Avsnitt
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Why and how local coffee bars in Italy--those distinctively Italian social and cultural spaces--have been increasingly managed by Chinese baristas since the Great Recession of 2008?
Italians regard espresso as a quintessentially Italian cultural product--so much so that Italy has applied to add Italian espresso to UNESCO's official list of intangible heritages of humanity. The coffee bar is a cornerstone of Italian urban life, with city residents sipping espresso at more than 100,000 of these local businesses throughout the country. And yet, despite its nationalist bona fides, espresso in Italy is increasingly prepared by Chinese baristas in Chinese-managed coffee bars. In Chinese Espresso: Contested Race and Convivial Space in Contemporary Italy (Princeton UP, 2024), Grazia Ting Deng explores the paradox of "Chinese espresso"--the fact that this most distinctive Italian social and cultural tradition is being preserved by Chinese immigrants and their racially diverse clientele.
Deng investigates the conditions, mechanisms, and implications of the rapid spread of Chinese-owned coffee bars in Italy since the Great Recession of 2008. Drawing on her extensive ethnographic research in Bologna, Deng describes an immigrant group that relies on reciprocal and flexible family labor to make coffee, deploying local knowledge gleaned from longtime residents who have come, sometimes resentfully, to regard this arrangement as a new normal. The existence of Chinese espresso represents new features of postmodern and postcolonial urban life in a pluralistic society where immigrants assume traditional roles even as they are regarded as racial others. The story of Chinese baristas and their patrons, Deng argues, transcends the dominant Eurocentric narrative of immigrant-host relations, complicating our understanding of cultural dynamics and racial formation within the shifting demographic realities of the Global North.
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Although we often think of friendship today as an indisputable value of human social life, for thinkers and writers across late mediaeval Christian society friendship raised a number of social and ethical dilemmas that needed to be carefully negotiated. On Amistà: Negotiating Friendship in Dante’s Italy (University of Toronto Press, 2023) analyses these dilemmas and looks at how Dante’s strategic articulations of friendship evolved across the phases of his literary career as he manoeuvred between different social groups and settings.
Dr. Elizabeth Coggeshall reveals that friendship was not an unequivocal moral good for the writers of late mediaeval Italy. Instead, it was an ambiguous term to be deployed strategically, describing a wide range of social relationships such as allies, collaborators, servants, patrons, rivals, and enemies. Drawing on the use of the language of friendship in the letters, correspondence poems, dedications, narratives, and treatises composed by Dante and his interlocutors, Dr. Coggeshall examines the way they skillfully negotiated around the dilemmas that friendship raised in the spheres of mediaeval Italian literary society. The book addresses instances of inclusivity and exclusivity, collaboration and self-interest, hierarchy and equality, and alterity and identity. Employing literary, historical, and sociological analysis, On Amistà presents a genealogy for the innovative and tactical use of the terms of friendship among the works of late mediaeval Italian authors.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Saknas det avsnitt?
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In recent decades, the study of the Eastern Roman Empire, also known as Byzantium, has been revolutionized by new approaches and more sophisticated models for how its society and state operated. No longer looked upon as a pale facsimile of classical Rome, Byzantium is now considered a vigorous state of its own, inheritor of many of Rome's features, and a vital node in the first truly globalized world.The New Roman Empire: A History of Byzantium (Oxford UP, 2024) is the first full, single-author history of the eastern Roman empire to appear in over a generation. Covering political and military history as well as all the major changes in religion, society, demography, and economy, Anthony Kaldellis's volume is divided into ten chronological sections which begin with the foundation of Constantinople in 324 AD and end with the fall of the empire to the Ottoman Turks in the fifteenth century. The book incorporates new findings, explains recent interpretive models, and presents well-known historical characters and events in a new light.Dr. Anthony Kaldellis is Professor of Classics at the University of Chicago. His previous books include A Cabinet of Byzantine Curiosities; Streams of gold, Rivers of Blood; Romanland, and, as translator and editor, Prokopios’ The Secret History. In 2019, he began hosting the podcast “Byzantium & Friends.”Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
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Chiara Renzo's book Jewish Displaced Persons in Italy 1943-1951: Politics, Rehabilitation, Identity (Routledge, 2023) focuses on the experiences of thousands of Jewish displaced persons (DPs) who lived in refugee camps in Italy between the liberation of the southern regions in 1943 and the early 1950s, waiting for their resettlement outside of Europe. It explores the Jewish DPs' daily life in the refugee camps and what this experience of displacement meant to them. This book sheds light on the dilemmas the Jewish DPs faced when reconstructing their lives in the refugee camps after the Holocaust and how this challenging process was deeply influenced by their interaction with the humanitarian and political actors involved in their rescue, rehabilitation, and resettlement. Relating to the peculiar context of post-fascist Italy and the broader picture of the postwar refugee crisis, this book reveals overlooked aspects that contributed to the making of an incredibly diverse and lively community in transit, able to elaborate new paradigms of home, belonging and family.
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In the middle of the second century AD, Rome was at its prosperous and powerful apex. The emperor Marcus Aurelius reigned over a vast territory that stretched from Britain to Egypt. The Roman-made peace, or Pax Romana, seemed to be permanent. Then, apparently out of nowhere, a sudden sickness struck the legions and laid waste to cities, including Rome itself. This fast-spreading disease, now known as the Antonine plague, may have been history’s first pandemic. Soon after its arrival, the Empire began its downward trajectory toward decline and fall. In Pox Romana: The Plague That Shook the Roman World (Princeton University Press, 2024), historian Dr. Colin Elliott offers a comprehensive, wide-ranging account of this pivotal moment in Roman history.
Did a single disease—its origins and diagnosis still a mystery—bring Rome to its knees? Carefully examining all the available evidence, Dr. Elliott shows that Rome’s problems were more insidious. Years before the pandemic, the thin veneer of Roman peace and prosperity had begun to crack: the economy was sluggish, the military found itself bogged down in the Balkans and the Middle East, food insecurity led to riots and mass migration, and persecution of Christians intensified. The pandemic exposed the crumbling foundations of a doomed Empire. Arguing that the disease was both cause and effect of Rome’s fall, Dr. Elliott describes the plague’s “preexisting conditions” (Rome’s multiple economic, social, and environmental susceptibilities); recounts the history of the outbreak itself through the experiences of physician, victim, and political operator; and explores postpandemic crises. The pandemic’s most transformative power, Dr. Elliott suggests, may have been its lingering presence as a threat both real and perceived.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Several decades of scholarship have demonstrated that Roman thinkers developed in new and stimulating directions the systems of thought they inherited from the Greeks, and that, taken together, they offer many perspectives that are of philosophical interest in their own right. The Oxford Handbook of Roman Philosophy explores a range of such Roman philosophical perspectives through thirty-four newly commissioned essays. Where Roman philosophy has long been considered a mere extension of Hellenistic systems of thought, this volume moves beyond the search for sources and parallels and situates Roman philosophy in its distinctive cultural context.
The Oxford Handbook of Roman Philosophy (Oxford UP, 2023) emphasizes four features of Roman philosophy: aspects of translation, social context, philosophical import, and literary style. The authors adopt an inclusive approach, treating not just systematic thinkers such as Cicero and Augustine, but also poets and historians. Topics covered include ethnicity, cultural identity, literary originality, the environment, Roman philosophical figures, epistemology, and ethics.
Myrto Garani is Associate Professor of Latin Literature at the National and Kapodistrian University of Athens, Greece. She is the author of Empedocles Redivivus, co-editor with David Konstan of The Philosophizing Muse, and co-editor with A. N. Michalopoulos and S. Papaioannou of Intertextuality in Seneca's Philosophical Writings.
David Konstan is Professor of Classics at New York University. He is the author of Friendship in the Classical World, Beauty, In the Orbit of Love, and The Origin of Sin.
Gretchen Reydams-Schils is Professor in the Program of Liberal Studies at the University of Notre Dame and holds concurrent appointments in Classics, Philosophy, and Theology. She is the author of The Roman Stoics and Calcidius on Plato's Timaeus.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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The marvellous, a key concept in literary debates at the turn of the seventeenth century, involved sensory and perspectival transformation, a rhetoric built on the unexpected, contradictory, and thought-provoking. The composer Claudio Monteverdi (1567–1643) created a new practice in which the expressive materials of music and poetry were placed in concert. This innovative new study of Monteverdi's literary personality integrates musical and poetic analysis to create an approach to text-music relations that addresses scholars of both literature and music.
Roseen Giles' book Monteverdi and the Marvellous: Poetry, Sound, and Representation (Cambridge UP, 2023) illuminates how experiments in language and perception at the turn of the seventeenth century were influenced and informed by the work of musicians of that era. Giles provides a new perspective on the music and poetry of Monteverdi's madrigals through the poetics of the marvellous. In his madrigals, Monteverdi created a reciprocity between poetry and music which encouraged audiences to contemplate their interactions, and, consequently, to listen differently.
Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: [email protected].
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In this highly original book Land Expropriation in Ancient Rome and Contemporary Zimbabwe: Veterans, Masculinity and War (Bloomsbury, 2022), Dr. Obert Bernard Mlambo offers a comparative and critical examination of the relationship between military veterans and land expropriation in the client-army of the first-century BC Roman Republic and veterans of the Zimbabwean liberation war. The study centres on the body of the soldier, the cultural production of images and representations of gender which advance theoretical discussions around war, masculinity and violence. Mlambo employs a transcultural comparative approach based on a persistent factor found in both societies: land expropriation. Often articulated in a framework of patriarchy, land appropriation takes place in the context of war-shaped masculinities.
This book fosters a deeper understanding of social processes, adding an important new perspective to the study of military violence, and paying attention to veterans' claims for rewards and compensation. These claims are developed in the context of war and its direct consequences, namely expropriation, confiscation and violence. Land Expropriation in Ancient Rome and Contemporary Zimbabwe contributes to current efforts to decolonise knowledge construction by revealing that a non-Western perspective can broaden our understanding of veterans, war, violence, land and gender in classical culture.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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"Fascism" is a word ubiquitous in our contemporary political discourse, but few know about its roots in the ancient past or its long, strange evolution to the present.
In ancient Rome, the fasces were a bundle of wooden rods bound with a leather cord, in which an axe was placed—in essence, a mobile kit for corporal or capital punishment. Attendants typically carried fasces before Rome's higher officials, to induce feelings of respect and fear for the relevant authority. This highly performative Roman institution had a lifespan of almost two millennia, and made a deep impression on subsequent eras, from the Byzantine period to the present.
Starting in the Renaissance, we find revivals and reinterpretations of the ancient fasces, accelerating especially after 1789, the first year of the United States' Constitution and the opening volley of the French Revolution. But it was Benito Mussolini, who, beginning in 1919, propagated the fasces on an unprecedented scale. Oddly, today the emblem has grown largely unfamiliar, which in turn has offered an opening to contemporary extremist groups.
In The Fasces: A History of Ancient Rome's Most Dangerous Political Symbol (Oxford University Press, 2022), Dr. T. Corey Brennan offers the first global history of the nature, development, and competing meanings of this stark symbol, from antiquity to the twenty-first century. The word "fascism" has universal awareness in contemporary political discourse, which thus makes this, the first book to trace the full arc of the fasces' almost 3,000-year history, essential reading for all who wish to understand how the past informs the present.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Today I talked to Mara Josi about her new book Rome, 16 October 1943: History, Memory, Literature (Legenda, 2023).
Rome. Saturday 16 October 1943. This is where and when the largest single round-up and deportation of Jews from Italy happened. 1259 people were arrested by the German occupiers and gathered in a temporary detention centre for two days. They were eventually deported to Auschwitz-Birkenau from a local railway station, Stazione Tiburtina.
From December 1944, literary texts of this event have facili-tated a national and international understanding and recollection of 16 October 1943. They have been bearers of historical awareness, channels of memory; not only outcomes of remembrance but also active ingredients in the process of forging cultural memory.
In this pioneering interdisciplinary study drawing from literary and cultural memory studies, Mara Josi shows how 16 ottobre 1943 by Giacomo Debenedetti, La Storia by Elsa Morante, La parola ebreo by Rosetta Loy, and Portico d'Ottavia 13 by Anna Foa have operated on the personal and the collective level: in other words, on the reader and on society.
Mara Josi obtained her PhD at the University of Cambridge. Before joining the University of Ghent as an FWO Post-doctoral Fellow, she was an IRC Postdoctoral Fellow at University College Dublin and a lecturer at the University of Manchester.
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In this episode of International Horizons, RBI director John Torpey interviews Marla Stone, a historian of Italian fascism at Occidental College, on the resurgence of the far right in Italy. The conversation delves into the origins of this resurgence and how Italy, a fairly homogeneous society, became a recipient of hundreds of thousand migrants, altering the perceptions of threat on Italian citizens that have been successfully instrumentalized by political movements to bring Giorgia Meloni to power. Prof. Stone also discusses the waning of the Italian left, but sees an optimistic future as an increasing number of Italians are promoting diversity.
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There is a popular notion that the Italian armed forces of the Second World War were an inferior fighting force. Despite the vast numbers taken prisoner, detailed studies of the experiences of these soldiers remain relatively uncommon and the value of this group to furthering our understanding of the Italian experience of war under Fascism is also rarely acknowledged. The existence in the National Archives of hundreds of pages of transcripts of covert British surveillance of Italian POWs has made it possible to engage with their experiences and opinions in much greater depth. The euphemistically termed 'Special Reports' present historians with a unique insight into how all levels of Italian soldiery viewed Fascist Italy's experience of war, 1940-1943.
Alexander Henry's book War Through Italian Eyes: Fighting for Mussolini, 1940-1943 (Routledge, 2021) examines reactions to Italian political leadership, the progress of the war, as well as Italian soldiers' 'everyday' views on sex, war, the enemy, death, food, their allies, bravery, race, and killing. These fascinating documents reveal the complexity of the outlook of these men, which persistent - and influential - national stereotypes and historiographical trends fail to acknowledge.
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Though commonly used today to identify a polity that lasted for over a millennium, the label “Byzantine empire” is an anachronism imposed by more recent generations. As Anthony Kaldellis explains in Romanland: Ethnicity and Empire in Byzantium (Harvard University Press, 2019), this has contributed to the denial of the ethnic identity that most denizens of the empire had of themselves as Romans. Kaldellis traces the origins of this process of denial to the 8th century CE, with the papacy’s turn to the Franks as their protectors. The efforts by the Catholic Church to de-legitimize the Eastern Empire as the legatee of ancient Rome denied the self-identification of its residents as Romans, one that is reflected in much of the surviving literature from this era. This identity was so widely embraced by the residents of the empire as to make it a largely homogenous state ethnically throughout much of its existence, one that absorbed many of the bands of people from other ethnic groups who migrated to the empire over the centuries of its existence.
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On October 1922 Mussolini became head of the Italian government, a situation that would last for twenty years. That power was obtained was largely due to the widespread violence perpetrated by blackshirts throughout Italy (squadristi). Violence however did not end. Old and new blackshirts played a major role in making Italy a fascist country. Contrary to the claims of many scholars that have depicted blackshirts after the March on Rome only as troublemakers for Mussolini, Matteo Millan's The Blackshirts' Dictatorship: Armed Squads, Political Violence, and the Consolidation of Mussolini's Regime (Routledge, 2022) shows that they played a crucial role in establishing a full and totalitarian dictatorship. Squadristi carried out processes of fascistisation, crushed opponents and convinced bystanders and dubious people, consolidating fascist power in many aspects of social, political and even intimate life. By resorting to new archives, a long chronology and a focus on individual perspectives, this book gives voice to the perpetrators of fascist violence and offers new insights into the lives of squadristi throughout the dictatorship, outlining their beliefs, outlooks and expectations. The Blackshirts' Dictatorship: shows that post-1922 squadrismo was not a side effect of Fascism's twenty-year history. On the contrary, violence represents one of the essential components of any definition of Italian Fascism.
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Neil Bernstein's The Complete Works of Claudian (Routledge, 2022) offers a modern, accurate, and accessible translation of Claudian's work, published in English for the first time since 1922, and accompanied by detailed notes and a comprehensive glossary.
Claudian (active 395-404 CE) was the last of the great classical Latin poets. His best-known work, The Rape of Proserpina, continues to inspire numerous retellings and adaptations. Claudian also wrote poems in praise of rulers, including the emperor Honorius and the regent Flavius Stilicho, which are essential sources for reconstructing politics and society in the late Roman empire. These poems and others are translated here, alongside an introduction offering an overview of Claudian's career, the wider historical and political context of the period, and the poetic traditions in which Claudian wrote: mythological epic, panegyric, invective, and epithalamium. The translations, with explanatory notes, include: The Rape of Proserpina, Panegyric on Olybrius and Probinus's Consulship, Panegyrics on Honorius's Third, Fourth, and Sixth Consulships, Invective Against Rufinus, Fescennines and Epithalamium for Honorius and Maria, The War With Gildo, Panegyric on Manlius Theodorus's Consulship, Invective Against Eutropius, Stilicho's Consulship, The Gothic War, and shorter poems.
The Complete Works of Claudian is a vital resource for students and scholars working on late antique literature, particularly Claudian's work, as well as those studying the history and culture of the western Roman Empire in this period. This accessible volume is also suitable for the general reader interested in the works of Claudian and this period more broadly.
Bernstein joins the New Books Network to read a few excerpts and discuss the challenges and benefits of reading his panegyric and invective poems as well as his writing in more lyrical and epic modes.
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In this first environmental history of Italian fascism, Marco Armiero, Roberta Biasillo, and Wilko Graf von Hardenberg reveal that nature and fascist rhetoric are inextricable. Mussolini's Nature explores fascist political ecologies, or rather the practices and narratives through which the regime constructed imaginary and material ecologies functional to its political project. Mussolini's Nature: An Environmental History of Italian Fascism (MIT Press, 2022) does not pursue the ghost of a green Mussolini by counting how many national parks were created during the regime or how many trees planted. Instead, the reader is trained to recognize fascist political ecology in Mussolini's speeches, reclaimed landscapes, policies of economic self-sufficiency, propaganda documentaries, reforested areas, and in the environmental transformation of its colonial holdings.
The authors conclude with an examination of the role of fascist landscapes in the country's postwar reconstruction: Mussolini's nature is still visible today through plaques, monuments, toponomy, and the shapes of landscapes. This original, and surprisingly intimate, environmental history is not merely a chronicle of conservation in fascist Italy but also an invitation to consider the socioecological connections of all political projects.
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As per William Shakespeare, ‘all the world’s a stage’. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play?
These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world’ on the ‘spiritual’ stage of the soul.
Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: [email protected].
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For almost seven centuries, two powers dominated the region we now call the Middle East: Rome and Persia. From the west: The Roman Republic, later the Roman Empire, later the Byzantine Empire. From the East: The Parthian Empire, later replaced by the Sasanian Empire.
The two ancient superpowers spent centuries fighting for influence, paying each other off, encouraging proxy fights in their neighbors, and seizing opportunities while the other was distracted with internal strife. The relationship culminates in an almost-three-decade long war that so exhausts the two powers that they both end up getting overrun by the Arabs years later.
Adrian Goldsworthy gives a detailed account of this long history in his recent book Rome and Persia: The Seven Hundred Year Rivalry (Basic Books: 2023), starting from the (alleged) first contact in 92 BC through to the collapse of Persia in the seventh century. The two of us are going to try our best to talk about this long history in our interview today.
Adrian Goldsworthy is an award-winning historian of the classical world. He is the author of numerous books about ancient Rome, including Hadrian’s Wall (Basic Books: 2018), Caesar: Life of a Colossus (Yale University Press: 2008), How Rome Fell: Death of a Superpower (Yale University Press: 2010), Pax Romana: War, Peace and Conquest in the Roman World (Yale University Press: 2016), and Augustus: First Emperor of Rome (Yale University Press: 2014).
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Rome and Persia. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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In Red Sauce: How Italian Food Became American (Rowman & Littlefield, 2022), Ian MacAllen traces the evolution of traditional Italian-American cuisine, often referred to as “red sauce Italian,” from its origins in Italy to its transformation in America into a new, distinct cuisine. It is a fascinating social and culinary history exploring the integration of red sauce food into mainstream America alongside the blending of Italian immigrant otherness into a national American identity. The story follows the small parlor restaurants immigrants launched from their homes to large, popular destinations, and eventually to commodified fast food and casual dining restaurants. Some dishes like fettuccine Alfredo and spaghetti alla Caruso owe their success to celebrities, and Italian-American cuisine generally has benefited from a rich history in popular culture.
Drawing on inspiration from Southern Italian cuisine, early Italian immigrants to America developed new recipes and modified old ones. Ethnic Italians invented dishes like lobster fra Diavolo, spaghetti and meatballs, and veal parmigiana, and popularized foods like pizza and baked lasagna that had once been seen as overly foreign. Eventually, the classic red-checkered-table-cloth Italian restaurant would be replaced by a new idea of what it means for food to be Italian, even as ‘red sauce’ became entrenched in American culture. This booklooks at how and why these foods became part of the national American diet, and focuses on the stories, myths, and facts behind classic (and some not so classic) dishes within Italian-American cuisine.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history.
Margherita Costa, Diva of the Baroque Court (U Toronto Press, 2023) brings together close textual readings of Costa’s numerous publications with archival materials detailing her performance itinerary and social-cultural networks. The book progresses chronologically through her life, geographically along the routes she travelled, and thematically via the genres in which she experimented. Jessica Goethals illuminates how Costa was unafraid to leap over the boundaries of decorum that delimited what women should and did write about. More than merely a literary biography, this book is also a portrait of seventeenth-century courts, their concerns, and their entertainments.
Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: [email protected].
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