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Celebrating 100 episodes of empowering women in music, Girls Twiddling Knobs host Isobel Anderson takes listeners on a reflective journey through the evolution of the podcast, revisiting its top five most popular episodes, including conversations with Kate Nash, Orla Gartland and Victoria Witjeratne.
Featuring listener Q&A, insights into key challenges for women in music technology, and plans for the future, this milestone episode highlights how the Girls Twiddling Knobs community has become a vital voice for diverse creators in music.
Tune in to celebrate and explore what's next!If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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What do sound and knitting have in common? You’d be forgiven for thinking not much, but both have been constant companions across the life and career of sound artist and knitter, Felicity Ford also know as Felix.
Listen to Felicity Ford’s sound works >>
Join sobel as she visits Felix in her St Leonard’s home to talk about her journey into field recording, soundscape composition and using this skillset to document the process of wool production. Felix also shares her perspective on why celebrating domestic sounds is a feminist pursuit, her maverick approach to disruption traditional notions of sonic art and how all of us can find a little magic in the everyday. In fact, isn’t that what art is all about? Felix would argue.
Felix also runs her own online knitting school called Kitsonik, so it only felt right for Isobel to be taught some knitting while we were there.
LINKS
Find out more about Knitsonik >>
Read Felicity Ford’s PhD Thesis on the Domestic Soundscape >>If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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Feeling stuck in your music production journey? Struggling with self-doubt or tempted to buy more gear in the hopes it will transform your sound? This episode is for you.
In today’s episode of Girls Twiddling Knobs, we’re exploring how visualisation—a powerful mental tool used by top performers—can help you:
✨ Unlock your creative confidence.
🎛️ Overcome the pressure to rely on expensive gear or others.
🎶 Take your production skills to the next level.What You’ll Learn:
✔️ The science behind visualization and how it impacts learning and performance.
✔️ Why self-belief is key for women navigating music tech spaces.
✔️ 3 easy visualization techniques to start using today.Whether you’re just starting out or looking to level up, this episode will show you how to use the power of your mind to create with confidence and ease.
FREE Resource
Grab The Music Tech Meltdown SOS Guided Meditation for FREE! Head to girlstwiddlingknobs.com/sos and use the code 'FREESOS' at checkout!💬 Question for You: Have you ever used visualisation to improve your music or creative process? Share your experience with us on Instagram @girlstwiddlingknobs
📌 Don’t forget to subscribe for more empowering episodes like this.
How The Brain Rewires Itself (Time Magazine) >>Mental imagery, action observation and skill learning >>Does Mental Practice Enhance Performance? >>The Relationship Between Materialism and Personal Well-Being: A Meta-Analysis >>
Sources mentioned in this episode:If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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Luckily, there’s far more conversations happening about musicians’ mental health these days. But how might gender impact our experience of things like depression and anxiety? And how might this differ in a music technology setting, specifically? Because, while this is something that’s often touched upon in wider conversations around gender and music technology, it’s rarely fully explored in its own right.
Denise Devenish Counselling >>Follow Denise on Instagram >>
Inside this conversation, Isobel chats with musicians’ therapist and counsellor, Denise Devenish about the intricacies and complexities of being a woman or gender minority in music tech spaces and how this can contribute to burnout specifically. They also discuss what the industry can do better to prevent these challenges, how Denise works specifically with musicians in her private practice and how you can access support if you’re affected by any of the issues we discuss in this episode.
Links to resources mentioned in this episode:
Mind Charity >>The Black, African and Asian Therapy Network >> British Association of Performing Arts Medicine >>
Therapy & Counselling Support
Women’s Aid >>Help Musicians’ Bullying & Harassment Helpline >> Musicians’ Union Safe Space Scheme >>
Sexual Harassment & Abuse
Music Minds Matter >>Music Support >>Musicians’ Union Mental Health Support Line >>
Musicians’ Mental HealthIf you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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In a world that’s always online, how do we stay true to ourselves as artists? This week on Girls Twiddling Knobs, we tackle this question with the fiercely original electronic music producer Maria Uzor.
Growing up as a Black artist in a predominantly White area of the UK, Maria often felt like an outsider. But she turned that feeling into a sound that’s bold, raw, and unmistakably hers. Join us as we explore how Maria channels her unique experiences into a blend of basement grittiness and cosmic vision.
In this episode, you’ll discover:
✨ How Maria creates from an authentic place despite social media pressures
🎛️ An inside look at her production process for her album, Soft Cuts
🎤 Why live performances help her reclaim space as a Black female artist
🎚️ The highs and lows of going solo versus releasing on a labelIt’s an inspiring chat about resilience, authenticity, and creating art that truly matters.
Once you’ve listened, share what you thought of the episode in a review wherever you're listening. We’d love to hear from you! 🌟
Check out Maria Uzor’s website >>
Find Maria on Instagram >>Maria’s live performance gear:
Ableton Push >>
Novation Launch Controller >>If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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What unique facets of our existence and identity does sound allow us to explore as women and gender diverse artists? This is one of the big questions that emerges inside this conversation with three of the five 2024 Oram Award winners.
The Oram Awards >>xname >>The Silver Field >>Lola De La Mata >>Dr Mariam Rezaei >>Girls Twiddling Knobs >>Isobel Anderson >>
Whether it be through choreography, performance art, hacking or design, Lola De La Mata, xname and The Silver Field are all artists who have come to sound through alternative pathways. Inside this episode, you’ll learn about the role that sound and experimental music plays in their practice, how they harness technology to express deeply personal and sensitive experiences and we’ll also listen to some of their work too.
You’ll also learn more from one of the 2024 judges Dr Mariam Rezaei about the Oram Awards themselves, including the judging process and how you can apply for the next round.
Find out more about:If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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Join Isobel for all the juicy details on what you can expect to find inside of Season 06 of the podcast, dropping on October 24th.
Listen and subscribe to the podcast: https://femalediymusician.com/podcast
And share the podcast with a friend so we can spread the word, and making music technology a better place for women and gender diverse people.If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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Join us for the first ever Live Girls Twiddling Knobs episode, recorded at Towner Gallery on August 2nd, 2024.
inside, Isobel talks with sound and lino artist, Daisy Stewart-Darling about her new project Lino Waves: Soundscapes of the Living Coast, which documents the changing East Sussex coastline through field recordings and large scale lino works.
We touch on critical acoustic ecology, recording non-human voices, combining sound with visual mediums and how to present this democratically in a gallery context all with sound examples from the project. We also take a tour of one of Towner's current exhibitions, Rising Tides, Melting Ice by Emma Stibbon, and discuss the synergies between this and Daisy's project.
This epsiode is sponsored by our fabulous Knob Twiddler merch, of which all proceeds go towards us making and sharing the podcast. Get yours here >>If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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Following last week’s epic binaural finale episode, Isobel is back for one last music tech chat to bring Season 05 of Girls Twiddling Knobs to a close.
This final wrap up episode is the perfect way to get a whistle stop tour of any episodes you might have missed and glean any final little golden nuggets from the last few weeks.
This season, we've had some of the most amazing guests including NYX, DJ Paulette, Cathy Lane, Josephine Zwaan and many more, and they've all shared their skills, expertise, music and immense amounts of personal vulnerability and insight.
We've also covered some really important topics through my solo deep dive episodes, including the power of community over confidence when it comes to women using music technology and choosing the right software for you.
All together, these episodes make a powerful statement of women taking control of their own path in music and sound.
And while this is the end of another season of Girls Twiddling Knobs, this final wrap up episode also reflects on 2023 coming to a close, and our intentions and hopes for the New Year ahead.
Thank you for listening to Season 05 of Girls Twiddling Knobs, we have some really exciting plans being hatched for the podcast next year, and we're looking forward to sharing more with you soon.
See you in 2024!
GTK HQ xx
You can pre-order DJ Paulette’s book here >>
And you can check out all of Season 05 (and all the previous seasons) here >>If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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Ready for a binaural sound adventure?
We’re wrapping up S05 of Girls Twiddling Knobs with an extra-special episode where, together, we take an immersive binaural deep dive into the ecosystem that is NYX.
NYX are often described as an electronic drone choir and are a group of women and non-binary vocalists and non-vocalists who use music technology to create dense, musical creations and performance experiences with artists such as GTK alumni Gazelle Twin, amongst many others.
Recorded live at Hidden Notes festival in September, Isobel accompanied the collective over two days to document not just their use of music technology, but also how this is informed by a deep personal connection and somatic practices.
This episode also required a different editing approach than usual, so expect to hear lots of sound design and soundscape composition throughout!
We’ve got an hour of immersive sonic goodness waiting for you - which is of course, what we’re all about here at Girls Twiddling Knobs - so sit back, relax and remember to grab some headphones for the best audio experience.
You can check out NYX here >>
You can check out Hidden Notes festival here >>
Featuring the voices of NYX: Sian O’Gorman, Philippa Neels, Alicia Jane Turner, Ruth Corey, Phoebe Pimlott, Shireen Qureshi, Cecilia Morgan (Cil) and Laura Misch
Recorded, edited, produced and narrated by Isobel Anderson.
Additional composition and sound design also by Isobel Anderson.---------------------------------------------------
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Have you ever questioned the way that music technology software is designed? And how the tech tools and gear we use might look and feel completely different if they were designed by different humans (i.e. not just predominantly white, cis, heterosexual men living in the West). Well, this question didn’t just bother today’s guest, producer and researcher, Josephine Zwaan. It led her to write a masters thesis that totally reimagines how a DAW could behave through the lens of African philosophy, exploring ways to ‘decolonise the loop’.
Josephine is a multifaceted, creative force who uses research as a tool to challenge and rethink existing frameworks and practices and creates music under the moniker of Suzooki Swift. She also co-founded rosetta, a Netherlands based initiative supporting female and nonbinary music producers, with an emphasis on education and community building.
EPISODE HIGHLIGHTS
{00:00} Intro
{03:25} Josephine on her alter-ego, SUZOOKI SWIFT
{06:06} Josephine on her track SWIMMIN’
{12:56} Josephine on discovering her strengths in collaborations
{15:49} What brought Josephine into music production?
{20:15} Josephine on setting up her platform rosetta.
{22:15} Inside Josephine’s research on decolonising the loop
{57:10} Episode Summary
Check out Josephine's Website >>Connect with Josephine on Instagram >>
Check out Josephine's platform rosetta >>
rosetta on Instagram >>
Suzooki Swift on Instagram >>
If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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Feeling overwhelmed by all the recording software choices? Been using the same DAW for a while and feel like it’s time to switch it up? Haven’t started recording your music because you don’t have the right gear? If so, this episode is a MUST LISTEN because we’re breaking down the pros and cons of a variety of recording softwares and demystifying this often overwhelming decision.
If you’re curious what software Isobel uses, you also won’t be disappointed because inside you’ll learn her top favourite 3 DAWs and why, when and what she uses them for. And if you’re not even sure what a DAW is, don’t worry! We’re breaking all of this down, and more :)
EPISODE HIGHLIGHTS
{02:31} What is a DAW?
{04:37} Why does it feel so hard to choose a DAW?
{13:24} Isobel's run-through of 7 popular DAWs
{36:58} Isobel's Top 3 DAWs
{39:21} Episode Summary
Check out Ableton Live >>Check out Logic Pro X >>
Check out Pro Tools >>
Check out FL Studio >>
Check out Cubase >>
Check out Cakewalk >>
Check out GarageBand >>
If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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It’s not easy growing a career in the arts but it’s down right tough if you’re living with a disability too. In this episode, Isobel is joined by journalist, digital producer and disabled rights activist Meg Fozzard to discuss the challenges disabled artists can face, the things the industry can do better and strategies Meg has developed over the years to grow her career whilst having a disability.
Inside, you’ll gain some really practical knowledge on things like access riders and funding but also hear how it felt for Meg to become disabled right after she’d graduated from university and was starting her career in the arts. Whether you’re a disabled artist, temporarily able artist or working to make music and the creative arts more inclusive, this episode is a must listen.
EPISODE HIGHLIGHTS{00:00} Intro
{05:02} Meg’s experience as a Producer
{06:51} The importance of recognising disability as being fluid
{10:16} Meg’s story of becoming disabled after graduating university
{19:18} Meg on how becoming disabled has impacted her work
{22:36} Meg’s advice to freelancers navigating the creative industries
{30:06} What is an access rider and how to write one
{33:57} Where are the creative industries getting things right in relation to disability access?
{35:24} Meg on her experience producing the podcast Equal Too
{39:28} How can able-bodied individuals support their disabled peers?
{42:16} Meg on the Access to Work scheme
{44:08} Organisations helping people with disabilities in the creative sector
{46:35} Episode Summary
Find out more about Meg Fozzard >>Check out the charity Drake Music >>
Find out more about the UK government’s Access to Work scheme >>
Check out the Disabled Artists Networking Community >>
If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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If you’ve ever wondered what music mastering is, how to get your music mastered or even get into mastering yourself, this podcast episode is for you because Isobel is joined by Weird Jungle mastering engineers Katie Tavini and Izzy McPhee. Between them, they’ve racked up credits with We Are Scientists, Bloc Party, Frankie Morrow, Ash, Waverly, Arlo Parks and so many more.
But what’s also interesting about Katie and Izzy is that they met through the amazing Saffron studios’ mentoring scheme. So, not only will you hear them demystifying the mastering process in their discussion with Isobel, but also their experience of mentoring and how it’s enriched both their lives and their practice.
EPISODE HIGHLIGHTS
{00:00} Intro
{04:15} What is Mastering?
{08:31} Why is Mastering so mystifying for so many people?
{11:14} Izzy takes us through her Mastering chain
{15:22} What brought Katie and Izzy to Mastering?
{29:27} Izzy on the benefits of having a music-industry mentor
{32:07} Katie on the importance of being a mentor to others
{36:40} Katie on setting up her group 2% Rising with musician Rookes
{39:22} Being the ‘token woman’ in music technology spaces
{49:14} How do you go about getting your music mastered?
{52:23} How should musicians work with mastering engineers?
{58:43} Izzy’s advice for budding mastering engineers
{1:01:55} Katie’s advice for those wanting to get started in Mastering
{1:04:13} Episode SummaryFind out more about Weird Jungle Mastering >>
Check out Katie Tavini >>
Check out Izzy McPhee >>
Check out Saffron Music >>
Listen to Episode 61: Art, Activism and Music Production: In Conversation with Rookes/Jenny Bulcraig >>If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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It’s common to hear people make the case for initiatives and spaces that help women become more confident with music tech. And many women will say they wished they had more confidence when it comes to music production, mixing and the whole recording process. But what if this pursuit for more confidence was actually further sabotaging the progress of women with music technology? What if, instead, we need to be questioning the whole focus on confidence itself?
In this solo episode, Isobel explores some of the reasons she doesn’t focus on confidence when it comes to her unique approach for teaching women recording and production and she draws from wider theories and research to help better understand concepts such as confidence in the context of gender. This episode asks what else might we need to change if not women’s confidence if more women and girls are to truly thrive in music technology spaces.
EPISODE HIGHLIGHTS
{00:00} Intro
{02:28} Previous episodes and resources relating to confidence vs assertiveness
{04:33} Is confidence really the missing link towards music tech spaces becoming more inclusive?
{10:01} Why has confidence become so highly valued in music tech spaces?
{12:58} Isobel on why community is more important than confidence in music tech
{15:13} Student testimonials on the strength and importance of the community inside
Home Recording Academy
{17:46} Why it’s important to re-evaluate community culture as a whole, rather than help individual women to become more confident with music tech
{19:37} Episode SummaryListen to Episode 18: Gender and Music Tech Education with Dr Eddie Dobson >>
Listen to Episode 56: Being Assertive In Music Tech Spaces >>
Listen to Teaching Women Music Technology [Pt1] Why Have We Failed (So Far)?? >>
Listen to Teaching Women Music Technology [Pt 2] My Unique Approach >>
Read Rhetoric of Masculinity >>Loved this week's episode? Share it with a friend 👯♀️
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If you’ve ever felt stumped as to what to do with all those field recordings you’ve been making… Or like experimental music sometimes lacks a human touch… this episode is a must listen because Isobel is joined by Cathy Lane, an artist, composer and academic inspired by everyday experiences and, in particular, how ‘hidden histories’ can be investigated from a feminist perspective. Inside, Cathy shares so many gems from her vast experience and knowledge as one of the most highly regarded artists and academics in her field.
Cathy has worked with composed sound for the last three decades and has developed a practice that combines oral history, archival recordings, spoken word and environmental recordings in formats ranging from gallery installations to books, essays and concert presentations. A Professor of Sound Arts at University of the Arts London and directs Creative Research in Sound Arts Practice (CRiSAP), Cathy shares how this work is also deeply influenced by her beginnings in grass-roots community-run learning spaces.
This episode is a real treat so get comfy and plug in!
EPISODE HIGHLIGHTS
{00:00} Intro
{05:08} How Cathy got started using music technology
{09:29} Cathy on the women-only groups she was involved in, and the acceptability of these spaces.
{14:55} Her PhD and access to technology
{18:59} What is electroacoustic music?
{27:06} Cathy’s PhD thesis, on using space in composition
{34:47} Using field recordings in composition to convey meaning
{38:37} Her discovery of field recording
{45:07} Cathy on her piece, Am I Here?
{51:43} Cathy on her piece, Here We All Are
{59:41} Using field recordings as part of the compositional process
{01:09:09} Cathy’s technology setup
{01:16:05} Episode Summary
Check out Cathy’s Website >>Cathy’s CRiSAP profile >>
Find Cathy on Facebook >>
Say hello to Cathy on Instagram >>
If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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Have you ever recorded in a studio and felt like time just slipped away? Or maybe you wished you’d felt more comfortable or like you were using the time better? If so, this episode is not to be missed because Isobel is joined by Brighton based producer and engineer, Phoebe Bentham, who’s sharing her top tips on preparing like a pro for your next recording studio session.
Inside, Phoebe also discusses her route into production and engineering, her love of microtonal music, how she went about recording a choir, live drums and guitar in just one day and her advice for any trans listeners wanting to work in recording studios.
EPISODE HIGHLIGHTS
{00:00} Intro
{03:43} How Phoebe got started in sound engineering
{15:43} Phoebe explains her love of microtonal music
{20:40} Phoebe’s advice on how to prepare for a studio session and how to effectively work with an engineer
{26:31} Her definition of a producer vs an engineer
{34:04} More tips on how to prepare for a studio session
{43:20} How Phoebe engineered and mixed a live performance of Lambrini Girls’ track Help Me I’m Gay
{56:50} How Phoebe recorded an 18-person choir for Angel Maxine’s track Be Yourself
{01:09:58} Phoebe’s advice for trans women forging careers in sound engineering
{01:17:09} Episode Summary
Connect with Phoebe on Instagram >>
Listen to EP#55 Are You a Music Producer? >>If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know 💜💜💜
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Do you struggle with perfectionism? We totally get it - it can be easy to put off recording your music out of the belief that every single element of it needs to be perfect. It can also be tricky to find time to dedicate solely to making music; so perfectionism combined with limited time can make it really difficult to actually sit down and get the music made.
Inside this episode Isobel discusses the importance of taking ‘imperfect action’ when making music, and explains how using the ‘assignment method’ helped her ditch the perfectionism and spend meaningful time making music. Remember, done is better than perfect!
EPISODE HIGHLIGHTS
{00:00} Intro
{02:39} Why Isobel started using the assignment method
{05:29} What is the assignment method?
{13:18} How you can start using the assignment method in your music-making
{17:39} Episode SummaryLoved this week's episode? Share it with a friend 👯♀️
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DJing is still a pretty white, male industry, but when this week’s guest, DJ Paulette, first began spinning vinyl in Manchester’s nightclubs in the 90s, black women DJs were few and far between. Winner of the DJ Mag’s Top 100 Lifetime Achievement Award, DJ Paulette's career has spanned over two decades and multiple locations. But inside this candid conversation, Paulette also shares the personal path she’s trodden along the way.
Paulette shares the real sense of threat she felt DJing as a black woman in the clubs in 90’s Manchester, her time doing PR for some of the 90s and 00s most influential dance music artists and setting Paris on fire with her iconic flavour of House music selections. But perhaps just as interesting is Paulette’s experience of losing her mojo with DJing, packing it all in and moving back to Manchester and how she’s rebuilt her career and reconnected with the DJ artform.
EPISODE HIGHLIGHTS
{00:00} Intro
{04:26} Paulette’s early memories of music and introduction to DJing
{10:50} Her experience as a black woman DJ in the early 90s
{13:17} Inside DJ Paulette’s first gig
{17:16} What it was like being one of the only female DJs in the 90s UK club scene
{24:30} Paulette’s experience working in music PR alongside DJing
{36:23} Moving to Paris to pursue her DJing career
{46:03} Losing her mojo for dance music and DJing
{01:04:43} How moving back to Manchester helped Paulette fall back in love with DJing
{01:08:05} The importance of speaking out against discrimination in order to help the younger generation
{01:11:11} The meaning and inspiration behind her track “Sheroes”
{01:26:47} Episode Summary
DJ Paulette’s Website >>DJ Paulette on Instagram >>
Listen to ‘Sheroes’ >>
Pre-Order ‘Welcome to the Club’ >>
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Girls Twiddling Knobs is hosted by Isobel Anderson and produced by Isobel Anderson and Jade Bailey.
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With Season 05 of Girls Twiddling Knobs dropping on August 17th, Inside this trailer Isobel gives you a teaser of what you can expect inside each episode over the next few weeks.
Remember to subscribe to the podcast so you never miss an episode and don't forget to enter our Season 05 competition where you could win an audio interface and some of our exclusive Girls Twiddling Knobs merch line too.
Full details on how to enter >> https://femalediymusician.com/s05-competitionLoved this week's episode? Share it with a friend 👯♀️
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Girls Twiddling Knobs is hosted by Isobel Anderson and produced by Isobel Anderson and Jade Bailey.
Watch this episode on YouTube
Explore more episodes here.
Listen on Spotify.
Join the Girls Twiddling Knobs Podcast Community here >> - Visa fler
