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  • In this episode of Girls On Film we give you a flavour of the third Girls On Film Awards, our annual celebration of women in film which this year took place at our new home, Regent Street Cinema in London.

    We launched the awards to celebrate excellence in women-focused films, and to honour women and non-binary filmmakers.

    Girls On Film provides an inclusive platform for the voices of diverse women and people of marginalised genders, and we have a mission: to bring about industry-wide change, and to work toward equal representation of women in the film industry: on screen, and behind the camera.

    As the saying goes: “if she can see it, she can be it”, and that’s why shining a light on the great work women are making can make a real difference.

    Girls On Film host Anna Smith and co-founder Hedda Lornie Archbold hosted the awards together, and were joined by a stellar group of presenters to give out the awards, including Monica Dolan, Ronni Ancona, Sarah Gavron, Mia Bays, Col Needham, Mark Kermode, Nitin Sawhney and more.

    The mics didn’t pick up all the sound as well as we’d hoped – but the pod conveys the great atmosphere in the room.

    We hope you enjoy the awards!

    For a full list of the nominees and winners, you can find the press release on the HLA Website:
    https://hlaagency.co.uk/category/projects/girls-on-film-awards/

    Contributors to this episode include:
    Ronni Ancona
    Anthony Andrews
    Teanne Andrews
    Blair Barnette
    Mia Bays
    Suzie Davies
    Charlotte Dirickx
    Monica Dolan
    Jacqueline Durran
    Melanie Iredale
    Ayo Edebiri
    Kathryn Ferguson
    Jo Fernihough
    Kerry Fox
    Sarah Gavron
    Sarah Greenwood
    Priya Kansara
    Mark Kermode
    Emilie Levienaise-Farrouch
    Molly Manning Walker
    Nida Manzoor
    Col Needham
    William Oldroyd
    Rose Ryan
    Nitin Sawhney
    D. Smith
    Katie Spencer
    Holly Waddington
    Paris Zarcilla


    Films and television series mentioned in this episode are:
    ALL OF US STRANGERS
    AMERICAN FICTION
    ANATOMY OF A FALL
    ANOTHER BODY
    BARBIE
    THE BEAR
    BOTTOMS
    BRICK LANE
    EILEEN
    THE ETERNAL MEMORY
    FAIR PLAY
    THE FALLING
    FILMSTARS DON'T DIE IN LIVERPOOL
    HOW TO HAVE SEX
    JOY RIDE
    KOKOMO CITY
    LADY MACBETH
    MR BATES AND THE POST OFFICE
    NOTHING COMPARES
    NYAD
    PAST LIVES
    POLITE SOCIETY
    POOR THINGS
    THE POWER
    PREVENGE
    PRIDE
    PRISCILLA
    RAGING GRACE
    RETURN TO SEOUL
    ROCKS
    RYE LANE
    SALTBURN
    SCRAPPER
    SUFFRAGETTE
    TILL
    TYPIST ARTIST PIRATE KING
    W1A
    YOU WERE NEVER REALLY HERE
    THE ZONE OF INTEREST

    Become a patron of Girls On Film on Patreon here:
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    Subscribe to our newsletter by emailing [email protected]

    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive and Show Producer: Hedda Lornie Archbold
    Awards Producers: Hedda Lornie Archbold, Charlotte Matheson, Lydia Scott and Anna Smith
    Audio editor: Benjamin Cook
    House band: MX Tyrants

    © HLA Agency

  • In this episode Girls On Film is at the 20th edition of Glasgow Film Festival. Anna Smith sits down with Festival Director Allison Gardner, then has an exclusive interview with the director of Love Lies Bleeding Rose Glass, with Oscar-nominated director of The Teacher Farah Nabulsi, and with BAFTA-nominated director of Edge of Summer Lucy Cohen.

    First up, Director of GFF Allison Gardner picks out some of her festival highlights, from Ava DuVernay’s Origin to Viggo Mortensen’s The Dead Don’t Hurt which she describes as a ‘feminist western’. Allison talks about the unique programming at GFF with 126 films included at the festival this year. She picks out the ‘Love is sweet oh!’ strand programmed by Tomiwa Folorunso, the ‘Gestures of Memory’ strand programmed by Natasha Thembiso Ruwona, and ‘What Will the Men Wear?’ programmed by Rosie Beattie.

    Next up Anna welcomes back Rose Glass to Girls On Film, who first appeared in Episode 60 to discuss her debut Saint Maud, which also showed at GFF in 2019. This year Rose is back with her hotly-anticipated second feature, Love Lies Bleeding, which had its UK premiere as the Opening Gala film at GFF. With Anna, Rose talks about the ‘dream’ casting of Kristen Stewart as moody heartthrob Lou, who meets amateur bodybuilder Jackie when she turns up in Lou’s sleepy hometown. The pair fall hard for one another and Rose describes crafting their fantastical love story, with co-writer Weronika Tofilska, which has ‘one foot in reality, and one foot somewhere stranger’...

    Anna also speaks to Oscar-nominated director Farah Nabulsi, whose debut feature The Teacher is showing at GFF. Anna asked Farah about her journey into filmmaking, from a background in business to directing her first short The Present, which went on to be nominated for the 2021 Oscar for Best Live Action Short Film.

    Finally, Anna speaks with BAFTA-nominated director Lucy Cohen, whose coming-of-age film Edge of Summer tells the story of 11-year-old Evie on holiday in Cornwall in the early 1990s. When she meets local boy Adam, a mysterious discovery down an old tin mine changes everything. Lucy talks to Anna about her influences in exploring childhood on screen, citing Ratcatcher (Lynne Ramsay, 1999) and Walkabout (Nicolas Roeg, 1771), and about her excitement to be showing the film at Glasgow Film Festival.

    Thank you to our partners for this episode, Glasgow Film Festival.

    The festival runs from 28 February to 10 March.

    To buy tickets visit the Glasgow Film Festival website glasgowfilmfest.org/home/

    Love Lies Bleeding is in UK cinemas from 3 May 2024.

    You can watch The Teacher in Glasgow on Monday 4 March 2024 at 6pm and Tuesday 5 March 2024 at 3.15pm.

    You can watch Edge of Summer in Glasgow on Friday 8 March 2024 at 8.30pm and Saturday 9 March 2024 at 3.45pm.

    Other films mentioned in the podcast:
    The Mask (Charles Russell, 1994)
    Origin (Ava DuVernay, 2023)
    The Dead Don’t Hurt (Viggo Mortensen, 2024)
    Lousy Carter (Bob Byington, 2023)
    The Teacher’s Lounge (Ilker Catak, 2023)
    Thelma and Louise (Ridley Scott, 1991)
    Walkabout (Nicolas Roeg, 1971)
    Ratcatcher (Lynne Ramsay, 1999)
    The Present (Farah Nabulsi, 2021)
    Saint Maud (Rose Glass, 2019)
    Girl (Adura Onashile, 2023)
    Daisies (Vera Chitylova, 1966)

    The views and opinions expressed in this podcast are those of the speakers and not necessarily those of the organisation or its affiliates.

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Producer: Charlotte Matheson
    House band: MX Tyrants

    © HLA Agency

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  • This episode features the tenth Oscar winner to appear on Girls On Film. Anna Smith hears from Academy Award winner Olivia Colman who stars opposite Jessie Buckley and Anjana Vasan in the black comedy Wicked Little Letters. She also speaks to the film’s director, Thea Sharrock, and historical consultant Emily Cockayne about bringing this remarkable true story to the big screen.

    The film follows two neighbours: conservative local Edith Swan (played by Olivia Colman) and rowdy Irish migrant Rose Gooding (played by Jessie Buckley). When Edith and fellow residents begin to receive the letters, foul-mouthed Rose is charged with the crime. Anjana Vasan plays Police Officer Gladys Moss, who suspects that Rose may not be the culprit after all…

    Firstly, Anna speaks with Anjana and Thea about balancing the comedy with some of the more poignant moments in the film. They discuss Anjana’s character Gladys Moss, who is based on the first woman Police Officer in Sussex, and talk about the contemporary relevance of poison pen letters.

    Next up Anna hears from historical consultant Emily Cockayne, whose book Cheek By Jowl: A History of Neighbours details some of the scandal caused by the Littlehampton case in the 1920s.

    Finally, Anna is joined by the two stars of the film, Olivia Colman and Jessie Buckely, who recall their delight in receiving Jonny Sweet’s script. Olivia talks about her background in comedy, and the pair give an insight into the set of Wicked Little Letters when they discuss their musical collaboration.

    WICKED LITTLE LETTERS is released in UK and Irish cinemas on 23 February 2024.

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

    Follow us on socials:
    www.instagram.com/girlsonfilm_podcast/
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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Producer: Charlotte Matheson
    Audio editor: Benjamin Cook
    House band: MX Tyrants
    Thanks to our partners for this episode STUDIOCANAL

    © HLA Agency

  • As we post this episode, we’re coming up to the third annual Girls On Film Awards 2024. They take place on Tuesday 20 February 2024 at Regent Street Cinema in London. We’ll celebrate the brilliant work made by women in film and will be joined by nominees, industry supporters and listeners.


    We give awards in 12 categories, and the undisputed climax of the night will be the award for the category 'Female Orgasm on Screen, sponsored by Intimacy On Set' for the second year running. In this episode, Intimacy On Set founder Ita O’Brien talks with Hedda Lornie Archbold, Girls On Film co-founder, about the four nominated films in this category: Fair Play, Joy Ride, Poor Things and Saltburn, as well as about some of the other notable films of the past year.

    Ita O'Brien is an Intimacy Coordinator and Movement Director for film, television, and theatre. Since 2014, she has been developing best practice when working with intimacy, scenes with sexual content, and nudity in film, TV, and theatre. Ita pioneered the role of Intimacy Coordinator, which is being adopted in leading production houses, including HBO, Netflix, and the BBC. Ita founded Intimacy on Set to provide trained, professional Intimacy Coordinators to the industry.

    Also in this episode, Anna Smith recommends some great films by women filmmakers in the run up to International Women’s Day 2024.

    Films mentioned in this episode:
    Men Up
    Saltburn
    Poor Things
    Fair Play
    Joy Ride
    How To Have Sex
    Barbie
    Oppenheimer
    Memory
    Four Daughters
    Copa 71
    Origin

    Operas mentioned in this episode:
    Anthony and Cleopatra

    Television series mentioned in this episode:
    Bridgerton
    Brave New World

    Men Up is on BBC iPlayer
    Fair Play is on Netflix
    Joy Ride is streaming platforms including Apple TV.
    Saltburn is on Prime Video
    Poor Things is on streaming platforms including Prime Video and Apple TV from 27 February 2024.


    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

    Follow us on socials:
    www.instagram.com/girlsonfilm_podcast/
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    www.twitter.com/GirlsOnFilm_Pod
    www.twitter.com/annasmithjourno

    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith
    Producer: Hedda Lornie Archbold
    Audio editor: Emma Butt
    House band: MX Tyrants
    This episode is in partnership with Intimacy On Set

    © HLA Agency

  • In today’s episode, Anna Smith talks to members of the the Girls On Film community about Nyad, starring Annette Bening and Jodie Foster, which tells the remarkable true story of athlete Diana Nyad.

    An athlete turned journalist, Diana Nyad made an incredible vow when she turned 60. She was determined to become the first person to swim 110 miles from Cuba to Florida, without a shark cage. She was supported by a team including her best friend and coach Bonnie Stoll.

    Directed by Elizabeth Chai Vasarhelyi and Jimmy Chin, the film has a Best Actress Oscar nomination for Annette Bening as Diana, and Supporting Actress for Jodie Foster as Bonnie. The bond between Diana and Bonnie is beautifully depicted, whether they are sharing witty banter, second guessing each other or finding their strong friendship tested by Diana’s relentless and risky ambition. It’s the reason that Nyad is nominated for the Female Friendship on Screen award at the 2024 Girls On Film Awards.


    In partnership with Netflix we arranged a special Girls On Film screening of Nyad, the feature written by Julia Cox, adapted from the memoir Find A Way by Diana Nyad. We invited some of the Girls On Film community to watch this extraordinary true story on the big screen, followed by a discussion about some of the themes of the film, including friendships between women, achieving your goals no matter what your age, and the great pleasure of seeing the story of two complex, older lesbian characters on screen in mainstream cinema.


    Thanks to our partners for this episode, Netflix UK


    Other films mentioned in this episode are:
    Black Panther: Wakanda Forever
    Blindsight
    Booksmart
    Chariots of Fire
    Free Solo
    Girl Picture
    How to Have Sex
    A League of Their Own
    Polite Society
    The Rescue
    She Said
    The Silent Twins
    The Swimmers
    Thelma and Louise
    The Woman King


    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

    Follow us on socials:
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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Producer: Charlotte Matheson
    Audio editor: Emma Butt
    House band: MX Tyrants

    © HLA Agency

  • In this episode of Girls On Film, Anna Smith talks to the creator and showrunner of Mr. & Mrs. Smith, Francesca Sloane.

    Mr. & Mrs. Smith is a series inspired by the 2005 film by Doug Liman and Simon Kinberg. It stars Maya Erskine and Donald Glover as two lonely strangers who land jobs working for a mysterious spy agency, and are given new identities in an arranged marriage as Mr. and Mrs. John and Jane Smith. The eight-part series explores their relationship as they take on each new mission, with an all-star supporting cast including Parker Posey, Paul Dano, Sharon Horgan, Michaela Coel and more.

    In this conversation, Francesca discusses the conception of Mr. & Mrs. Smith and how she moved from being offered jobs ‘cleaning in her underwear’ in LA to being the showrunner of this series. She speaks to Anna about subverting gender roles in this reimagining of the 2005 film starring Brad Pitt and Angelina Jolie, and turning Donald Glover into a ‘Bond Girl’ figure. She also talks about the unique experience of leading a writing room made up exclusively of women of colour, and how the plot of the series came to interrogate questions of race and visibility.

    Mr. & Mrs. Smith is available on Prime Video now.

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

    Follow us on socials:
    www.instagram.com/girlsonfilm_podcast/
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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Producer: Charlotte Matheson
    Audio editor: Emma Butt
    House band: MX Tyrants
    This episode is in partnership with Prime Video

  • Best actress Oscar nominee Lily Gladstone joins Anna to discuss her powerful performance in Martin Scorsese’s American chronicle crime thriller Killers of the Flower Moon, now streaming globally on Apple TV+.

    Gladstone’s Mollie Kyle is an Osage Native American, and heir to the oil-rich, Osage-owned land in 1920s Oklahoma that white settlers are desperate to get their hands on. By turns richly emotional and crackling with humour, her nuanced portrayal foregrounds the story of Mollie and her fellow women in the community as an integral part of the film. Making history as the first Native American woman to receive a best actress nomination, Lily’s performance is a powerful testament to the suffering of the Osage women, and their incredible strength in the face of it.

    She joined Anna after a screening of the film in Soho’s Ham Yard Hotel, where she shared the depth of her preparation for the role, from spending time with the real Mollie’s family to wearing a 100-year-old Osage blanket as part of her costume. She talks working with Leonardo DiCaprio and Martin Scorsese – now the most nominated living director in Oscars history. Praising his skill and sensitivity in telling the story of Killers of the Flower Moon, she also makes a call to support Native American filmmakers bringing their own narratives to the screen – and answers questions from our audience.

    —--------------------------------------------------------------------------

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

    Subscribe to our newsletter and invitation list to hear about future screenings by emailing:
    [email protected]

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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Producer: Heather Dempsey
    Assistant Producer: Charlotte Matheson
    Audio editor: Jack Howard
    House band: MX Tyrants
    Photographer: Julie Edwards
    This episode is in partnership with Apple Original Films and Killers of the Flower Moon

  • Oscar and BAFTA nominee Carey Mulligan returns to Girls On Film for a very special episode celebrating her performance in the towering epic Maestro, currently on Netflix. Carey plays Felicia Montealegre Cohn Bernstein, opposite director Bradley Cooper as composer Leonard Bernstein, and her performance is spellbinding. She joined host Anna Smith after a screening of Maestro in London on 23rd January 2024 - the very day she was announced as a nominee for the Oscar for Actress in a Leading Role. This exclusive recording sees Carey sharing her thoughts on preparing for this complex role, working with Bradley Cooper and the incredible craft departments such as Hair and Make-Up. Recalling Carey’s first appearance on episode 3 of Girls On Film, Anna and Carey spoke frankly about how things have progressed for women in film, and how much has changed since we launched the podcast. You can also hear Carey answering questions from our audience of Girls On Film listeners.


    Other films mentioned in this episode:

    Promising Young Woman (dir. Emerald Fennell)
    She Said (dir. Maria Schrader)


    Subscribe to our newsletter and invitation list to hear about future screenings by emailing:
    [email protected]

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

    Follow us on socials:
    www.instagram.com/girlsonfilm_podcast/
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    www.twitter.com/annasmithjourno

    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z

    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Assistant Producer: Charlotte Matheson
    Audio editor: Jack Howard
    Live sound recordist: Cam Griffiths

    House band: MX Tyrants
    This episode is in partnership with Netflix

    Photo: Julie Edwards Photography

    © HLA Agency

  • This week, Anna Smith welcomes Nicole Newnham back to Girls On Film to discuss her documentary The Disappearance of Shere Hite. The film sheds light on the groundbreaking sexologist and former Playboy model Shere Hite, who in 1976 published The Hite Report, dubbed ‘a sexual revolution in 600 pages’. Taking the intimate experiences of thousands of women across the world as its basis, Hite and a small team of grassroots feminists exposed some of the harmful ideas around female sexuality that were prevalent at the time.

    In this episode, Nicole describes how she first got involved in the project, about the contemporary relevance of Shere Hite, and how Dakota Johnson became the voice of Shere Hite. With Anna, Nicole discusses some of the tragedy as well as triumph in the story of Shere Hite and the desire to explore what she calls the ‘the architecture of silence’ that attempted to remove Hite from the history books.

    Other films mentioned in this episode:
    Crip Camp, Nicole Newnham and James Lebrecht, 2020

    You can watch The Disappearance of Shere Hite from the 12th January in UK cinemas.

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

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    www.instagram.com/girlsonfilm_podcast/
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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Producer: Charlotte Matheson
    Audio editor: Alex Jones
    House band: MX Tyrants

    This episode is in partnership with Dogwoof and NBC Universal

    © HLA Agency

  • Today’s episode of Girls On Film is about the winner of the Un Certain Regard prize at the 2023 Cannes Film Festival, How to Have Sex. Anna Smith is joined by Molly Manning Walker, who wrote and directed How to Have Sex, and Mia McKenna-Bruce, whose performance as Tara earned her the BIFA for Best Lead Performance and Best Actress at the European Film Awards.
    The film shows Tara and her two best friends from school, Skye (Lara Peake) and Em (Enva Lewis), celebrating the end of their GCSE exams on a girls trip to Malia. In a flurry of neon mini dresses, fish bowl cocktails and an intriguing group of eighteen-year-olds in the same holiday complex, the girls navigate the worlds of sex, consent and self-discovery.

    How to Have Sex has been hailed by viewers as a vibrant and authentic depiction of the agonies, and ecstasies of girlhood, and in this episode Mia and Molly talk about the filming process, as well as the film’s impact on viewers, from critics at Cannes to teenagers in the classroom. Molly talks about the importance of building meaningful backstories for all her characters, and creating a ‘360 degree’ set to give her cast an authentic background to work against.

    The pair recall the excitement of working on a project like this, where club nights and football matches were a common fixture among cast and crew. They also speak to Anna about the ‘bittersweet’ response to the film, citing how it has sparked meaningful conversations about sex and consent, but also how it is exposing just how many people have been affected by the issues that How to Have Sex explores.

    How to Have Sex will be streaming exclusively on MUBI from 29 December 2023 and Girls On Film listeners can watch it with 30 days free at mubi.com/girlsonfilm

    Other series mentioned in this episode:
    I May Destroy You (Michaela Coel, 2020)
    Sex Education (Laurie Nunn, 2019)

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

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    www.instagram.com/girlsonfilm_podcast/
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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Producer: Charlotte Matheson
    Audio editor: Jack Howard
    House band: MX Tyrants
    This episode is in partnership with MUBI, a global streaming service and distributor where you can find a handpicked selection of world cinema.

    © HLA Agency

  • On today’s episode of Girls On Film, Anna Smith talks to four of the women Heads of Department who helped create Oppenheimer.

    Anna speaks to its editor Jennifer Lame (Midsommar, Don’t Worry Darling) about her career, which led her to edit one of the biggest films of 2023. Jennifer shares her instinct-driven approach to her work and reflects on her position as a woman editor.

    Next up Anna has a conversation with legendary costume designer Ellen Mirojnick, whose credits include Basic Instinct, Showgirls and Bridgerton. Ellen speaks about her first foray into costume design, hunting for the perfect hat for Oppenheimer, and the joys of putting together costumes for the film’s women characters.

    Finally, Anna speaks with Head of Hair Jaime Leigh McIntosh (Blonde, Babylon) and Head of Makeup and Prosthetics Luisa Abel (Knives Out, Interstellar) about the extraordinary attention to detail required when working in IMAX format, and about the role of the women characters in the Oppenheimer story.

    Oppenheimer is based on the 2006 Pulitzer Prize-winning book 'American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer' by Kai Bird and Martin J. Sherwin. It stars Cillian Murphy with an all star supporting cast including Emily Blunt, Florence Pugh and Robert Downey Jr.

    At the time of writing it was announced that Oppenheimer, written and directed by Christopher Nolan, is up for eight Golden Globes at the 2024 awards.

    Oppenheimer is available on demand now.

    Other films mentioned in this episode include:
    Before the Devil Knows You’re Dead (Sidney Lumet, 2007)
    Fatal Attraction (Adrian Lyne, 1988)
    Basic Instinct (Paul Verhoeven, 1992)
    The Wiz (Sidney Lumet, 1978)

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Producer: Lydia Scott
    Assistant Producer: Charlotte Matheson
    Audio editor: Jack Howard
    House band: MX Tyrants
    This episode is in partnership with Universal Pictures.

    © HLA Agency

  • Today on Girls On Film Anna Smith has a fascinating discussion about Todd Haynes’ May December with its screenwriter, Samy Burch. Samy talks to Anna about the journey she went on with this screenplay from writing it as a spec script to hopefully gain representation, to it catching the attention of one of the film’s stars Natalie Portman as a producer, and so meeting the legendary director Todd Haynes (Carol, Far from Heaven). Samy talks about the real-life story that inspired the screenplay, the layers of ‘power and manipulation’ in both Moore and Portman’s performances, and the role that gender plays in media coverage of these kinds of stories.

    May December tells the story of Gracie, played by Julianne Moore, and Joe, played by Riverdale’s Charles Melton, as they live family life in the shadow of their infamous first encounter: the couple’s 20-year relationship began when Gracie was 36 and Joe was just 13-years-old. Now, two decades later, Natalie Portman plays actress Elizabeth who travels to Georgia to study the couple for a role in an upcoming film. Gracie and Joe are forced to revisit their past from new perspectives, as they question the love story they've told themselves and the world.

    You can watch May December now in cinemas in the UK, and on Sky Cinema on the 8 December 2023.

    Other films mentioned in this episode include:
    Persona, Ingmar Bergman, 1966
    3 Women, Robert Altman, 1977
    Coyote vs. Acme, Dave Green

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

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    www.twitter.com/GirlsOnFilm_Pod
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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Producer: Lydia Scott
    Audio editor: Nic Wassell
    Intern: Charlotte Matheson

    House band: MX Tyrants

    This episode is in partnership with Sky Cinema.

    With thanks to AmyLouise Godby.

    © HLA Agency

  • In this episode of Girls On Film, Anna Smith talks to Director Paul Sng and Producer Jen Corcoran about their new feature documentary Tish, which tells the story of working-class photographer Patricia ‘Tish’ Murtha who worked to document life in Northeast England in the 1970s and 1980s. Anna then talks to Production Designer Sarah Greenwood and Set Decorator Katie Spencer, who worked together to create the distinctive world of Greta Gerwig’s Barbie. Tish was the Opening Night Film of Sheffield Doc Fest 2023 and it is a celebration of a life devoted to exposing social inequality through art. The feature documentary is told from the perspective of Ella Murtha, both as daughter and custodian of the Tish Murtha archive. She retraces her mother’s relationship with the photographic medium, from finding her first camera in a local skip, to earning a reputation as the ‘demon snapper’ and beyond. Anna talks to Paul and Jen about the inspiration behind the project, the power of having working-class stories told from the inside, and asks about their favourite photographs in the Tish archive. Next on Girls On Film, Anna has a lively conversation with Sarah Greenwood and Katie Spencer, whose long time collaboration has resulted in multiple Academy Award and BAFTA nominations, and, most recently, the weird, wonderful and instantly recognisable world of Barbie. Sarah and Katie talk about working with Greta Gerwig in the early design stages of the project, following visual prompts like ‘think Gaudí in a blender’ when creating Weird Barbie’s house, and the film’s many and varied visual inspirations. Tish by Paul Sng is being released by Modern Films in UK and Irish cinemas on 17 November 2023. On demand information: Virtual cinema 22 Dec, TVOD 5 Feb (iTunes, Amazon, Google Play). Barbie is available on 4K, Blu-Ray™, DVD & Digital Download nowOther films mentioned in this episode include: Singin’ in the Rain, Gene Kelly, Stanley Donen, 1952Grease, Randal Kleiser, 1978Playtime, Jacques Tati, 1967The Wizard of Oz, Victor Fleming, 1939Psycho, Alfred Hitchock, 1960Jaws, Steven Spielberg, 1975Books mentioned; To Kill A Mockingbird, Harper Lee, 1960Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Lydia ScottAudio editor: Elliana Jay HamerIntern: Charlotte MathesonHouse band: MX TyrantsThis episode is in partnership with Margaret London and Women in Film and TV (UK) with huge thanks to our principal partners Peter Brewer and Vanessa Smith. With thanks to Sophia Hammond and Kate Riddell.© HLA Agency

  • Today Anna Smith talks to Oscar-nominated director Maite Alberdi about her new documentary The Eternal Memory, which follows a Chilean couple as they navigate the challenges of Alzheimer’s disease together. She then talks to Ella Glendining about her BIFA-nominated documentary, Is There Anybody Out There? which charts her search for individuals with the same rare disability as herself.

    Journalist Augusto Góngora and actor Paulina Urrutia are the subject of The Eternal Memory, a touching testimony of the couple’s bond in the face of Augusto’s worsening dementia. ‘La Pauli,’ as Augosto referred to his partner, took care of him after he was diagnosed with Alzheimer’s at 62. Maite recalls how the couple had a unique approach to the disease where they saw ‘Alzeimher’s as a challenge, not a tragedy’. The film uses a mix of archive footage from Augusto’s broadcast days and new material as the couple go about their daily lives, noticing the sensory experience of the everyday and how it interacts with Augosto’s condition. The Eternal Memory offers a unique and refreshing perspective on dementia, ageing and coupledom.

    Next, Anna Smith talks to Ella Glendining about the making of and motivation behind her documentary Is There Anybody Out There?. The film is personal, one woman’s search to find someone else born with no hip joints and short femurs, but it is also deeply political, laying bare the ethics of medical intervention, exploring the impacts of ableism and documenting disabled joy. Ella talks about the inspiration behind the film, the challenges and surprises she faced while making it, and she reveals the projects she is most looking forward to seeing next!

    You can watch The Eternal Memory in select cinemas from the 10th November 2023. Visit www.theeternalmemory.film to find out more and book tickets

    Is There Anybody Out There? is in cinemas and on demand 17th November 2023. Screenings and information at conic.film/anybody

    Other films mentioned in this episode include:
    The Mole Agent, Maite Alberdi, 2020
    Dick Johnson Is Dead, Kirsten Johnson 2020
    Smoke Sauna Sisterhood (Original title: Savvusanna sõsarad), Anna Hints, 2023

    Television mentioned in this episode include:
    We Might Regret This, Kyla Harris

    Reviews mentioned in this episode:
    https://www.timeout.com/movies/smoke-sauna-sisterhood-2023

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

    Follow us on socials:
    www.instagram.com/girlsonfilm_podcast/
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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z

    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Producer: Lydia Scott
    Audio editor: Emma Butt
    Intern: Charlotte Matheson

    House band: MX Tyrants

    This episode is in partnership with Dogwoof and Conic Films.

    © HLA Agency

  • Returning to the pod is director Susanna Fogel to talk to Anna Smith about her riveting new feature Cat Person starring the brilliant Emilia Jones, best known for her lead role in Oscar-winning film CODA. Emilia plays Margot - a young, single, and seemingly self-possessed woman who meets Robert, played by Succession’s Nicholas Braun. The film, inspired by Kristen Roupenian’s viral New Yorker short story of the same name, explores issues around dating and consent as we follow Margot in her fledgling relationship with Robert. Susanna Fogel shares how the team brought the story to the big screen, and how she hopes it will provoke discussion around issues such as consent and dating.

    Also returning to the pod in this episode is Ellen E Jones, film critic, broadcaster and writer who offers her insight into Cat Person and the cinematic language used in the film. Anna and Ellen delve into the representation and perspectives of both Margot and Robert, but also Margot’s mother Kelly (Hope Davis) and Margot’s lecturer and mentor played by Isabella Rossellini. Ellen’s new book 'Screen Deep: How film and TV can solve racism and save the world' is out in February 2024.

    CAT PERSON is in UK & Ireland cinemas from Friday 27th October 2023

    Other films mentioned in this episode include:
    Brainwashed: Sex-Camera-Power, Nina Menkes 2022
    Blade Runner, Ridley Scott 1982
    Winner, Susanna Fogel tbc
    Star Wars, 1977–2019
    Barbie, Greta Gerwig 2023
    Spirited Away, Hayao Miyazaki 2001
    Zola, Janicza Bravo 2020
    How to Have Sex, Molly Manning Walker 2023
    Booksmart, Olivia Wilde 2019

    Television mentioned in this episode include:
    Succession, 2018–2023

    You can hear Emilia Jones on CODA in Girls On Film episodes 90 and 108, and Susanna Fogel on her film A Small Light in Girls On Film episode 154.

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

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    www.instagram.com/girlsonfilm_podcast/
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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z

    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Producer: Lydia Scott
    Audio editor: Emma Butt
    Intern: Charlotte Matheson
    House band: MX Tyrants

    This episode is in partnership with STUDIOCANAL.

    © HLA Agency

  • With Anna Smith for this episode is writer and director Estibaliz Urresola Solaguren who talks about her debut feature 20,000 Species of Bees, and film critic Larushka Ivan-Zadeh to further discuss all that is explored in the beautiful and sensitive coming of age tale.

    The tender, heartfelt drama centres on actor Sofía Otero, who won the Silver Bear for Best Leading Performance at 2022’s Berlin Film Festival for her depiction of a transgender eight-year-old girl during a family holiday in the Basque Country. The return to her mother’s hometown throws up questions of identity and belonging for not only our protagonist, but also the family that surrounds her with their own complexities and crises.

    First Anna Smith talks to fellow female film critic Larushka Ivan-Zadeh, discussing the characterisation of identity and the skilful handling of a complex issue through a lightness of touch. The film features stunning central performances not only by the young star Sofía Otero but also Patricia López Arnaiz who plays the distracted but loving mother and a further brilliant ensemble. Anna is then joined by writer and director Estibaliz Urresola Solaguren who gives us further insight into the inspiration for the work, and the impact of place in the symbolism of the film.

    You can watch 20,000 Species of Bees from the 27th of October in UK cinemas or at home with Curzon Home Cinema.

    Other films mentioned in this episode include:
    Cuerdas, 2022, Estibaliz Urresola Solaguren

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

    Follow us on socials:
    www.instagram.com/girlsonfilm_podcast/
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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z

    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Producer: Lydia Scott
    Audio editor: Emma Butt
    Intern: Charlotte Matheson
    House band: MX Tyrants

    This episode is in partnership with Curzon Film.

  • Is the film industry still a man’s world, or are women now leading the way? How will AI affect films? These are just some of the questions addressed by a panel of four leading women working in film, who joined Anna Smith at this year’s Evolution Mallorca International Film Festival (EMIFF). They also talked about the creative and business side of the industry, and their work-life balance.


    The 12th edition of EMIFF was produced with her usual flair and creativity by festival director Sandra Seeling, who invited Girls On Film back for another panel featuring four high profile panellists, to join Anna Smith on stage at the Sala Rivoli in Palma on 21 October 2023.

    In this recording of that event, listen to our guests talk about how they got started in the industry, the importance of mentorship, and how to lead well.

    Anna is joined, first off, by Nurhan Sekerci-Porst, Germany-based producer of films including In The Fade and Rheingold. From the USA, she welcomes Nicol Paone, the writer, director and producer whose film The Kill Room, which stars Uma Thurman and Samuel L Jackson, played at the festival. She is joined by her fiancé Nicole Weis, Head Of Theatrical Distribution at IFC Films. And finally she is joined by Rosie Fellner, actress, producer and owner of Rosebud Productions.

    This international panel gave some riveting insight into working in the industry. The conversation takes some surprising turns and is inspiring and funny.


    Films mentioned in this episode:
    In The Fade, dir Fatih Akin, prod Nurhan Şekerci Porst
    Rheingold, Fatih Akin, prod Nurhan Şekerci Porst
    Friendsgiving, dir Nicol Paone
    The Kill Room, dir Nicol Paone
    Everything Everywhere All At Once, dir Daniel Kwan & Daniel Scheinert
    The Disappearance of Shere Hite, dir Nicole Newnham
    The Uninvited, Dir Nadia Conners
    F For Fake, dir Orson Welles
    Ladybird, dir Greta
    Barbie, dir Greta Gerwig
    Past Lives, dir Celine Song

    TV series mentioned in this episode:
    Funny Or Die

    Plays mentioned in this episode:
    Hamlet, William Shakespeare

    Find out more about Evolution Mallorca International Film Festival here: https://www.evolutionfilmfestival.com/

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

    Follow us on socials:
    www.instagram.com/girlsonfilm_podcast/
    www.facebook.com/girlsonfilmpodcast
    www.twitter.com/GirlsOnFilm_Pod
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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Audio Editing: Nic Wassell
    Intern: Charlotte Matheson

    This episode is in partnership with Evolution Mallorca International Film Festival.

  • With us this episode are filmmaker Janis Pugh & actor, director & writer Tilda Cobham-Hervey - just two of the brilliant women showcased at the Edinburgh Festivals 2023. Anna Smith also gives top tips of other female-led highlights of the Edinburgh International Festival, Edinburgh Fringe, Edinburgh International Book Festival, and - of course - Edinburgh International Film Festival.

    Our first guest is Janis Pugh, writer/director of Chuck Chuck Baby which will receive its World Premiere at Edinburgh International Film Festival on 20th August. The feature is a musical comedy drama that celebrates female working class friendship and love in Wales. Helen, played by Louise Brealey (Sherlock, Smack the Pony) is stuck packing chickens by night and by day cares for a dying mother figure. Her life takes an unexpected turn with the return of Joanne, played by Annabel Scholey (Being Human, Walking on Sunshine). Janis Pugh joins Anna for a lively chat about her personal experiences of working in a chicken factory in Wales, and talks about the camaraderie she saw that inspired the film. She also explains why love is at the heart of the film, and talks about the fragile male character of Gary, played by Celyn Jones.

    We also chat with actor, director & writer Tilda Cobham-Hervey who, as well as working in film and TV, also works in live art and is bringing her intimate audio adventure Two Strangers Walk Into A Bar… to the Fringe. Tilda chats about her journey to making the production, and her love of immersive live experience, as well as the effects that the piece has on the two-strong audience. Anna Smith will be sharing her reaction to the piece as she updates live from the festivals, so stay tuned on the socials below.

    Find out more about Edinburgh Festivals and book tickets at www.edinburghfestivalcity.com/

    Chuck Chuck Baby will have its World Premiere on 20th August, follow Girls On Film for info on its wider release https://www.eif.co.uk/events/eiff-chuck-chuck-baby

    Two Strangers Walk Into A Bar… is playing at House of Oz from 4th to 27th August https://www.houseofoz.co.uk/2023/two-strangers

    Anoushka Shankar will be appearing in Edinburgh International Festival on 27th August https://www.eif.co.uk/events/anoushka-shankar

    Festival highlights:

    Edinburgh International Film Festival - details at www.eif.co.uk/edinburgh-international-film-festival
    Your Fat Friend, Jeanie Finlay
    Past Lives, Celine Song
    Showing Up, Kelly Reichardt
    Scrapper, Charlotte Regan
    Is There Anybody Out There?, Ella Glendinining
    The Strange Case of Dr Jekyll and Mr Hyde, Hope Dickson Leach

    Edinburgh International Book Festival - at www.edbookfest.co.uk
    What I Run Towards Will Strengthen Me, Sarah Polley

    Edinburgh Festival Fringe - all at https://tickets.edfringe.com/
    Work in Progress, Rose Matafeo
    Composition, Leila Navabi
    Dugzi Dayz, Sabrina Ali
    Unforgettable Girl, Elisabeth Gunawan
    MEAT, Elle Dillon-Reams

    Other films mentioned in this episode include:
    House, Janis Pugh
    52 Tuesdays, Sophie Hyde, 2013

    Other TV mentioned in this episode include:
    The Lost Flowers of Alice Hart, Glendyn Ivin, 2023

    Other theatre mentioned in this episode includes:
    Funeral, Ontroerend Goed (tickets.edfringe.com/whats-on/funeral)

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

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    www.instagram.com/girlsonfilm_podcast/
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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Producer: Lydia Scott
    Audio Producer: Emma Butt
    Assistant Producer: Eleanor Hardy
    House band: MX Tyrants
    This episode is in partnership with Festivals Edinburgh

  • In this episode of Girls On Film, Anna Smith is joined by the writers of the brilliant comedy Joy Ride; Teresa Hsiao and Cherry Chevapravatdumrong. Joy Ride stars Ashley Park as Audrey, an American-Asian lawyer on a work trip to China. She ends up on a crazy and emotional adventure with three friends, played by Sherry Cola, Sabrina Wu and Stephanie Hsu. The film is directed by Crazy Rich Asians writer Adele Lim.

    Teresa and Cherry speak to Anna about their dynamic writing together and creating female characters who are allowed to be raunchy and express themselves in a way not typically shown in comedy films. They also talk about Asian representation on screen, and what it’s like to write characters that relate to an underrepresented group.

    This interview was recorded before the actors joined the writers on strike, and is in partnership with Lionsgate. Joy Ride opens in UK cinemas on 4th August 2023.

    Vote for us in the Listeners' Choice Award here: https://www.britishpodcastawards.com/voting

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

    Follow us on socials:
    www.instagram.com/girlsonfilm_podcast/
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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith
    Executive Producer: Hedda Archbold
    Audio Producer: Emma Butt
    Assistant Producer: Eleanor Hardy
    House band: MX Tyrants
    This episode is in partnership with Lionsgate.

  • Let us transport you to the Karlovy Vary International Film Festival 2023, where Girls On Film recorded an episode with an audience of festival goers. Host Anna Smith is joined by critics and filmmakers who are full of film recommendations, as well as thought-provoking and poignant conversation.

    First to join Anna are critics Wendy Ide and Marya E Gates, who speak about which films they’ve loved, and the strong array of female-focused films playing at KVIFF. They review La Chimera, starring Josh O'Connor and Isabella Rossellini. Marya talks about Georgian film Blackbird Blackbird Blackberry, and both of them discuss the ‘hot-topic’ Past Lives, that has been capturing the attention of film lovers since its debut in Sundance earlier this year.

    Next, Anna welcomes Myriam Sassine, producer of Dancing on the Edge of a Volcano, a Lebanese documentary that tells the story of a film crew navigating making a feature in the aftermath of the Beirut explosion in August 2020. Myriam discusses the challenges she faced whilst producing the film, as well as explaining the connections she established with the survivors in the filmmaking process.

    Our last guests are producer Elaheh Nobakht and director Negin Ahmadi, whose film Dream’s Gate tells the personal journey of Negin as she enters the war zone in North Syria, along with a group of young women who are determined to fight back. Elaheh, who translates for Negin, explains the importance of portraying women’s stories in her films and how this personal reflection highlights the moments of joy within the conflict. Elaheh also speaks about her experience as an independent Iranian producer.

    This episode is sponsored by Magnum.

    Films mentioned in this episode include:

    La Chimera
    Past Lives (UK release 8 September 2023)
    The Girls Are Alright
    Blackbird Blackbird Blackberry
    My Happy Family
    A Room of My Own (available to stream on Klassiki)
    The Mother of all Lies
    Slow
    Dancing on the Edge of a Volcano
    Costa Brava, Lebanon (available on Netflix)
    Dream’s Gate
    Inside the Yellow Cocoon
    Anatomy of a Fall
    In Camera

    Find out more about KVIFF here: www.kviff.com

    Become a patron of Girls On Film on Patreon here:
    www.patreon.com/girlsonfilmpodcast

    Follow us on socials:
    www.instagram.com/girlsonfilm_podcast/
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    Watch Girls On Film on the BFI’s YouTube channel:
    www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
    Girls On Film is an HLA production.

    Host: Anna Smith.
    Executive Producer: Hedda Archbold
    Audio Producer: Emma Butt
    Assistant Producer: Eleanor Hardy
    House band: MX Tyrants