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In this episode of the afikra podcast, we tackle the alternative histories of Beirut, planning cities that put communities first, and rethinking public spaces. Mona Fawaz — co-founder of Beirut Urban Lab and professor of Urban Studies and Planning at the American University of Beirut (AUB) — tells us about her research into Lebanon's temporary settlements, unearthing alternative histories of Beirut, and why the city still goes by its masterplan from the 50s which puts cars first. She explains the intricacies of urban studies, what "planning" as a profession actually means, and why she considers Beirut to be a "hijacked city". Finally, Mona tells us about the fascinating work and research that Beirut Urban Lab is doing and the visions she has for the future of this city.
Mona Fawaz is a Professor in Urban Studies and Planning at the American University of Beirut (AUB). She is also the co-founder of the Beirut Urban Lab at AUB, and serves as the director of the Social Justice and the City research program at the Issam Fares Institute of Public Policy (also at AUB). Mona was a fellow at the Radcliffe Institute of Advanced Studies at Harvard University during the 2014/15 academic year and in Summer 2017.
Connect with Mona 👉 https://www.linkedin.com/in/mona-fawaz-b245058/?originalSubdomain=lb
Beirut Urban Lab is a collaborative and interdisciplinary research space. It produces scholarship on urbanization by documenting and analyzing ongoing transformation processes in Lebanon and its region's natural and built environments. It intervenes as an interlocutor and contributor to academic debates about historical and contemporary urbanization from its position in the Global South.
Discover Beirut Urban Lab 👉 https://beiruturbanlab.com/
Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns
Hosted by:
Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gb
FOLLOW & RATE THE AFIKRA PODCAST:
» Apple Podcasts: https://podcasts.apple.com/lb/podcast/the-afikra-podcast/id1529437743
» Spotify: https://open.spotify.com/show/5nafoF1Zs7F48mGZjlhrze
» Anghami: https://play.anghami.com/podcast/1014643869
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=shared
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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This afikra podcast episode with Hamed Bukhamseen and Ali Ismail Karimi of Civil Architecture delves into the architectural, geographic, cultural, and historic fabric of "the Gulf". We ask what and where is the Gulf? Is it a concrete geography or an abstract entity? Ali and Hamed reflect on what it means to be of and from this region and how this has evolved over time.
Through an economic and political lens, they talk about the branding of the Gulf, the intellectual project behind it, and the impact of neoliberal policies on its present and future. Finally, we ask them both to compare and contrast their home cities of Kuwait (for Hamed) and Bahrain (for Ali) — and explain why some people consider highways to be public spaces.
Civil Architecture is a cultural practice pre-occupied with the making of buildings and books about them. Civil's work asks what it means to produce architecture in a decidedly un-civil time, presenting a new civic character for a global condition. Since its founding by Hamed Bukhamseen and Ali Ismail Karimi, the practice has attracted a strong following for its provocative works and its offer of an alternate future for a nascent Middle East.
Connect with Civil Architecture 👉 https://civilarchitecture.org/
Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns
Hosted by:
Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gb
FOLLOW & RATE THE AFIKRA PODCAST:
» Apple Podcasts: https://podcasts.apple.com/lb/podcast/the-afikra-podcast/id1529437743
» Spotify: https://open.spotify.com/show/5nafoF1Zs7F48mGZjlhrze
» Anghami: https://play.anghami.com/podcast/1014643869
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=shared
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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Saknas det avsnitt?
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Rajat Malhotra — partner at Sole DXB: Dubai's annual footwear, music, art and lifestyle festival — comes on the afikra podcast to talk about bringing street culture to his home city. He shares what it was like starting the festival alongside his co-founders, reflects on his favorite acts from over the years, and what it's really like to curate an event of this scale. Rajat also reflects on Dubai's unique nature as a city that people of mixed heritage can easily make home, what Saudi Arabia's immense cultural investment might mean for Dubai's cultural eco-system, and whether political hip-hop can thrive in the Gulf.
Rajat Malhotra is a partner of Sole DXB alongside Hussain Moloohbhoy and Joshua Cox.
Connect with Rajat 👉https://www.instagram.com/raj9714/
Sole DXB is an annual footwear, music, art, and lifestyle festival that takes place in the Dubai Design District in Dubai, UAE. It launched in 2011 as a modest gathering for sneaker enthusiasts and has since grown into a regional platform that brings global brands and performers to Dubai.
afikra partnered with Sole DXB in December 2023 to facilitate and moderate some talks as part of the festival.
Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns
Hosted by:
Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gb
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=shared
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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Renowned professor of ethics, law and political thought and leading scholar of Islamic Legal Studies, Dr Wael Hallaq, joins us on this episode of the afikra podcast to discuss Sharia law, the modern state, Legal Orientalism, and the idea of a "stateless" yet still orderly world.
Dr Hallaq deals with reductionist understandings of Sharia law, critiques modernism and the modern state, and breaks down the successes and shortcomings of Edward Said's Orientalism. We discuss the concept of Legal Orientalism, delve into the advanced complexities of Sharia law, and talk about his book "The Impossible State: Islam, Politics, and Modernity's Moral Predicament". Finally, Dr Hallaq talks passionately about what he calls the "bankrupt realities" we're facing in the modern era and calls the very states and systems that make up our world into question.
Wael B. Hallaq is the Avalon Foundation Professor in the Humanities at Columbia University, where he has been teaching ethics, law, and political thought since 2009. He is considered a leading scholar of Islamic Legal Studies and Islamic Law. He has written several books including "The Impossible State: Islam, Politics, and Modernity's Moral Predicament" and "Restating Orientalism: A Critique of Modern Knowledge".
Connect with Wael 👉https://mesaas.columbia.edu/faculty-directory/wael-hallaq/
Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns
Hosted by:
Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gb
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=shared
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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Maysoon Zayid, Palestinian comedian, actress, graphic novel author and co-creator of the NY Arab-American Comedy Festival, joins us on the afikra podcast to talk all things comedy, Palestine, Arab-America, and advocating for the disabled community.
Maysoon talks about how she grew up to be the confident, unapologetic, publicly Palestinian comedian we know and love today. She gives us an insight into the world of comedy: from testing new material, getting bored of making fun of Donald Trump, and being vilified as an Arab comedian in the United States. Finally, she tells us about her upcoming graphic novel "Shiny Misfits".
Maysoon Zayid is a Palestinian comedian, actress, writer and disability advocate who was born and raised in New Jersey. She is the co-founder and co-executive producer of the New York Arab American Comedy Festival and The Muslim Funny Fest.
Connect with Maysoon 👉https://www.instagram.com/maysoonzayid/
Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns
Hosted by:
Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gb
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=shared
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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The first of three live Design Doha podcast recordings features an interview with the Biennial's deputy director Fahad Al Obaidly. He takes us behind the scenes of Design Doha, breaks down what "Celebrating Regional Design Excellence" means in practice, and how the Biennial roots itself in locality. Fahad tells us about the strength of the design industry in the Arab World as well as his personal highlights from the Biennial.
Fahad Al Obaidly is the Deputy Director of Design Doha, as well as a fashion designer, artist and filmmaker.
Connect with Fahad 👉https://www.instagram.com/fahadalobaidly/?hl=en
Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns
Hosted by:
Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gb
Design Doha is a landmark biennale dedicated to creative innovation, here to foster the design culture of the MENA region, and create a space of design excellence in Qatar. It provides creatives and institutions with a space to showcase their designs and ideas. The biennale is committed to offering tangible and authentic solutions, showcasing the richness of MENA culture and creativity, while highlighting the exceptional design environment of Qatar on the global stage.
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=shared
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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Marwan Kraidy, CEO and Dean of Northwestern Qatar and leading scholar of global communication and media, joins us on the afikra podcast to discuss media, truth, and journalism in the Arab world.
This episode dives into the impact of mobile phones, reflects on whether social media is a force for good or not, and explores the notion of “socio-political maturity”. We discuss how the center of gravity for media in the Arab world has shifted to the Gulf and why the old adage “Cairo writes, Beirut publishes and Baghdad reads” no longer holds true. Finally, we talk about the business model for media in the Arab world right now and why Turkish TV series have seen such major success.
Marwan M. Kraidy is dean and CEO of Northwestern in Qatar. He founded the Institute for Advanced Study in the Global South, which hosts multidisciplinary teams of faculty and students dedicated to evidence-based storytelling on the diverse histories, cultures, societies and media of the Global south. He is a scholar of global communication and an authority on Arab media, culture and politics.
Connect with Marwan 👉https://twitter.com/MKraidy?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor
Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns
Hosted by:
Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gb
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=shared
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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Art historian, educator and author Jonathon Bloom joins us on the afikra podcast to talk about paper, print and the Islamic world. He talks us through changing understandings of "Islamic" art and architecture through the decades, explains the premise of his book "Paper Before Print: The History and Impact of Paper in the Islamic World" and whether it's worth using the term "Islamic Art" in the first place. We touch on the fascinating architectural history of the Minaret, the cultural impact of paper, and what it's like to co-write and work alongside his wife Sheila Blair.
Jonathon M Bloom is an art historian, author and educator. He retired in 2018 as the Norma Jean Calderwood University Professor of Islamic and Asian Art at Boston College and in 2019 as the Hamad Bin Khalifa Endowed Chair of Islamic Art at Virginia Commonwealth University, positions that he shared with his wife and co-author Sheila Blair.
Connect with Jonathon 👉https://www.bc.edu/bc-web/schools/morrissey/departments/art/people/retired-faculty/jonathan-bloom.html
Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns
Hosted by:
Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gb
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=shared
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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The chief curator of the UAE's National Pavillion for the 17th Architecture Bienalle di Venezia (2020 and 2021) – and recipient of the Golden Lion Award – architect Wael Al Awar joins us on the afikra podcast for fascinating conversation about the problem with modern and globalized architecture, and building with the future in mind. Waiwai's founding partner and principle architect takes a deep dive into cement as a material and discusses the disconnect between standardized architecture and cultural and geographical contexts. Wael also explains why architecture as a profession has become intertwined with ego, and answers whether we're truly stuck with skyscrapers.
Wael Al Awar is an architect and founder of waiwai alongside Kazuma Yamao — an architectural, landscape, urban, interior and graphic design studio with offices in Dubai and Tokyo. Waiwai takes a highly contextual approach to address social, environmental and technological questions through design. Wael was the chief Curator of the National Pavilion of the UAE for the Bienalle di Venezia 2020 and 2021, and recipient of the Golden Lion Award.
Connect with Wael 👉 https://www.instagram.com/wael.al.awar/
Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns
Hosted by:
Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gb
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=shared
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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Waleed Ziad — author of "Hidden Caliphate: Sufi Saints beyond the Oxus and Indus" — joins us on the afikra podcast to demystify Sufism. Ziad explains the mystical and scientific aspects of Sufism and its far reaching geographies that surpass today's "securitized" borders and colonial conceptions of South Asia, Central Asia and the Middle East as "reified zones". We also learn about the concept of sovereignty in the Islamic world and how modern day understandings of Sufism and abandonment of meditative practices differ from the realities of the pre-20th century Muslim world.
Waleed Ziad is an associate professor at the University of North Carolina at Chapel Hill and the author of Hidden Caliphate: Sufi Saints beyond the Oxus and Indus" which won the Albert Hourani Prize. His research concerns the historical and philosophical foundations of Muslim revivalism and revivalist responses to internal political fragmentation and colonialism in the "Persiante" world.
Connect with Waleed 👉https://twitter.com/waleedziad?lang=en-GB
Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns
Hosted by:
Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gb
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=shared
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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Professor John Esposito joins us on the afikra podcast to talk about studying Islam, Islamophobia in the US, and what Arabs inside and outside of the Arab region misunderstand about Islam. Esposito shares his roundabout journey into the field of Islamic studies, starting with wanting to become a priest. Finally, he reflects on the Iranian revolution and 9/11 as watershed moments in the (mis)understanding of Islam in the States.
John Esposito is a Professor of Religion and International Affairs and Islamic Studies at Georgetown University. He is the Founding Director of the Alwaleed Center for Muslim-Christian Understanding and The Bridge Initiative: Protecting Pluralism - Ending Islamophobia in the Walsh School of Foreign Service. He has written over 55 books including "What Everyone Needs to Know About Islam", "The Future of Islam", and "Islam and Democracy after the Arab Spring".
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
The afikra Podcast is our flagship series featuring experts from academia, art, media and beyond who are helping document and/or shape the histories and cultures of the Arab world through their work. Our hope is that by having the guest share their expertise and story, the community walks away with a new found curiosity and maybe some good recommendations about new nerdy rabbit holes to dive into head first.
Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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Art historian and author of “What is 'Islamic' Art?: Between Religion and Perception”, Wendy Shaw talks to us about whether art can truly be "Islamic" or "theological", and if so, what that means. We talk about the complex ways in which museums interact with the broader economies and what this means for decolonizing the field of art history, and her roundabout journey into this field all the way from biochemistry.
Wendy Shaw is an art historian and professor of the Art History of Islamic Cultures at the Freie Universität berlin. Her book "What is 'Islamic' Art?: Between Religion and Perception" explores the perceptions of arts, including painting, music and geometry through the discursive sphere of historical Islam including the Qur'an, Hadith, Sufism, ancient philosophy, and poetry. By emphasizing the experience of reception over the context of production, Shaw creates a new approach not only to Islam and its arts, but also as a decolonizing model for global approaches to art history.
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORKThe afikra Podcast is our flagship series featuring experts from academia, art, media and beyond who are helping document and/or shape the histories and cultures of the Arab world through their work. Our hope is that by having the guest share their expertise and story, the community walks away with a new found curiosity and maybe some good recommendations about new nerdy rabbit holes to dive into head first.
Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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A captivating conversation with theater director and playwright Laila Soliman about theater, cultural discourse and decolonization across the Arab world. Using three of her major works – Zigzag, La Grande Maison and her first opera Woman at Point Zero – as reference, we discuss western-centric art education, dismantle the concept of “alternative narratives”, and collective memory. We think about theater as a medium, what it takes to bring about a cultural “golden age”, and where and how is the best place to pass on knowledge.
Laila Soliman is an independent Egyptian theater director and playwright who lives and works in Cairo. Born in Cairo, she gained a degree in theater and Arabic literature from the American University in Cairo and a MA at Dasarts in Amsterdam.
Her performances have been shown across the Arab world, India, South Africa and Europe. Her first opera production – Woman at Point 0 – based on Nawal el Saadawi’s novel by the same name premiered in 2022.
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
The afikra Podcast is our flagship series featuring experts from academia, art, media and beyond who are helping document and/or shape the histories and cultures of the Arab world through their work. Our hope is that by having the guest share their expertise and story, the community walks away with a new found curiosity and maybe some good recommendations about new nerdy rabbit holes to dive into head first.
Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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Al-Andalus exists in history, geography and the Western cultural imaginary. Professor Eric Calderwood talks to us about Al-Andalus, examining it as both a place and an idea which is productive in memory, culture and politics. He explains how this cultural imaginary has transcended its geographic bounds and has created fruitful debates around the identity not only of this place, but of Spain and Morocco as modern nations.
We reflect on why it's difficult to put an exact date on when al-Andalus actually "ended", the brotherhood it has created between Spain and Morocco and the importance of these interconnected histories.
Finally, Eric shares how music and dance led him to study al-Andalus and why he chose to explore this topic from five different perspectives including from Pan-Arab, Feminist and Palestinian viewpoints.
Eric Calderwood is Associate Professor of Comparative and World Literature at the University of Illinois Urbana-Champaign and the author of the award-winning Colonial al-Andalus: Spain and the Making of Modern Moroccan Culture. He is a contributor to NPR, the BBC, and Foreign Policy. His most recent publication is On Earth or in Poems: The Many Lives of Al Andalus.
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORKThe afikra Podcast is our flagship series featuring experts from academia, art, media and beyond who are helping document and/or shape the histories and cultures of the Arab world through their work. Our hope is that by having the guest share their expertise and story, the community walks away with a new found curiosity and maybe some good recommendations about new nerdy rabbit holes to dive into head first.
Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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AI is upending education and learning as we know it. In collaboration with Qatar Foundation, we wanted to explore the possible impacts, challenges and opportunities that artificial intelligence presents for education internationally and more specifically in the Arab world.
We sat down with Mehdi Benchaabane, director of Qatar Academy Doha, to discuss the current advantages and shortfalls of AI in the classroom. We discuss the significant questions AI has raised around educational honesty and integrity, key concerns at all levels from students, educators and policymakers to parents, and whether the educational system as a whole is broken. Mehdi highlights the unique dynamic between teachers and their students who, as digital natives, are naturally adept at working with and leveraging new technologies. Finally, we reflect on whether AI will redefine educators as "master prompt engineers" who are simply teaching their students how to work effectively with these tools and the linguistic challenges of AI in Arabic.
Mehdi Benchaabane is the director of Qatar Academy Doha. Before taking up his current position, he was the director of the Qatar Foundation’s Education Development Institute where his work focussed on teacher professional learning, curriculum improvement and developing school leadership capacity.
The Qatar Foundation is a not-for-profit organization that brings together centers and programs focused on education, research and innovation, and community development.
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
The afikra Podcast is our flagship series featuring experts from academia, art, media and beyond who are helping document and/or shape the histories and cultures of the Arab world through their work. Our hope is that by having the guest share their expertise and story, the community walks away with a new found curiosity and maybe some good recommendations about new nerdy rabbit holes to dive into head first.
Explore all episodes in this series: https://www.youtube.com/watch?v=-0voh_EioBM&list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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We partnered with Habibi Festival for a six-night celebration of ancient + contemporary sounds from Lebanon, Tunisia, Syria, Morocco, Palestine, Algeria and more! It all took place from October 1-7 at Joe's Pub in NYC.
Each night we taped live conversations with the artists on stage. This special Quartertones episode is the fourth of six, featuring a conversation with and performance by Nesrine Belmokh, along with more snaps from a performance by Bab L'Bluz at Joe's pub.
Nesrine Bolmokh is a Franco-Algerian singer, cellist and songwriter who brings the Mediterranean together with North Africa in her music.
Bab L'Bluz is a Moroccan-French rock band that was formed in Marrakesh in 2018 by Yousra Mansour and Brice Bottin. Their music takes inspiration from Gnawa music, blues, Chaâbi and Afrobeat and is born out of the "Nayda" movement which seeks to honor local culture and heritage.
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
QuarterTones is afikra’s music podcast which hosts current Arab musicians from different geographies who play contemporary and modern music, including alternative scene or hip-hop, electronic, classical music, among other genres. The guests are invited to talk about their work and play their music – whether live or recorded – in three segments. The audience gets a chance to listen to some of the most interesting work from across the region and genres, and understand the music that these musicians and musicologists perform or study.
Explore all episodes in this series: https://www.youtube.com/watch?v=Pg2zwxYLPXg&list=PLfYG40bwRKl7FiLcdH_iSgv4RiXEy4GAh
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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Contemporary Arab art doesn’t always get the attention it deserves or needs. Alia Al-Senussi — cultural strategist and arts affairs advisor — talks to us about the power that museums hold in informing and shaping cultures, forgiving and healing from the pasts, and building resilient economies. Focussing on Saudi Arabia’s cultural revolution in motion, she explains why everyone seems to be obsessed with the so-called “creative economy” and how her own relationship with art started as a tourist, delineating between modern and contemporary art.
Finally, she highlights the critical role that artists and their art play as “interpreters of our time” and the difficulties of building private and public collections, and shares her “playbook” for building a successful cultural institution. For art lovers and curious minds alike, Alia also shares her favorite museums, cultural institutions and galleries, and communities from across the region as well as her favourite North African artists.
Alia Al-Senussi is a cultural strategist and art world affairs advisor with nearly 20 years of experience in the field. She works with cultural organisations across the world to support the creative sector. She is Art Basel's UK and MENA representative and advisor for the Milken Institute of Arts and Culture, and has previously been chair of the Tate Young Patrons, founding member of the Tate's Acquisitions Committee for the Middle East and North Africa, and the board of Patrons of Art Dubai.
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
The afikra Podcast is our flagship series featuring experts from academia, art, media and beyond who are helping document and/or shape the histories and cultures of the Arab world through their work. Our hope is that by having the guest share their expertise and story, the community walks away with a new found curiosity and maybe some good recommendations about new nerdy rabbit holes to dive into head first.
Explore all episodes in this series: https://www.youtube.com/watch?v=-0voh_EioBM&list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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We partnered with Habibi Festival for a six-night celebration of ancient + contemporary sounds from Lebanon, Tunisia, Syria, Morocco, Palestine, Algeria and more! It all took place from October 1-7 at Joe's Pub in NYC.
Each night we taped live conversations with the artists on stage. This special Quartertones episode is the third of six, featuring a conversation with Bab L'Bluz's Yousra Mansour and Brice Bottin, along with snaps from a performance by Tarek Yamani and the the Yacine Boulares Quartet at Joe's pub.
Bab L'Bluz is a Moroccan-French rock band that was formed in Marrakesh in 2018 by Yousra Mansour and Brice Bottin. Their music takes inspiration from Gnawa music, blues, Chaâbi and Afrobeat and is born out of the "Nayda" movement which seeks to honor local culture and heritage.
Tarek Yamani is a Lebanese jazz-pianist, composer, producer and educator. Through his music, he explores the relationship between African-American jazz and Classical Arabic music.
Yacine Boulares is a French-Tunisian saxophonist, clarinetist and composer based in New York. His music explores North & West African rhythms as well as Jazz. He founded the Shems Record label and Habibi Festival in 2020.
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
QuarterTones is afikra’s music podcast which hosts current Arab musicians from different geographies who play contemporary and modern music, including alternative scene or hip-hop, electronic, classical music, among other genres. The guests are invited to talk about their work and play their music – whether live or recorded – in three segments. The audience gets a chance to listen to some of the most interesting work from across the region and genres, and understand the music that these musicians and musicologists perform or study.
Explore all episodes in this series: https://www.youtube.com/watch?v=Pg2zwxYLPXg&list=PLfYG40bwRKl7FiLcdH_iSgv4RiXEy4GAh
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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Goodbye Julia — which played in Cannes’ section Un Certain Regard and won the Freedom Prize — is a poignant reflection on Sudanese society. The film is Kordofani's first feature. He sat down with us to discuss his journey from aviation engineer to film director and screenwriter, achieving the critical balance between "good" and "bad" while portraying humanity on screen, and how it felt to be acknowledged at the Cannes Film Festival.
We asked him about his decision to set the film between 2005 and 2011 — a significant moment in Sudan’s recent history — and who he made the film for: international viewers curious about Sudan or Sudanese cinema-goers reflecting on themselves. Finally, we untangle some of the main social critiques and themes that the film seeks to confront — in particular, racism between Northern and Southern Sudanese people.
Mohamed Kordofani is a Sudanese film director and screenwriter. He started out as an aviation engineer, before changing careers to pursue his passion for film. His first feature film, Goodbye Julia, gained international recognition and won the Freedom Prize at Cannes Film Festival. Since then, it has also been screened internationally and was selected by the Sudanese National Committee operating in exile in the category of Best International Feature Film at the 96th Academy Awards.
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Kawalis is afikra’s Movie Night podcast that dives into all types of production from stage to the small or big screen, zooming in on the work of professionals from the field. This interview series is an opportunity to ask actors, directors, scriptwriters and cinematographers questions about the industry, the writing and production processes, the behind the scenes and genres behind some of the Arab world’s best films, TV series, plays and performances, and to discover some of the best work out there from experts in the field. Explore all episodes in this series: https://www.youtube.com/watch?v=39iF2VuxlZ0&list=PLfYG40bwRKl7IMTj6Jk7yAJXCMMqxaP5AABOUT AFIKRA afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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We partnered with Habibi Festival for a six-night celebration of ancient + contemporary sounds from Lebanon, Tunisia, Syria, Morocco, Palestine, Algeria and more! It all took place from October 1-7 at Joe's Pub in NYC.
Each night we taped live conversations with the artists on stage. This special Quartertones episode is the second of six, featuring a conversation with mother-son duo Firas Zreik – who has previously joined us on Quartertones – and Amal Murkus, as well as snaps from their performances at Joe's Pub.
Amal Murkus is a Palestinian singer, actress, producer, TV & Radio host. Born and raised in Kufer Yasef in the Galilee, her career has been dedicated to the promotion, preservation and enrichment of Palestinian music and culture around the world. Her music is pioneering in its creation of a post-modern musical style that brings different Mediterranean influences together.
Firas Zreik is an artist, composer, lyricist and educator. A Palestine-born New Yorker, Zreik has revolutionized global perceptions of the Kanun instrument. While still preserving its identity as a vital part of the Maqam tradition, Zreik has "stretched its potential as a cultural chameleon enhancing a range of fresh, evolving sounds." He has collaborated with a number of leaders including Roger Waters, Simon Shaheen, Amir ElSaffar, Fabrizio Cassol and his internationally-renowned mother and frequent artistic partner Amal Murkus, for who he works as musical director.
THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
QuarterTones is afikra’s music podcast which hosts current Arab musicians from different geographies who play contemporary and modern music, including alternative scene or hip-hop, electronic, classical music, among other genres. The guests are invited to talk about their work and play their music – whether live or recorded – in three segments. The audience gets a chance to listen to some of the most interesting work from across the region and genres, and understand the music that these musicians and musicologists perform or study.
Explore all episodes in this series: https://www.youtube.com/watch?v=Pg2zwxYLPXg&list=PLfYG40bwRKl7FiLcdH_iSgv4RiXEy4GAh
ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra
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