Avsnitt
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The good days are long past for Chan and Leung, a couple slowly drifting apart, and losing themselves in the oncoming wave of modernity consisting of unemployment, debt, loneliness, and alienation. But since Edward Yang directed it, somehow it’s all beautiful.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing René Lalou’s Fantastic Planet (1973).
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There was a time, believe it or not, when the channel Bravo was willing to pay for some “celebrities” and a camera crew to get out of their comfort zones, go on various excursions around the world, and watch the sparks fly as they bicker, backstab, and try to make “reality” look fun for the audiences back home. That time was 1991. Those celebrities were John Lurie, Jim Jarmusch, Tom Waits, Matt Dillon, Willem Dafoe, and Dennis Hopper. They made 6 episodes. Bravo never explored this format further.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Edward Yang’s Taipei Story (1985).
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Saknas det avsnitt?
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Brett Morgen's expressionistic documentary seeks to sidestep the question of "which is the real David Bowie?" and instead sees the creation of his personas as just one strategy used by the performer to craft a life of continuous artistic challenge and innovation. "Reinvention" isn't so much a gimmick used to promote album and ticket sales as it is the inevitable path of a creative life. Oh, and it's beautiful and the music is good. Freak out!
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing John Lurie's Fishing With John (1991).
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Director Jacques Becker's belle epoque period drama about gangsters sets their lives on such a delicate balance between honor death that the eponymous pretty blonde is all it takes to bring it crashing down. Would you say a "love quadrangle" or a "love square"?
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Brett Morgen’s Moonage Daydream (2020).
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Indie director Melvin van Peebles’ one film for Columbia Pictures pointedly slams against the dictates and standards of studio filmmaking with his Godfrey Cambridge-starring vehicle about a white bigot who wakes up black and finds himself in a world that no longer tolerates his existence.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Jacques Becker’s Casque d’Or (1952).
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Just in time for February: it's... Random Acts of Cinema's Francis Ford Coppola's Bram Stoker's Dracula. Take me away from all of these possessives.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Melvin van Peebles' Watermelon Man (1970).
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An all-star who’s-who of mid-century Italian comedy (we assume) unite for a picture of staggering proportions! Our boys stumble and bumble their way through a meticulously planned robbery and end up stealing… our hearts. Director Mario Monicelli gives the world one of the great prototypes of the comedic heist.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Francis Ford Corolla’s Bram Stoker’s Dracula (1992).
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Content and Spoiler Warning: This film dramatizes bullying, violence, against children, and a school shooting. Those who may not want to listen to this episode should skip this one and join us next week.
Can an all-boys boarding school serve as a microcosm of an entire nation's fractured state of values? More importantly: should it? Director Lindsay Anderson subverts the slice-of-life routines and indignities of British school life with deft surrealist touches and a Malcom MacDowell-starring cast embracing nihilism and revenge.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Mario Monicelli's Big Deal on Madonna Street (1958).
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He lost his job. He got his draft notice. The only path forward for this cinefile is clear: alienate everyone in his life and fracture his sanity by filming a progressively more erratic week of his life. Is he really searching for truth? Is film even the right way to capture truth? Does he really care about truth at all? Director Jim McBride fake documentary is about how everything filmed is a lie.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Lindsay Anderson's If.... (1968)
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In the darkest of night, standing solitary vigil against the forces of evil: there stands the city’s only hope for justice, for vengeance, for truth. There stands… The Cameraman! Director Buster Keaton mines the depths of obsession and action in this late silent-era masterpiece
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Jim McBride’s David Holzman’s Diary (1967).
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Director Frank Capra returns to the podcast with his Oscar-hording smash hit romantic comedy starring Clark Gable and Claudette Colbert. A glamorous heiress is on the run from her father as she embarks on a cross-country trek to get back to her playboy husband. But a hard on his luck newspaperman knows a good story when he sees one, and takes her under his wing. And wouldn't you know it? These two hate each other! Which is to say: they desperately love each other and just don't know it yet.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Buster Keaton's The Cameraman (1928).
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Director Spike Jonze upends Hollywood conventions in this mind-bending Malkovich. Can Malkovich Malkovich before Malkovich Malkovich?
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Frank Capra's It Happened Once Night (1934).
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This time, Mira Nair unleashes her penchant for a romance-set-among-a-sprawling-family-drama on the nation of India as a wedding is organized, threatened, and celebrated amidst the intensity of a rainy season that I guess is probably a metaphor for something.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Spike Jonze’s Being John Malkovitch (1999).
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Hitch is back! Or rather, here he is just as he’s starting to become THE Alfred Hitchcock. His first thriller blurs the boundaries between guilt, loss, obsession, and paranoia as a bloodthirsty killer of women stalks the London streets… on Tuesdays.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Mira Nair’s Monsoon Wedding (2001).
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In his first film, renowned director Bernardo Bertolucci prowls through the not-so-innocent lives of strangers who just happened to be in a park on the night of a murder. Each have good reason to embellish and omit details as they recount their day leading up to the murder to the police interrogator, but the director unsparingly shows all of the petty choices and disastrous missteps of them all.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Alfred Hitchcock’s The Lodger: A Story of the London Fog (1927).
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It is neither a question of where Seijun Suzuki got his ideas from nor who got their ideas from him. Rather it is simply the plain fact that there were the movies that came before his 1967 art/hitman freak-out masterpiece and then there were the movies that came after.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Bernardo Bertolucci's La Commare Secca (1962).
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1985. Sammo Hung. Jackie Chan. It sounds like we have all of the ingredients for the perfect action/comedy. And we do. We definitely have those ingredients. Hung directs a rag tag group of orphanage buddies, now older, as they are recruited to travel to Japan and infiltrate (via slapstick) a notorious Yakuza gang.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Seijun Suzuki’s Branded to Kill (1967)
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We got ourselves a Mank! More importantly, we got ourselves a study in contrast between the brash but insecure broadway diva Margo (Bette Davis) and the ambitiously talented wolf-in-sheep’s-clothing Eve (Anne Baxter). Buckle up, it’s going to be a bumpy podcast.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Sammo Hung’s My Luck Stars - Jackie Chan: Emergence of a Superstar (1985)
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A classic odd couple picture, except… it’s a trio?! Hilarity and hijinks ensue when a couple of guys find themselves in the unlikeliest of situations: roommates!
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Well, kind of. Writer/director Jim Jarmusch jams John Lurie (as a pimp), Tom Waits (as a radio DJ), and Roberto Benigni (as a Roberto Benigni) into a Louisiana jail cell where tensions and unlikely loyalties form in this dryly funny, minimal masterpiece by one of America’s greatest directors.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Joseph L. Mankiewicz‘s All About Eve (1950).
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Three heartbreaking stories interweave through Alejandro González Iñárritu's frantic and abrasive entry onto the cinematic world stage. A lovelorn brother who turns to the brutal but lucrative opportunities of back alley dog fighting, a model confined to a crumbling apartment following a life-altering accident, and a hitman with a past who walks the streets unseen.
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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Jim Jarmusch's Down By Law (1986).
- Visa fler