Avsnitt
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HT2189 - Black Point
It is so easy in digital processing to set a black point. I've seen with regularity digital gurus set a black point for every image as one of their first steps in processing. Does every image need a black point?
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HT2188 - Repeat the Theme, Not the Image
Multi-image projects can be tricky to produce. How do we create a group that holds together as a group without becoming repetitious? Maybe we can see a clue to this conundrum by studying old Ludwig – Beethoven, that is.
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Saknas det avsnitt?
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HT2187 - Do We Need Self-destructing Artwork?
I've often thought that the worst thing we can do to stifle our creativity is to amass a large collection of our own work. Once we have a closet full of prints, there arises a natural impulse to rest on our laurels. We think, we've already done it, or we've run out of room to store any more, or all the unsold prints dispirit our motivations, or enough is enough. If we could only make self-destructing work, there would always be a void for use to fill. Remember the corollary to Parkinson's Law: The goods expand to fill the available space. Unless, that is, the space is already filled to the brim.
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HT2186 - Refining the Project
I've learned a valuable photographic lesson by watching people who draw, that is who start with a blank page and a pencil. Their process is always to roughly sketch the basic shapes first, then refine, refine, and refine. That same approach works for developing a photography project, too. Well over ¾ of my creative time is spent refining.
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LW1443 - The Audience for Artifacts
I love physical prints. I grew up in the age of physical prints. I'm enamored with handling the physical characteristics of prints. That said, the overwhelming evidence is that our audience for physical prints will be a tiny, minuscule fraction compared to the audience for our digital creations. It's inarguable, and this both delights and pains me.
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You might also be interested in. . .Every Picture Is a Compromise, a series at www.brooksjensenarts.com.
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HT2185 - Teaching Styles
There are, no doubt, hundreds, maybe thousands of photographers who teach photography. Workshops, institutions, mentors, they are everywhere. (Myself included, I suppose.) I have faith that all of them are valuable, but not all of them are the best way for you to learn. That is something you will need to figure out for yourself.
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HT2184 - Angle to the Sun
The age old wisdom from the yellow box photo gods (Kodak) was to always put the sun over your shoulder. As has been true so many times, I find more success when I do the opposite of what Kodak advised.
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HT2176 - Take a Risk
Subtitle: Why I won't be upgrading my equipment any time soon. And by "soon" I mean forever. Unless I win the lottery. The really big lottery.