Avsnitt

  • Today's episode of Weekend at Bergman's is the season one finale, baby, and it's a battle of the trash canon titans! The two best movies currently in the trash canon face off and only one can make it out! Representing the arthouse is Sight and Sound's "greatest film of all time," Chantal Akerman's 1975 Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles; and representing the mainstream is Tim Burton's 1985 Pee-wee's Big Adventure. Will a three-hour movie about chores beat a zippy, 90-minute Hollywood classic? Or will Paul Reubens and his amazing bicycle take down the unrelenting Jeanne Dielman? Listen to find out, as the boys close out season one with the third co-founder of Forever Dog, Alex Ramsey!STAY TUNED FOR SEASON 2 UPDATES! JOIN US EVERY MONDAY NIGHT ON TWITCH 8PM ET:https://www.twitch.tv/foreverdogteam VIDEO & AD FREE EPISODES ON FOREVER DOG PLUShttps://foreverdog.plus THE COMPLETE CANON & TRASH CANON ON LETTERBOXD:https://letterboxd.com/weekendbergman/lists FOLLOW JOE ON LETTERBOXD:https://letterboxd.com/joecilio FOLLOW WEEKEND AT BERGMAN'Shttps://twitter.com/weekendbergmanhttps://www.instagram.com/weekendbergmanhttps://www.tiktok.com/@weekendbergman BUY MERCHhttps://www.teepublic.com/user/weekend-at-bergmans WEEKEND AT BERGMAN'S IS A FOREVER DOG PODCASThttps://foreverdogpodcasts.com/podcasts/weekend-at-bergmansLearn more about your ad choices. Visit megaphone.fm/adchoices

  • Why don't we get drunk choose the better movie??? This week, Joe and Brett watch two cinematic celebrations of booze! Representing the arthouse, it's Alexander Payne's 2004 wine country, buddy-dramedy, Sideways. And representing the mainstream is Broken Lizard's 2006 chug-a-thon, Beerfest! It's wine snobs versus beer slobs in a battle between two sloppy comedies - listen to find out which movie will be immortalized in the canon and which movie will be tossed into the trash canon, never to be seen again by Joe or Brett!

    NEXT WEEK SEASON FINALE:
    Jeanne Dielman vs Pee-Wee's Big Adventure
     
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  • We're all gonna die someday, baby - but what was it all about? Did I matter? Did I make a difference? Did my endless devotion to immersive theater leave behind the legacy I envisioned? Did I spend a little too much time fixated on my dog's sexual habits? These are some of the questions Brett and Joe answer as they watch two films that ruminate on life and death - the way we spend our precious time, and the inevitable end we all meet. Representing the arthouse is Charlie Kaufman's 2008 directorial debut, Synecdoche, New York, and representing the mainstream is Adam Sandler blockbuster Click. Will Happy Madison productions stand a chance against Kaufman's postmodern brilliance? Listen to find out!
    NEXT WEEK:
    Sideways vs Beerfest
     
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  • An eight hour livestream in honor of Brett's 40th birthday. Part 2. With special guests Jaida Essence Hall, Heidi N Closet, magician El Ropo, 9 to 5 writer Patricia Resnick, Joe and Jenah Silver, working actor Andrew Block, and Andy Warhol (Brett Davis).

    Representing the arthouse, it's Andy Warhol's eight hour continuous shot of the Empire State Building, Empire (1965). Except that it's impossible to get a copy of Empire because the Warhol Museum keeps it under lock and key. So instead we watch Andy Warhol's Minion (2022), an eight hour continuous shot of the Universal Studios Minion. And representing the mainstream, it's 1980's all-time great workplace comedy 9 to 5, directed by Colin Higgins, written by Patricia Resnick, and starring Jane Fonda, Lily Tomlin, Dolly Parton, and Dabney Coleman. Which will win and enter the canon? Which will lose and enter the trash canon and Brett and Joe can never watch it again for the rest of their lives? Listen to find out!

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  • An eight hour livestream in honor of Brett's 40th birthday. Part 1. With special guests Julie Klausner, Tom Scharpling, Forever Dog's Alex Ramsey, working actor Andrew Block, and Andy Warhol (Brett Davis). Representing the arthouse, it's Andy Warhol's eight hour continuous shot of the Empire State Building, Empire (1965). Except that it's impossible to get a copy of Empire because the Warhol Museum keeps it under lock and key. So instead we watch Andy Warhol's Minion (2022), an eight hour continuous shot of the Universal Studios Minion. And representing the mainstream, it's 1980's all-time great workplace comedy 9 to 5, directed by Colin Higgins, written by Patricia Resnick, and starring Jane Fonda, Lily Tomlin, Dolly Parton, and Dabney Coleman. Which will win and enter the canon? Which will lose and enter the trash canon and Brett and Joe can never watch it again for the rest of their lives? Listen to find out!

    JOIN US EVERY MONDAY NIGHT ON TWITCH 8PM ET:
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  • Horror month concludes with a couple of grizzly slashers about the horrors of American city planning and murder weapons that you can get at your local hardware store! Representing the arthouse is Abel Ferrara's new wave, grindhouse nightmare, The Driller Killer. And representing the mainstream is Bernard Rose's 1992 supernatural slasher, Candyman. Which movie will enter the canon and which movie will enter the trash canon, never again to be watched by Joe or Brett?!? It's a mad painter versus a man made of bees in this thrilling conclusion to the Weekend at Bergman's horror movie month!

    NEXT WEEK:
    Synecdoche, New York vs Click

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  • Doctors, islands, cabinets, oh my! Horror month ramps up with a battle between two heavyweight flicks that both use the same sort of syntax! Representing the arthouse is the German, expressionist classic from 1920 The Cabinet of Dr. Caligari. And representing the mainstream is The Island of Dr Moreau, the infamously disastrous production that yielded one of the most entertaining horror movies ever made. Will Brett and Joe immortalize the cinematic masterpiece that Roger Ebert called "the first true horror film?" Or will the guys canonize the delightful mess that only a Hollywood production with two directors and an aging Marlon Brando could create? Listen to find out!

    NEXT WEEK:
    The Driller Killer vs Candyman
     
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  • Boil, boil, toil, and double trouble! Horror month turns witchy with two flicks about the occult. Representing the arthouse is Robert Eggers' debut feature film for A24, The Witch. Representing the mainstream is the 1996 movie that made the jocks think twice about messing with the goths, Andrew Fleming's The Craft. Which witch flick will enter the canon and which will enter the trash canon, never to be seen again by Brett or Joe? It's spooked Puritans vs a teen coven in this eerie Weekend at Bergman's!

    NEXT WEEK:
    The Cabinet of Dr Caligari vsThe Island of Dr Moreau
     
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  • Your teachers are trying to kill you! Horror month rolls on with two movies about cutting class and getting cut by knives. Representing the arthouse, it’s Dario Argento’s 1977 Italian giallo cult classic, Suspiria. And representing the mainstream, it’s maybe the most 1998 movie of all time - Robert Rodriguez’s The Faculty, written by Kevin Williamson and starring all your favorite 90s kids. Which movie will enter the canon? And which will enter the trash canon and we can never watch it again for the rest of our lives?? Listen to find out!!

    NEXT WEEK:
    The Vvitch vs The Craft

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  • We're kicking off spooky season with two of the biggest baddest monstars in the cinematic universe! Xenomorph vs Yautja! Representing the arthouse, it’s Ridley Scott’s 1979 Alien starring Sigourney Weaver. And representing the mainstream, it’s John McTiernan’s 1987 Predator starring Arnold Schwarzenegger. Which will win and enter the canon? And which will end up in the trash canon and we can never watch it again for the rest of our lives?? Listen to find out!!

    NEXT WEEK:
    Suspiria (1977) vs The Faculty

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  • BOYS just wanna have fun??? The co-hosts of the Everyone is Hot! podcast Shelley Brooks and Michael Stevens join us for two films about men behaving badly. Representing the arthouse, it’s John Cassevetes 1970 Husbands with Ben Gazzara, Peter Falk, and John Cassavetes. And representing the mainstream, it’s Todd Philipps’s 2009 The Hangover starring Bradley Cooper, Ed Helms, and Zach Galifianakis. Which movie will win and enter the canon? And which will enter the trash canon and we can never see it again for the rest of our lives??? Listen to find out!!

    READ SHELLEY'S PETER GREENAWAY INTERVIEW:
    http://www.doubleexposurejournal.com/issue05/article05.html

    NEXT WEEK:
    Alien vs Predator

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  • PATTON OSWALT JOINS US! Yes chef! Representing the arthouse, it’s Peter Greenaway’s 1989 Jacobean Thatcher-era ultra-repulsive ultra-beautiful satirical black comedy, The Cook, The Thief, His Wife, and Her Lover. And representing the mainstream, it’s Pixar’s 2007 smash hit Ratatouille, starring our guest Patton Oswalt! Which one will win and enter the canon? Which will lose and go in the trash canon and we can never watch it again for the rest of our lives??? Listen to find out!!!

    NEXT WEEK:
    Husbands vs The Hangover

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  • Big City Balls vs Small Town Pageants! 1980s vs 1990s! Documentary vs Mockumentary! Guest co-hosts Big Dipper and Meatball (Sloppy Seconds) join Brett for a battle of the stars. Representing the arthouse, it’s Jennie Livingston’s 1990 documentary of the the Golden Age of New York City drag balls, Paris Is Burning. And representing the mainstream, it’s a mockumentary about small town pageants that initially bombed at the box office but has since achieved cult classic status, 1999’s Drop Dead Gorgeous starring Kirsten Dunst. Which will win and enter the canon? And which will lose and enter the trash canon and we can never watch it again for the rest of our lives? Listen to find out!

    NEXT WEEK:
    Ratatouille vs The Cook, the Thief, His Wife & Her Lover

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  • BACK TO SCHOOL! We're watching two movies about teachers and students and politics on campus. Representing the arthouse, it’s the 1969 Maggie Smith tour de force The Prime of Miss Jean Brodie, based on the novel by Muriel Spark. Representing the mainstream, it’s the 1994 campus comedy PCU starring Jeremy Piven and directed by Hart Bochner. Which movie will win and enter the canon? Which will lose and enter the trash canon and we can't watch it again for the rest of our lives? Listen to find out!

    WATCH THE PRIME OF MISS JEAN BRODIE:
    https://www.youtube.com/watch?v=2lOF08n-M5M

    WATCH PCU:
    https://vimeo.com/741493413/a6daefbb79

    NEXT WEEK:
    Paris is Burning vs Drop Dead Gorgeous

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  • Car culture, counterculture, subcultures, give me the nitrous baby!!! Representing the arthouse, it’s Alex Cox’s 1984 cult classic Repo Man. And representing the mainstream, it’s the one that started it all, 2001’s The Fast and the Furious. PLUS Merge Records' Colette Arrand sends in her defense of the Fast franchise but will it be enough to take down Repo Man??? Listen to find out!!

    NEXT WEEK:
    The Prime of Miss Jean Brodie vs PCU

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  • Joe’s having a baby! Which means we’re watching two disgusting films about fatherhood. Representing the mainstream, it’s Judd Apatow's 2007 smash hit comedy Knocked Up. And representing the arthouse, it’s David Lynch’s 1977 surrealist cult classic Eraserhead. Which movie wins and enters the canon? And which one loses and enters the trash canon which means we can never watch it again for the rest of our lives? Plus we reckon with our Pee-wee problem and create a NEW level to the Weekend at Bergman's afterlife! Listen to find out!!

    This week's pairing suggested by listener @pie_boi1

    NEXT WEEK:
    Repo Man vs The Fast and The Furious
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  • Get your hands off my bicycle! This week we're comparing two movies about bicycle theft and so much more. Representing the arthouse, it’s the 1948 Italian Neorealist classic Bicycle Thieves directed by Vittorio de Sica. And representing the mainstream, it’s Tim Burton’s 1985 feature film debut Pee-Wee’s Big Adventure starring Paul Ruebens. Which one will enter the canon? And which one will be tossed in the trash canon? Listen to find out! Plus we play a round of the fun new movie game Theft or Homage!

    This week's pairing suggested by listener @Volkanus666

    NEXT WEEK:
    Eraserhead vs Knocked Up

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  • The game is afoot! We're joined by the great Julie Klausner (Double Threat) to review two puzzling movies. Representing the arthouse, it’s the 1973 dark comedy whodunnit The Last of Sheila, written by Stephen Sondheim and Anthony Perkins, and featuring a cavalcade of stars. And representing the mainstream, it’s David Fincher’s The Game (1997) starring Michael Douglas. Plus we ask Julie the movie questions we've always wanted to ask her - John Waters, Jackie Brown, James Urbaniak, TCM, Star Wars, and more!

    NEXT WEEK:
    Bicycle Thieves vs Pee Wee’s Big Adventure

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  • Look! Up in the sky! It's a bird! It's a plane! It's original IP! This week we're not alone because we're livestreaming again AND we're watching two movies about UFOs and aliens and a whole lot more. Representing the arthouse AND the mainstream it's Jordan Peele's Nope (2022). And representing the arthouse AND the mainstream it's M. Night Shyamalan's Signs (2002). Which film will enter the canon? Which will enter the trash canon which means we can never watch it again for the rest of our lives??? Listen to find out!!

    NEXT WEEK:
    The Last of Sheila (1973) vs The Game (1997)

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  • Sharpen your stakes and mince your garlic because it's a vampire movie livestream!! Representing the arthouse, it’s the 1922 German Expressionist masterpiece Nosferatu: A Symphony of Horror, directed by FW Murnau. And representing the mainstream, it's Marvel's first superhero movie Blade (1998) starring Wesley Snipes. Which will go in the canon and which will go in the trash canon? Livestreamed at Forever Dog Studios on July 22nd 2022.

    WATCH THE LIVESTREAM:
    https://vimeo.com/732579240

    NEXT WEEK:
    Nope (2022) vs Signs (2002)

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