, “Submissions Only,” and Ernest Shackleton Loves Me on broadwayhd.com. www.wadesong.com
Rick Elice ( Book Writer)
On Broadway: Jersey Boys (Best Musical, 2006 Tony Award, 2007 Grammy Award and 2009 Olivier Award); The Addams Family; Peter and the Starcatcher (winner of five 2012 Tony Awards);and The Cher Show (winner of two 2019 Tony Awards). In the pipeline: The Princess Bride and Smash, co-written with Bob Martin; Silver Linings Playbook, a musical adaptation of the popular film; The Marvels, a musical adaptation of the popular novel; and Treasure, an original musical written with 2021 Ed Kleban Award-winner Benjamin Scheuer. From 1982-1999, as creative director at Serino Coyne Inc, Rick created and produced ad campaigns for more than 300 Broadway shows, from A Chorus Line to The Lion King. From 1999-2009, he served as creative consultant for The Walt Disney Studio. Charter member, American Repertory Theatre. Trustee, The Actors’ Fund. BA, Cornell University; MFA, Yale Drama School; Teaching Fellow, Harvard University. Heartfelt thanks to those he’s been lucky enough to know, whose work makes him grateful for the day he was born: Sondheim, Stoppard, Bennett, Prince, Fosse, Robbins, Nichols, Tune, Nunn, Timbers, McAnuff, Laurents, Lippa, Stone, Taymor, Papp, Schumacher, Schneider, Costello, Coyne, Brickman, and eternally, Roger Rees. Hey Rog, look who’s running away with the circus!
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Elisabeth Seldes Annacone is a screenwriter, producer and educator with over three decades experience in film & TV. Her career started working with Oliver Stone on WALL STREET, TALK RADIO, and BORN ON THE 4TH OF JULY.
Elisabeth then served as VP for Francis Ford Coppola, during DRACULA, SECRET GARDEN, and BUDDY. As a Sr. VP at MGM, Elisabeth had a helping hand in films like GET SHORTY, MULHOLLAND FALLS, TWO DAYS IN THE VALLY. After getting her MFA from UCLA in screenwriting, Elisabeth’s first feature, THE GREAT LILLIAN HALL was released by HBO and stars Jessica Lange, Kathy Bates Pierce Brosnan, Jesse Williams and Lily Rabe. It is currently a New York Times critics’ pick. Her pilot, WEEKENDS, is at UTV with Debra Chase producing.
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